icons-02 icons-01 MM Logo kickstarter-support

blog

Movie news, reviews, features and more thoughts coming soon...

By midlandsmovies, Jul 11 2018 02:00AM

Quite simply, here is our ongoing and updated list of Film Festivals in the Midlands (2018 edition):


• THE SHORT CINEMA http://www.theshortcinema.co.uk info@theshortcinema.co.uk Phoenix, Leicester - August 20 – 25, 2018


• NOTTINGHAM MICRO FILM FESTIVAL Twitter @FilmNottingham http://www.nimfestival.com/ 8-10 March 2018


• INDIE-LINCS - March 15-18 2018 Based at Lincoln Performing Arts Centre, and run in partnership with The School of Film and Media at the University of Lincoln http://www.indie-lincs.com


• BRINDLEY PLACE OUTDOOR FEST - http://www.brindleyplace.com/event/brindleyplace-film-festival-2018/ July 16 -22 2018


• LEICESTER DOCFILM FEST https://twitter.com/docfilmfestival Contact John Coster November 2018


• BORDERLINES FEST http://www.borderlinesfilmfestival.co.uk UK's largest rural film festival. Herefordshire/Shropshire - 23rd February - 11th March 2018


• BIRMINGHAM FILM FEST - November 22 – 25 2018 https://filmfreeway.com/festival/Birminghamfilmfestival


• BIFF FEST (Black International Film Fest) https://www.biffestival.co.uk 2018 dates TBC


• SHOCK AND GORE FESTIVAL http://www.shockandgore.co.uk The Electric Cinema in Birmingham, July. Contact david@theelectric.co.uk or https://twitter.com/shockgore July 27 to Aug 5 2018


• DEAFFEST http://www.deaffest.co.uk The UK's International Deaf Film & Arts Festival Wolverhampton. Contact info@light-house.co.uk Friday 17th to Sunday 19th May 2019


• THE UK ASIAN FILM FESTIVAL LEICESTER - http://tonguesonfire.com/ 15 March - 31 March 2018


• SHOUT FESTIVAL http://shoutfestival.co.uk Birmingham Dates TBC for 2018


• DERBY FILM FESTIVAL http://www.derbyfilmfestival.co.uk 4th - 13th MAY 2018


• FANTASTIQ FEST http://fantastiq.co.uk Fantasy/Horror Fest at Quad in Derby (part of Derby Film Fest)


• MAYHEM HORROR Film Fest - Halloween. Contact Broadway cinema in Nottingham http://www.broadway.org.uk/mayhem 11 October - 14 October 2018


• FLATPACK FEST - Birmingham, UK. http://www.flatpackfestival.org.uk 13 - 22 April 2018


• EAST ASIAN FILM FESTIVAL http://www.eastwindsfilmfest.com May 2018


• BEESTON FILM FESTIVAL - https://twitter.com/BeestonFilm 8th - 11th March 2018


• SHROPSHIRE RAINBOW FILM FESTIVAL http://www.rainbowfilmfestival.org.uk/midlands-zone 5th - 7th October 2018


• GRINDHOUSE PLANET - www.grindhouseplanet.com November 2018 TBC


* BOTTLESMOKE FILM FESTIVAL - https://www.facebook.com/BottleSmokeStoke Stoke on Trent, 8th - 9th September 2018


* POCKET FILM FESTIVAL (Unseen cinema) http://www.unseencinema.co.uk/pocket-film-festival-2018/ Stafford 12-17 March 2018


* BIRMINGHAM HORROR GROUP - https://www.eventbrite.co.uk/e/birmingham-horror-group-mini-movie-marathon-25-march-2018-tickets-41683231668 Mini-Movie Marathon Mini-Movie 25 March 2018


* SHROPSHIRE'S FIRST WORLD WAR FILM FESTIVAL https://twitter.com/wilfredowen100 8th October to 23rd November 2018


* THE BRAVE BLACK BIRD FILM FEST Wolverhampton https://ajayhackett2113.wixsite.com/bbff Wolverhampton 25th Feb 2019 (submissions until July 2018)


* HIGH PEAK INDEPENDENT FILM FESTIVAL Derbyshire https://www.highpeakindie.com 12th to 16th June 2019. #HPIFF18


* NOTTINGHAM FILM FESTIVAL Hothouse Theatre Nottingham https://twitter.com/NottmFilmFest 8th July 2018


* THE VENUE LINCOLN FILM FESTIVAL Lincolnshire https://www.thevenuelincoln.co.uk 6th - 8th July 2018


* THE SHORT STACK FILM FESTIVAL Nottingham Bi-monthly screening night at Broadway Cinema https://www.facebook.com/groups/841340665914084 (Various dates)


