Midlands Review of Scavengers
midlandsmovies • April 28, 2020
Midlands Review of Scavengers
Scavengers
Directed by Oliver Griffiths
2020
OGK Pictures
We’ve seen some projects unfortunately take some time to get to the screen but Oliver Griffiths new film Scavengers has taken a long 5-year journey to be finished.
In the world of the low-budget filmmaker, it’s not unheard of and he has returned to a project that couldn’t be more timely covering, as it does, the search for medicine in a ruined and infected world.
Scavengers opens with two characters (Rhiannon Skerritt as Cerri and Jacob Kay as Dean) covered in dirt and grime as they enter a dilapidated building. We are told via a title that this is “Day #158, Supply Run #63, Priority: Antibiotics”. Both help set the scene of this post-apocalyptic vision where resources are scarce and help at a premium.
The couple wander around a number of empty and decaying rooms and the director has used a fascinating location to set his short drama, looking like something from 28 Days Later with its absence of any life.
The couple continuing searching until they reach a room where a small amount of medicine sits on a shelf. However, a strange noise shocks them as a man slowly appears from the darkness. Struggling with an unknown condition, the erratic stranger distorts his face into a crazed scream before beginning to chase the couple through the uninhabited corridors.
The technical side of the short is solid with some great lighting being used too. Shadows, torchlights, silhouettes and natural sun coming in through tall windows all give a menacing atmosphere to the piece. And it helps to shape a moody tone that is present throughout the film’s duration.
When needed, the camera moves are also very well staged. We hurtle through the location and the intensity is raised as the camera pans quickly from the aggressor to his prey.
And as the chase escalates, these great shots work together well ensuring a faster pace as the leads look for an escape.
As they finally reach a safe enclave, they arrive across another seemingly more stable stranger asking for food and water. He’s played well by Josef Duncan, an excellent young actor who sadly passed away in 2019. His brief but captivating appearance here adds some further intrigue to the proceedings.
However, Dean has an infected wound and this stranger raises a gun, and we are posed with the question whether it’s better to face the menace here or take a chance with their assailant just beyond the closed door.
Well, Scavengers ends on an open note where you are left to draw your own conclusions. With elements culled from the Zombie genre, where it lacks in originality it makes up in excellent technical aspects.
From the first-rate camerawork to the noteworthy lighting choices, this 9-minute short uses well known genre tropes to create a titillating and enthralling short about deadly hazards, both inside and out.
Michael Sales
On Sunday 26th April Midlands Movies Editor Michael Sales & awards ceremony co-host Ed Stagg (BBC Radio) announced the nominations for the 2026 Midlands Movies Awards live from the Queen of Bradgate Vintage Cinema in Leicester. A big thanks was given to the entire Jury Panel of industry experts who gave up their precious time to watch a huge selection of creative projects and as always, had a difficult time choosing from the excellent number of films from the region. You can read the full list of nominations across all 16 categories below and watch our announcement videos here: Part 1 & Part 2 And please also check out our great awards partner Chrome Video Best Actress in a Leading Role Karendip Phull for Family Kate Bracken for The Lace Rachel Baker for Throwing Fruit Chloe Wade for How Long Sophie Bullock for Ma Prison Best Animated Film Of All the Things by Steff Lee Big Red by James Pyle Statue in the Garden by Qianhui Yu Butterfly by Jacob Christie Best Director Luke Worrall for The Waterline Lily Portman for Quiet Jack Richardson for Daniel’s Room Jonathan Hawes for Sorry We’re Closed Sophia Dall'Aglio for Man from Mars Best Documentary Nothing's Impossible by Jacob Thomas McClean A Birmingham Symphony by Jemma Saunders We Bring Light: Leicester's Diwali Legacy by Kieran Vyas The Sunshine Café by Jill Lampert Through the Viewfinder by William North Best Sound (Editing or Mixing) Neil Evans & his team for Artificial Insanity Alasdair Gretton for Dead on Distribution Deepanjali Patel for Earworm David Hamilton-Smith for The Pause Heidi Wilson for Of All The Things Best Actor in a Supporting Role Devon Junior for Lazar Tim Sparrow for Safety Net Shaiek Ahmed Rana for Family Luke Rollason for Quiet Peter Willoughby for A Story of Spring Best Visual & Special Effects Jake Wesley-Worrall for Soul Trader Steve Askey & team for The Correction Unit Nick Willett, Matt Burkey & Jayne Hyman for Black Goat JaqD SFX MUA, Mind Magic Studios and Ben Harker for Beyond the Witching Hour Pete Key, Jai Blanks and Jacob Christie for Countenance Best Cinematography Gary Rogers for The Pause Laurence Mason-Guetta for Sorry We’re Closed Ian Snape for Soul Trader Ash Connaughton for Daniel’s Room Duane Adamoli for Surfing (nominations continue below...)
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