Midlands Review of Surfing

Surfing
Directed by Duane Adamoli
2026
Duane Adamoli and Harry Clarke’s short film ‘Surfing’ is a charming love letter to Birmingham’s music scene through the lens of a struggling musician.
This 10-minute short film takes place in Birmingham circa 1969, a time when the music scene was shifting from the classic styles of the 60s to the experimental and lively sounds of the 70s. The film follows Pete Matthews, a struggling musician living on a friend’s sofa who receives three phone calls that push him towards a moral decision.
The visual style of ‘Surfing’ emulates a vibe reminiscent of early 1970s cinema. The slight camera blur gives the scene that familiar grainy texture you would find with older cameras. Emily Mai Cannon’s set design was carefully crafted to embody the early 70s, with a colourful tapestry backdrop on the wall and potted plants scattered around the room that make the scene feel cosy and warm. The mess on the table and Pete’s dishevelled appearance set the tone for the ‘struggling musician’ character type.
The dialogue in ‘Surfing’ was witty, chaotic, and completely natural. The film moved at a good pace, and each piece of dialogue felt meaningful either in understanding Pete’s character or in paying tribute to Birmingham’s iconic music scene, with references to Black Sabbath, Erdington’s famous Mothers Club, and real-life music manager Jim Simpson woven throughout.
A bit of irony is revealed within the first few pieces of dialogue when the viewer discovers that Pete’s friend, whose sofa he’s been sleeping on, is a musician as well, and seemingly has a much more promising career and love life ahead of him than Pete.
Duane Adamoli and Harry Clarke have created a wonderful short film with a relatable protagonist, a cosy atmosphere reminiscent of an iconic era in the Birmingham music scene, and a witty and ironic plot that will amuse all its viewers.
★★★★★
5 / 5
Angelique Ritter





