JED

Directed by Nisaro Karim

2019

Five Pence Productions

Jed is the new film from actor-turned director Nisaro Karim and tells the story of a disturbed individual and their obsessions.

We open with a man walking his dog before stumbling across a body in the woods. We cut to a TV news report which explains that this is one of a number of recent victims and that witnesses tell of a tall bearded Asian man running away from the scene.

We cut to Nisaro Karim as Jed – a tall bearded Asian man – who has what appears to be a mental impairment and is weeping as he listens to the telly. Living with his mother, she asks how he got a hand injury and is suspicious of his vague and unlikely explanation

Jed has a good set-up from the start. A mystery is discovered in the first 30 seconds, a number of characters and their mysterious motivations are clearly explained and away we go. It was satisfying how the film quickly sets up its world and leads us down a dark path, whilst some swift editing and interesting shot choices keep the story moving as we continue on.

The story moves to a gym where we encounter two girls chatting. One of the women, Amy Roberts (played by Juliana Ratcliffe) strikes up a conversation with Jed before he returns home where he searches for Amy through her social media accounts.

A bit on the nose at times – the socially awkward character living at home with mum for example – the film is helped by an intense atonal score of held notes that gets more prominent as the film progresses raising the tension throughout.

Some point-of-view shots of a stalking in progress show the increasing danger to Amy and as she leaves the gym, Jed jumps in his car and follows Amy and her friend along the road. Some clever (and foreshadowing) wardrobe choices were a nice touch too and each scene has a purpose and leads nicely to the next.

Interesting locations around the Birmingham area and the almost-mute Jed allows the filmmaker to do lots of showing-not-telling with the film’s story beats which was also a positive.

Whilst I personally saw the ending coming a mile off, the 26-minute length made it feel like a solid episode of television and the film had surprisingly similar production values. Just an added bit of colour-grading and some tweaks on the lighting would see it indistinguishable from modern broadcast crime dramas.

Jed therefore ends up being a quality film which could do with a few more original takes on the stalker genre, but aside from that tiny flaw, it is a level-headed drama that’s easy to watch and contains themes of heroism and misplaced passions.

Michael Sales