Review of Presence

midlandsmovies • January 24, 2025

Presence (2025) Dir. Steven Soderbergh


A family move into a new home for a fresh start after the tragic death of the daughter's best friend, but as soon as they arrive, they feel a strange presence around the house. Watching and waiting.


Presence is the latest film from the experimental mind of Steven Soderbergh. Following in the footsteps from some of his other experimental films like The limey and Schizopolis, this movie provided an interesting and unique visual style that is unlike anything I have seen on the screen. The film is mostly filled with oners and harsh jump cuts, akin to the vibe and feel of Paranormal activity. But the big twist is that the camera is from the perspective of the ghost. The camera moves around smoothly and really gives a strong ethereal vibe. But whilst this film is being advertised as a horror, I really would not call it that. To me there is nothing scary or terrifying about this movie, instead I would call it a paranormal family drama.


The visual style will undoubtedly divide the audience, with how experimental and distinct it is. It definitely took some time for me to acclimatise to the style, and at the start I was hesitant. But as the movie went on, I couldn’t help but get incredibly immersed. Every scene important, every conversation driving the story. All the characters of the family get their own moment to shine and have their own personalities.


This movie wouldn’t be what it is without the cast. Lucy Liu’s character plays one of the most unlikable characters put to film. The clear favouritism, the backhanded comments, and the way she treats everyone is so cold-hearted. But newcomer Callina Liang is the beating heart of this movie, the movie mostly follows her as the protagonist, and you can tell throughout that she is a deeply hurt and lonely individual, trying to navigate a world without her best friend. For a movie with such long takes she really holds her own and manages to act with some acting heavyweights easily. She drives home the overall narratives of the key themes and really makes you feel for the character.


There is a lot packed into the runtime. Presence is only 1 hour and 25 minutes long, but the whole story fits neatly into it, with no plot elements really dragging or feeling rushed. This film really excels at creating an immersive atmosphere that will keep you wanting to watch more and find out what's happening.  The twists are expertly put together, and really made my jaw drop towards the end.


I believe this movie is well worth the watch; it’s certainly one of the most original and unique films you'll see all year. Which proves that movies in our days aren't just releasing adaptations, spin offs, and sequels. The independent industry is still releasing really cool and really interesting original films. This film has so much to say about death and family that really resonates with me, as well as being a surprisingly entertaining and gripping film. This film may not be for everyone, but I absolutely loved it.


★★★★


4 / 5


Jacob Holmes


https://www.instagram.com/_jacob.holmes

https://letterboxd.com/jolmes_media/

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On Sunday 26th April Midlands Movies Editor Michael Sales & awards ceremony co-host Ed Stagg (BBC Radio) announced the nominations for the 2026 Midlands Movies Awards live from the Queen of Bradgate Vintage Cinema in Leicester. A big thanks was given to the entire Jury Panel of industry experts who gave up their precious time to watch a huge selection of creative projects and as always, had a difficult time choosing from the excellent number of films from the region. You can read the full list of nominations across all 16 categories below and watch our announcement videos here: Part 1 & Part 2 And please also check out our great awards partner Chrome Video Best Actress in a Leading Role Karendip Phull for Family Kate Bracken for The Lace Rachel Baker for Throwing Fruit Chloe Wade for How Long Sophie Bullock for Ma Prison Best Animated Film Of All the Things by Steff Lee Big Red by James Pyle Statue in the Garden by Qianhui Yu Butterfly by Jacob Christie Best Director Luke Worrall for The Waterline Lily Portman for Quiet Jack Richardson for Daniel’s Room Jonathan Hawes for Sorry We’re Closed Sophia Dall'Aglio for Man from Mars Best Documentary Nothing's Impossible by Jacob Thomas McClean A Birmingham Symphony by Jemma Saunders We Bring Light: Leicester's Diwali Legacy by Kieran Vyas The Sunshine Café by Jill Lampert Through the Viewfinder by William North Best Sound (Editing or Mixing) Neil Evans & his team for Artificial Insanity Alasdair Gretton for Dead on Distribution Deepanjali Patel for Earworm David Hamilton-Smith for The Pause Heidi Wilson for Of All The Things Best Actor in a Supporting Role Devon Junior for Lazar Tim Sparrow for Safety Net Shaiek Ahmed Rana for Family Luke Rollason for Quiet Peter Willoughby for A Story of Spring Best Visual & Special Effects Jake Wesley-Worrall for Soul Trader Steve Askey & team for The Correction Unit Nick Willett, Matt Burkey & Jayne Hyman for Black Goat JaqD SFX MUA, Mind Magic Studios and Ben Harker for Beyond the Witching Hour Pete Key, Jai Blanks and Jacob Christie for Countenance  Best Cinematography Gary Rogers for The Pause Laurence Mason-Guetta for Sorry We’re Closed Ian Snape for Soul Trader Ash Connaughton for Daniel’s Room Duane Adamoli for Surfing (nominations continue below...)
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