* THE TELFORD FILM FESTIVAL Telford & Wrekin - various venues across Telford as part of the twon's 50th anniversary http://www.telford50.co.uk/filmfestival 14th September to 31st October 2018


Other useful Film Festival information can be find at these links:

http://www.festivalfocus.org/festival

http://film.britishcouncil.org/festivals-directory/festivals-map

http://www.thefilmfestivaldoctor.co.uk

By midlandsmovies, Jun 10 2018 08:51AM

12 Underrated films that may have passed you by since 2010


Despite your huge collection of DVDs, BluRays, boxsets, collector’s editions and streaming services, have you ever found yourself staring into space struggling to find a film to watch? With so many options available at just a touch of a button, the choice can be overwhelming. However, we’re going to provide a friendly list for your viewing pleasure as we showcase a dozen great films from the last few years that may have slipped under your radar.


Whether it be quirky documentaries, underground sci-fi or a splash of comedy, we have something for you. Take a read of the list below of our highly recommended, but often little-seen, movies – especially if you’re in the mood for something different to the usual multiplex blockbusters or critics’ darlings. And hit us up on Twitter @midlandsmovies with some of your own suggestions!




Coherence (2014) Dir. James Ward Byrkit

Written and directed by James Ward Byrkit this is an 89 minute thrilling sci-fi mystery set at a suburban USA dinner party that pulls at the audience’s emotions and brainstems equally. The film sets up a dinner meal and after discussion of a passing comet, the electricity goes off and the group explore their neighbourhood which leads to a mysterious occurance.. To say too much would be to spoil the surprise but with a similar tone to the low budget film Primer (2004) as well as the confusing and twisting narrative of Triangle (2009) the handheld realism leads to a brilliantly constructed film that demands a second viewing in order to fully appreciate the looping plot.



Stoker (2013) Dir. Park Chan-wook

A tense psychological thriller from the director who gave us OldBoy, Stoker again covers dark family secrets and was written surprisingly by Wentworth Miller of Prison Break. Avoiding any happy ever after clichés, the film has sinister fairy tale imagery from wooded copses, creepy spiders and phallic rocks to heighten the Hitchcockian themes of betrayal, deception and revenge. A trio of Mia Wasikowska, Matthew Goode and Nicole Kidman, bring strangely winning performances in a social drama with a mythic quality. A far-fetched but fascinating fable.




Tim’s Vermeer (2014) Dir. Teller

Directed by stage magician Teller, this documentary gives us a portrait of Tim Jenison, a man who spends 5 years testing his theory which proposes how Renaissance Dutchman Johannes Vermeer possibly used optical instruments to help create such realistic paintings. A friend of Teller’s magician partner Penn Jillette, Tim comes across as a barmy garage-style bonkers scientist who has worked with computer graphics but has no formal artistic training. In his quest to be authentic, Tim also learns to use traditional methods to render not just the painting he admires but the entire room. The doc constructs a brilliant study of one man’s drive and his crazy courage to complete his personal canvas.




Frank (2014) Dir. Lenny Abrahamson

Based on the idiosyncratic UK comedic stylings of Frank Sidebottom, this movie is a fictionalised account of an eccentric musician trying to find his calling in life. The musical journey is seen through the eyes of Jon (a brilliantly naive Domhnall Gleeson) who leaves his humdrum life to work on an album of bizarre instrumentations and unusual compositions. The lead singer Frank (Michael Fassbender) persistently wears an over-sized homemade head and the film follows the erratic interactions and odd relationships between band members. Fassbender delivers a virtuoso performance as the comical yet infectious front man trying to connect with world he’s closed himself off to in a screwball study of creativity and mental hindrances.




White Bird in a Blizzard (2015) Dir. Gregg Araki

Set in a well-designed 80s of big hair, big phones and bigger boom boxes, the film follows the disappearance of unhappy mother Eve Connor (Eva Green) with flashbacks punctuating the modern day narrative strands to show her daughter Kat (Shailene Woodley) as she explains her drunken mother’s loveless marriage. The film may seem like Gone Girl-lite but its mysterious take on small-town life has echoes of American Beauty with its voiceovers, repressed fathers and dinner table silences. The comparisons continue with a sexless marriage and blossoming sexualised teenagers. The movie bounces easily between cold relationships to seduction secrets to create a winning formula of nosey next-door neighbours and night time naughtiness.




