The Day Shall Come (2019) Dir. Chris Morris

As a huge fan of Chris Morris’ previous work, it’s great to see the director back after his successes of The Day Today, Brass Eye and the controversial suicide bomber film Four Lions.

Here Marchánt Davis plays Moses Al Shabaz who is an unstable preacher in a Miami commune who is investigated by a corrupt FBI. They are shown to undertake morally dubious undercover work in their attempts to convict potential terrorists.

Anna Kendrick is Kendra Glack, an operative whose conscience is tested by the bureaucratic game-playing of the FBI and police procedures she is forced to adhere to. And before long, the FBI is actively “encouraging” the group to take risks that they would not do otherwise.

Although this film is certainly a new project, the obvious surface parallels with Four Lions – a bungling religious group, the incompetent authorities – mean The Day Shall Come feels very familiar and it’s sad to say but Four Lions works better in almost every respect.

With its razor-sharp focus and balance of politics, drama and farce, Four Lions’ satirical targets are so precise that it’s a shame this film’s criticism of American security spirally wildly within the narrative. Also, Four Lions’ Riz Ahmed was essentially the “straight” guy to the foolish antics of his friends and this film was aching for a similar central character (either from Moses’ group or the FEDs) to ground the whole thing.

Sadly there isn’t and there’s nothing stopping it from sometimes twisting off into nonsense – especially in the third act. With this scattershot approach, the themes are not as insightfully critiqued as they need to be.

And from nuclear weapons to bank loans, The Day Shall Come wants to target every hot topic in the current climate and therefore loses further focus. The cast are ok but praise should be singled out for Marchánt Davis’ likeable and funny portrayal of the naïve Moses, but even his best efforts couldn’t keep the narrative on course.

With a concluding coda that is inevitable (and again, similarily ‘borrowed’ from his own Four Lions), it has to be said the movie is a rather large disappointment from someone I expected so much more from.

★★★

Michael Sales