Midlands Review of Blood Money
midlandsmovies • November 15, 2020
Blood Money
Directed by Liam Banks
2020
Superfreak Media
Blood Money is the latest short from Superfreak Media, the Nottingham-based powerhouse with a love for all that goes bump in the night.
Having just pulled off a daring and murderous bank robbery, Andi (Jessica Messenger) washes off her victims’ blood in a sleazy motel bathroom. After finding an ominous occult symbol under one of the wall tiles, along with the name Mammon, she’s attacked by a demonic presence and quickly discovers that there’s more than a grain of truth in the old adage ‘crime doesn’t pay’…
At just over 10 minutes, this film packs a punch. It gets in, makes with the scares and gets out, knowing not to overstay its welcome. Writer/Director Liam Banks makes the most of the limited setting, creating clever chills with the tub and mirrors and shower curtains to great effect so it never feels static. Once the demonic shit hits the fan, it’s a thrill-ride right to the bloody finish.
One thing that immediately struck me was the film’s visual aesthetic. Between the grimy yellow filter and the grainy footage, it felt like this film has leapt straight out of the late 70s or early 80s; it wouldn’t be at all out of place among the video nasties and grindhouse classics of those eras. The sudden jarring appearance of a smartphone, thoroughly cementing the setting as modern day, is disorienting but not enough to break immersion. If anything, it just adds to the Weirdness of it all.
Messenger doesn’t quite convince me as the type who’d rob a bank and kill the customers, but she does a damn fine job of being terrorised by the demon Mammon and really sells the terror that Andi feels as she reaps what she’s sown. Matthew Barker’s performance as Mammon was great, and the makeup effects by Monica Montalvo were mostly superb – Mammon is a very scary presence, and every minute he was on-screen (even if it’s just his slowly creeping hands) had me chilled.
Props also go to Jenn Day as a news reporter who bookends the film and provides it with its sinister final lines, and Cohen Day as an extremely creepy ghost child – a tiny role, but not one I’m likely to forget!
Blood Money is great fun. It’s a seedy, scuzzy little bucket of blood, lovingly served up for horror fans to guzzle down. If you’re still clinging to Halloween even as Christmas creeps ever closer, definitely check this one out!
Sam Kurd
Twitter @splend
Forty years later, a witness returns to Wirksworth in Derbyshire to seek closure in a new documentary called The Wirksworth UFO Incident.
With a number of acclaimed films under his belt including Cosmo, Gone Fishing and The Morgue Party, Jonathan Hawes now launches his latest short film, Sorry We're Closed, a quirky comedy-drama centred around fish and chips. Midlands Movies Mike Sales speaks to the writer/director about his latest project, his influences and his next plans for the film.
Well, bi-Adolf Hitler BDSM is not something (a) I thought I’d ever see 5 minutes into a movie and (b) ever expected to write in my lifetime to be fair but this spicy start is pretty standard for the work of exploitation filmmaker Russ Meyer.
On the 24th of April, the Midlands Art Centre opened its doors to Gobby Flicks Productions for a night of live comedy. Proceeds were raised towards the production of new short comedy films, directed and written by women.