Midlands Review of The Winster Werewolf

midlandsmovies • December 8, 2025

The Winster Werewolf


Directed by Jake Mayo


2025


Amberwell Productions

 

*some SPOLIERS ahead*

 

On the 4th of December 2025, as the cold moon rose, evil spirits and terrifying creatures lingered in the darkness.

In rural Derbyshire, the full moon welcomed in the premiere of The Winster Werewolf – Amberwell Productions' new short, the fourth in their six-part ‘creature anthology’.


And in the Whitworth’s grand Victorian ballroom in Darley Dale, a well-attended audience had settled down to embrace whatever frights and thrills would await them!


Although it stands alone from the other films in the anthology, The Winster Werewolf follows what seems to be a consistent formula. John (Steve Williams) is a YouTuber who is looking for various creatures around Derbyshire, followed by his eager and sardonic assistant, ‘Cameraman’ (Raymond Lesley).


Directed by Jake Mayo and written by James Ledger, this film has a unique and carefully managed self-awareness. From the very first scene, Cameraman exhibits this style of humour - which is throughout the script. For example, when asked by John if he believed there was a werewolf in Winster, he stated “well, it’s an alliteration, so it must mean something is true”.


John and Cameraman then go into Winster, a quaint village in Derbyshire, where they recount the ancient legend of Harold Hand, a man who was found naked and asleep in the local Winster church after a full moon. Fearful of execution, Hand escaped with angry villagers in hot pursuit.


Filmed in Winster itself, Mayo’s camerawork and editing is impressively displayed. Utilising a multi-media format, the camera distinguishes between Cameraman’s shots and external shots by cleverly changing the aspect ratio.


Mayo also incorporates whip pans to implement his meta narrative, wherein John is noticing himself in the distance, also filming in Winster. Although there is no clear explanation for this part, it could be suggested that the anthology has merit to being watched altogether.


By the end, John and Cameraman run out of fuel and encounter the werewolf in their attempts to get home. The werewolf itself (Lyla Stevenson-Rowe) is a hooded figure, who approaches the camera in a jittery fashion before the screen flashes red and we cut to credits.


At this point, the meta-narrative might explain more about the ending. Had John and Camerman entered a parallel universe where the werewolf would always kill them? Did the werewolf put some sort of curse on them? There were many questions left unanswered as the credits rolled.


Jake Mayo, James Ledger and Edmund Hunt (of Amberwell Pictures) are clearly committed to their ambitious six-part project. Future titles include “The Beast of Riber Castle” and “Revelation of the Peak”, the former being a zombie film which will premiere April 2026.


With a bigger budget and a slightly snappier script, there is no doubt that Mayo, Ledger, and the rest of the team will enjoy continued success. Their mission to expose the terrifying creatures of Derbyshire is well underway – and who knows where the future will take them!


★★½


2.5 / 5


Jacob Poole

Instagram @shot_by_gretton

Link to the Amberwell Pictures website

By midlandsmovies April 26, 2026
On Sunday 26th April Midlands Movies Editor Michael Sales & awards ceremony co-host Ed Stagg (BBC Radio) announced the nominations for the 2026 Midlands Movies Awards live from the Queen of Bradgate Vintage Cinema in Leicester. A big thanks was given to the entire Jury Panel of industry experts who gave up their precious time to watch a huge selection of creative projects and as always, had a difficult time choosing from the excellent number of films from the region. You can read the full list of nominations across all 16 categories below and watch our announcement videos here: Part 1 & Part 2 And please also check out our great awards partner Chrome Video Best Actress in a Leading Role Karendip Phull for Family Kate Bracken for The Lace Rachel Baker for Throwing Fruit Chloe Wade for How Long Sophie Bullock for Ma Prison Best Animated Film Of All the Things by Steff Lee Big Red by James Pyle Statue in the Garden by Qianhui Yu Butterfly by Jacob Christie Best Director Luke Worrall for The Waterline Lily Portman for Quiet Jack Richardson for Daniel’s Room Jonathan Hawes for Sorry We’re Closed Sophia Dall'Aglio for Man from Mars Best Documentary Nothing's Impossible by Jacob Thomas McClean A Birmingham Symphony by Jemma Saunders We Bring Light: Leicester's Diwali Legacy by Kieran Vyas The Sunshine Café by Jill Lampert Through the Viewfinder by William North Best Sound (Editing or Mixing) Neil Evans & his team for Artificial Insanity Alasdair Gretton for Dead on Distribution Deepanjali Patel for Earworm David Hamilton-Smith for The Pause Heidi Wilson for Of All The Things Best Actor in a Supporting Role Devon Junior for Lazar Tim Sparrow for Safety Net Shaiek Ahmed Rana for Family Luke Rollason for Quiet Peter Willoughby for A Story of Spring Best Visual & Special Effects Jake Wesley-Worrall for Soul Trader Steve Askey & team for The Correction Unit Nick Willett & Matt Burkey for Black Goat JaqD SFX MUA, Mind Magic Studios and Ben Harker for Beyond the Witching Hour Jacob Christie for Countenance Best Cinematography Gary Rogers for The Pause Laurence Mason-Guetta for Sorry We’re Closed Ian Snape for Soul Trader Ash Connaughton for Daniel’s Room Duane Adamoli for Surfing (nominations continue below...)
By midlandsmovies April 23, 2026
As someone who has been a fan of indie horror games for over a decade, I was jumping for joy when I first saw the announcement that an indie horror game I really enjoyed was receiving a film adaptation
By midlandsmovies April 23, 2026
On a bright Sunday morning at a campsite just off the A52 in rural Staffordshire, you would never have guessed that a run-of-the-mill grass field would soon set the stage for an epic encounter between 15th century armies.
By midlandsmovies April 13, 2026
Lacuna is a new short film from Midlands director Sophie Black and explores the sensitive subject of sexual abuse and its many ramifications.
Show More