There’s a breathless energy to Jordan Kane-Lewis’ Nothing Goes, suggesting a rather substantial influence from the Safdie Brothers, as well as Aneil Karia’s 2020 film Surge. In a similar style to those influences, Nothing Goes starts with a single decision that the protagonist hopes will improve their situation

The unwieldy wordcount of my Part One review of Paracinema meant that I missed out details of one talk, which took place on the second day.

Derby Quad’s celebration of the weird and wonderful, Paracinema, returned to its original May timeslot this year, with four days of short films, international previews, anniversary screenings and dark, often funny, features.