Snowpiercer (2014) Dir. Bong Joon-ho

All aboard for this South Korean/USA action film which tells the story of Curtis, a rebel on a fascist train that encircles the globe now that mankind has caused an accidental ice age. The snow train is a prison with the poor and destitute forced to live in squalor at the tail end whilst the rich live like royalty near the locomotive’s front. Curtis (a bearded Chris Evans) teams up with Edgar (Jamie Bell) and Tanya (Octavia Spencer) to overthrow the guards and with Tilda Swinton as a norther- accented minister with a nasty sadistic side, the movie is an original take on a tested formula. Joon-ho delivers the appropriate amount of fist fights and combines this with his artistic Eastern outlook with some inventive Hollywood-style smack downs. Although the premise is absurd, the audience will be pulled along for the wintery ride enjoying the emotional tracks the director lays out for us.




Joe (2014) Dir. David Gordon Green

After a glut of awful b-movie films, Nic Cage gets to tackle headier material by playing a violent loner in the Deep South where he stars as father figure to Tye Sheridan. We get a sizzling slice of Southern life played out amongst rural blue collar workers who turn to violence whilst trying to maintain their dysfunctional family dynamics. Alongside Cage’s muted dramatic chops and the rusty trucks, the two play out a tragic and cruel drama. The director elicits a cornucopia of emotions as we witness passionate kindred bonding and drunken falling. Cage is perfectly suited to the grizzled everyman and shows why he is still a watchable performer given the right material.




Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014) Dir. Mark Hartley

Following Israeli cousins Menahem Golan and Yoram Globus who in the 1980s bought low-budget scripts to make even lower budget films, this documentary explores the ups and downs of the schlock movie business. Remembered for low budget action “classics” such as the Death Wish franchise as well as Delta Force, the film actually exposes some of the creative risks (but with little money) the cousins took as they tried to reflect, and sometimes create, the trends and fashions of the day. They made entertaining, amusing yet ultimately quite dreadful films but despite the low-low budgets, their productions focus on a sense of fun and the film provides a comedic look on how not to run a studio.




Love & Mercy (2015) Dir. Bill Pohlad

This biographical drama follows the life of Brian Wilson during the height of the Beach Boys’ fame in the 60s and his turbulent later years in the 80s where a confused Wilson deals with controlling advisors. The swinging section has a brilliant Paul Dano focusing on his song-writing whilst in the 80s, Cusack plays a more vulnerable Wilson who gets around with his new wife Melinda (Elizabeth Banks) and Paul Giamatti’s creepy psychotherapist. The Beach Boys’ music punctuates the film as Dano discovers his genius pop-hits and Cusack’s understatement is the flipside of Wilson’s fractured subconscious. Experimental in narrative, the film focuses on the brilliant brain of Brian through 2 different actors in a perfect portrayal of the mastermind musician.




Grand Piano (2014) Dir. Eugenio Mira

In the vein of Buried and Phone Booth Grand Piano is a taught ‘one-location’ thriller where a returning pianist protégé Tom Selznick (Elijah Wood) is threatened with murder during his comeback concert. An assassin promises to shoot him if he gets just one note wrong in his performance and the tension rises as a sniper’s laser sight passes over his sheet music. The pianist comes to terms that both he and his wife in the audience are at the hands of this man as he desperately tries to figure a way out using coded messages to escape with his life. A fast rhythm ratchets up the stakes using creative editing, along with a fantastic score coming from Frodo’s fingers himself. Any low-budget limitations are set aside as Grand Piano plays to its strengths like a fine composer.




As Above So Below (2014) Dir. John Erick Dowdle

Academic Scarlett Marlowe (Perdita Weeks) delves into the catacombs under Paris in a found footage horror as she and her cohorts look for the philosopher’s stone, a powerful but possibly cursed historical relic. The jumps, scares and the Descent-style claustrophobia come across in every frame with the cast filming in the real caves and stone corridors under the City of Light. With a shadowy sense of foreboding around every corridor twist and turn, the concept is as old as the hills but the ancient caves contain enough no-frills shocks for a Saturday night scare-fest.




Life Itself (2014) Dir. Steve James

From the director of the Oscar nominated documentary Hoop Dreams comes this film based upon legendary film critic Roger Ebert's 2011 memoir of the same name. From his humble beginnings as a film critic through to the co-writing of the cult film Beyond the Valley of the Dolls, the film covers the major points of his life using interviews and archive footage as well as excerpts from his infamous show with Gene Siskel. A powerful but humorous writer, Ebert not only scored a Pulitzer for his work, he also helped elevate film criticism and established himself as the foremost authority on the subject. The doc later moves to Ebert’s hard fought struggle with illness but show how great his outlook was, not just through his career around the movies, but as a mantra for life itself.


Midlands Movies Mike


By midlandsmovies, Mar 5 2018 08:35PM

The Greatest Snow Movies


For a huge majority of people, namely adults who’ve tired of freezing to death while building an inadequate snowman, snow is a massive inconvenience. Filmmakers on the other hand love the stuff. Since the earliest days of celluloid, when it was an obvious way to give visual distinction to black-and-white landscape shots, snow has been a far more persistent phenomenon in the movies than meteorological reality.


