Midlands Review of Pearl Dog

midlandsmovies • July 9, 2022

Pearl Dog

 

Directed by Bethan Coolin & Samuel Poyser

 

2022

 

5247FILMS

 

Written in 2021 and completed earlier this month, Pearl Dog is a new Derbyshire-made animation created using a unique process which pushes the boundaries between art and technology.


What was originally intended to be filmed in live action, the directors experimented with AI to create something they felt was truly original.


So what’s going on here? Well, the short itself takes the form of a spoken-word poem where a narrator tells of an encounter with a dog which shows up one night on a beach.


From the first sighting to the description of the hound, we hear the narrator tell of “distant rocks”, “floods of black” and “scattered glinting moonlit dots”. And this ominous and descriptive prose matches well with the monochrome visuals.


With hints of The Hound of the Baskervilles and more than a nod to the dark world of Edgar Allan Poe, the film’s gothic tone is expressed in an impassioned and strong Irish brogue. Together with the mysterious language they create an excellent sense of foreboding - but also intrigue.


As a dog owner myself, their loyalty and character is ripe for odes and mischievous ballads and from “Epitaph to a Dog" by Byron to "A Dog is a Dog" by T.S. Eliot, the animals have been captured by many a poet over the years.


What’s more distinctive is the specific techniques used to create the aesthetics of the film. Combining shot footage with AI-infused rotoscoping the film’s black and white palette has the look of a moving painting.


Being a big fan of Loving Vincent (the Van Gogh animated biopic using frames of real oil paintings) the film has interesting parallels to that work with its brush-stroke-like qualities.


Whereas one person could see this AI/real-life combo as an artistic step forward I couldn’t help but have a niggle that if its frames were actually hand-drawn it would add another link to the artistic methods of yesteryear. Especially given the poem overtly harks back to the creative styles from back then too.


It has an excellent oil-painting Insta-filter look but I can’t say that the insertion of computing didn’t help but linger in the back of my mind at times.


However, I did my best to not let the tech overshadow the creative process behind it and for some, the link between the modern and the archaic may in fact make it more special.


Putting the “machine learning algorithms” to one side, its content as a haunting tale and its original construction still means Pearl Dog is a worthwhile short with plenty to enjoy.


Imaginative and innovative, the short is a satisfying and well-made folktale even with its added darkness and gloom. And its first rate tone and language help it explore the enigmatic behaviour of man’s best friend.


★★★★☆


Michael Sales

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On Sunday 26th April Midlands Movies Editor Michael Sales & awards ceremony co-host Ed Stagg (BBC Radio) announced the nominations for the 2026 Midlands Movies Awards live from the Queen of Bradgate Vintage Cinema in Leicester. A big thanks was given to the entire Jury Panel of industry experts who gave up their precious time to watch a huge selection of creative projects and as always, had a difficult time choosing from the excellent number of films from the region. You can read the full list of nominations across all 16 categories below and watch our announcement videos here: Part 1 & Part 2 And please also check out our great awards partner Chrome Video Best Actress in a Leading Role Karendip Phull for Family Kate Bracken for The Lace Rachel Baker for Throwing Fruit Chloe Wade for How Long Sophie Bullock for Ma Prison Best Animated Film Of All the Things by Steff Lee Big Red by James Pyle Statue in the Garden by Qianhui Yu Butterfly by Jacob Christie Best Director Luke Worrall for The Waterline Lily Portman for Quiet Jack Richardson for Daniel’s Room Jonathan Hawes for Sorry We’re Closed Sophia Dall'Aglio for Man from Mars Best Documentary Nothing's Impossible by Jacob Thomas McClean A Birmingham Symphony by Jemma Saunders We Bring Light: Leicester's Diwali Legacy by Kieran Vyas The Sunshine Café by Jill Lampert Through the Viewfinder by William North Best Sound (Editing or Mixing) Neil Evans & his team for Artificial Insanity Alasdair Gretton for Dead on Distribution Deepanjali Patel for Earworm David Hamilton-Smith for The Pause Heidi Wilson for Of All The Things Best Actor in a Supporting Role Devon Junior for Lazar Tim Sparrow for Safety Net Shaiek Ahmed Rana for Family Luke Rollason for Quiet Peter Willoughby for A Story of Spring Best Visual & Special Effects Jake Wesley-Worrall for Soul Trader Steve Askey & team for The Correction Unit Nick Willett, Matt Burkey & Jayne Hyman for Black Goat JaqD SFX MUA, Mind Magic Studios and Ben Harker for Beyond the Witching Hour Pete Key, Jai Blanks and Jacob Christie for Countenance  Best Cinematography Gary Rogers for The Pause Laurence Mason-Guetta for Sorry We’re Closed Ian Snape for Soul Trader Ash Connaughton for Daniel’s Room Duane Adamoli for Surfing (nominations continue below...)
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