Review - Terminator Dark Fate

midlandsmovies • October 30, 2019

Terminator: Dark Fate (2019) Dir. Tim Miller

‘Produced by James Cameron’ screams the marketing but the legendary director’s visionary visuals and interesting ideas are nowhere to be seen in this 6th out outing for Arnie and his sci-fi chums.

Another plodding franchise filler, Dark Fate has killing machine Rev-9 (Gabriel Luna) going back in time to terminate Dani Ramos (Natalia Reyes). But she is protected by fellow time-traveller and enhanced super-soldier Grace (Mackenzie Davis). Along the dreary journey she picks up a mature Linda Hamilton who returns as original hero Sarah Connor. She has doubts but then joins forces with a family-orientated (!?) T-800 and Schwarzenegger appears with his head the size of a ham.

An interesting opening leads to bland action-beats and it’s generally cheap looking (it’s budgeted at a phenomenal $185m but looks half that) with video-game cinematography and new robot overlord “LEGION” is an attempt to steer focus from previous sequels but is just a cheap-ass SKYNET.

I could say it’s another T2 rip-off but we’ve already had two of those so this is essentially a Genisys rehash. I know some of the ideas are staples of the franchise but the film is so boringly familiar, it's a wonder why they've bothered at all.

From a liquid metal Terminator 'creeping' through a windscreen, a big yellow vehicle smashing into cars and a protagonist stepping out from a vehicle pulling up to a side-on halt, Dark Fate fails at any sense of originality. Hasn’t Miller seen Fury Road? Or MI: Fallout? Or The Raid? Or Blade Runner 2049? These should be the influences but it’s more run-of-the-mill action splattered with yawn-inducing CGI and haphazard editing.

With a final smackdown at an industrial factory and a shot of Arnie sliding down a dam, the film is another misstep thinking a Terminator in a superhero pose is “cooler” than Arnie speaking to a police station receptionist. And in many ways, I could have simply copied and pasted my Genisys review as all the same flaws apply here.

Hamilton is the one saving grace yet is hugely underused and its over an hour before she meets with Arnie. And to be brutal, it was at that point I thought this is where the film should have BEGUN. Ditch the previous hour as it’s so forgettable.

I therefore left the Terminator Dark Fate screening with a huge sigh. It’s not comically bad but it’s nowhere near the shot in the arm this franchise needed. And in the end, it’s simply unforgiveable that all the mistakes from the last few sequels have not been rectified in the slightest, but in fact they have been duplicated like this film’s badly designed villain.

★★

Michael Sales

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On Sunday 26th April Midlands Movies Editor Michael Sales & awards ceremony co-host Ed Stagg (BBC Radio) announced the nominations for the 2026 Midlands Movies Awards live from the Queen of Bradgate Vintage Cinema in Leicester. A big thanks was given to the entire Jury Panel of industry experts who gave up their precious time to watch a huge selection of creative projects and as always, had a difficult time choosing from the excellent number of films from the region. You can read the full list of nominations across all 16 categories below and watch our announcement videos here: Part 1 & Part 2 And please also check out our great awards partner Chrome Video Best Actress in a Leading Role Karendip Phull for Family Kate Bracken for The Lace Rachel Baker for Throwing Fruit Chloe Wade for How Long Sophie Bullock for Ma Prison Best Animated Film Of All the Things by Steff Lee Big Red by James Pyle Statue in the Garden by Qianhui Yu Butterfly by Jacob Christie Best Director Luke Worrall for The Waterline Lily Portman for Quiet Jack Richardson for Daniel’s Room Jonathan Hawes for Sorry We’re Closed Sophia Dall'Aglio for Man from Mars Best Documentary Nothing's Impossible by Jacob Thomas McClean A Birmingham Symphony by Jemma Saunders We Bring Light: Leicester's Diwali Legacy by Kieran Vyas The Sunshine Café by Jill Lampert Through the Viewfinder by William North Best Sound (Editing or Mixing) Neil Evans & his team for Artificial Insanity Alasdair Gretton for Dead on Distribution Deepanjali Patel for Earworm David Hamilton-Smith for The Pause Heidi Wilson for Of All The Things Best Actor in a Supporting Role Devon Junior for Lazar Tim Sparrow for Safety Net Shaiek Ahmed Rana for Family Luke Rollason for Quiet Peter Willoughby for A Story of Spring Best Visual & Special Effects Jake Wesley-Worrall for Soul Trader Steve Askey & team for The Correction Unit Nick Willett, Matt Burkey & Jayne Hyman for Black Goat JaqD SFX MUA, Mind Magic Studios and Ben Harker for Beyond the Witching Hour Pete Key, Jai Blanks and Jacob Christie for Countenance  Best Cinematography Gary Rogers for The Pause Laurence Mason-Guetta for Sorry We’re Closed Ian Snape for Soul Trader Ash Connaughton for Daniel’s Room Duane Adamoli for Surfing (nominations continue below...)
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