In no particular order…




Fargo


Goof and gore were the sideshow to a main event of snappy dialogue and Oscar-worthy acting. Frances McDormand is phenomenal as the tenacious, heavily pregnant sheriff who has to investigate three murders when a kidnapping goes very, very wrong. Was the claim that it was a true story fictitious? Oh, you betcha, yah.


Fact - Filming took place in the winter of 1995, when the region was experiencing its second-warmest winter in 100 years. Filming of outdoor scenes had to be moved all over Minnesota, North Dakota, and Canada, and a lot of the snow was artificial.




Frozen


Yes we’re all sick & tired of the songs, and lots of women worldwide who could make money by putting on a blonde wig, green dress & sing in an American accent, have long since stopped earning money on the side at birthday parties. But for a film where the snow is such an indelible element in the story, it’s hard to beat.


Fact - Much of the U.S. had a colder than average winter in 2013, prompting many jokes about the powers of Elsa and Disney's marketing department.




The Thing


The Thing is a masterpiece of relentless suspense, gore soaked and outright, nihilistic terror, placing 12 men at an Antarctic station while an alien shapeshifter takes them over one by one. The snow only heightens the feeling of paranoia & hopelessness. There's not even a happy ending. In fact there's no conventional ending at all, just two men, alone in the icy dark one, or both, of whom may not be all they appear.


Fact - To give the illusion of icy Antarctic conditions, interior sets on the Los Angeles sound stages were refrigerated down to 40 degrees Fahrenheit, while it was well over 100 degrees Fahrenheit outside.




The Grey


Liam Neeson leads an unruly group of oil-rig roughnecks when their plane crashes into the remote Alaskan wilderness. Not only must they battle the deadly elements, they must also combat a pack of rouge wolves. What could've been gung-ho, B-Movie schlock is given serious gravitas by director Joe Carnahan's script, and Neeson's stoic performance.


Fact - According to Liam Neeson, the temperatures were as low as -40 degrees Celsius in Smithers, British Columbia, where the film was shot. The snow storms/scenes were actual prevailing weather conditions, and not a cinematic illusion produced with CGI. The cast wore thermals under their costumes for additional protection.




A Simple Plan


The late, great Bill Paxton and Billy Bob Thornton play polar (get it!) opposite brothers who’s lives unravel when they, decide to cover up the discovery of $4 million in a crashed plane. Sam Raimi reins in usual bag of tricks to deliver a taught, low-key thriller.


Fact - Sam Raimi learned some techniques about shooting in the heavy snow from the Coen brothers, friends of his who had been responsible for Fargo (1996), which Billy Bob Thornton appears in the TV spin-off of.



Groundhog Day


Cantankarous TV weatherman Bill Murray has to endure 2nd February in Punxsutawney, Pennsylvania over, and over, and over, and over, and over again, and over, and over again, and over, and over again, and over, and over again in the greatest metaphysical, philosophical, romantic comedy of all time.


Fact - The ice sculptures featured in the movie (called Winged Victory) were carved by Randy Rupert, a.k.a. The Chainsaw Wizard. Randy is actually a Punxsutawney resident, and has a shop downtown. He can be found in the city park every Groundhog Day carving and selling his wooden sculptures




The Shining


Jack Nicholson, has never been more Jack Nicholson-y than in Stanley Kubrick's horror classic. Technically, there is no better film in the genre. Its chills are less direct (until Nicholson's character Torrance finally throws off the shackles of sanity that is), rather something that creeps under the skin to unsettle and disturb. Ambiguous to a fault, the story is open to many interpretations; in fact the excellent documentary Room 237 exploring several of them is almost as good as the film itself.


Fact - The "snowy" maze near the conclusion of the movie consisted of nine hundred tons of salt and crushed Styrofoam.




Die Hard 2


Of cause it’s not as good as the original (what is?), and it’s not as fun as the one that followed, but Die Harder is still a great action movie. At the time, Renny Harlin’s film was the most expensive ever made at $120m, but all the money is right up there on screen.


Fact - The confrontation between John McClane and William Sadler on the airplane's wing took several nights to shoot. Huge fans were used to blow in the fake snow in the background because of lack of real snow.




Cliffhanger


Another Renny Harlin joint sees Sly Stallone’s mountain rescue ace take, on Euro villains trying to escape the Rockies with $100 million. A superb pre-credit sequence kicks off the solid action template: from explosive, vertigo-inducing set-pieces, to a script chock full of obvious one liners, burning a pile of the stolen money Sly mumbles "It costs a fortune to heat this place".


Fact - Sylvester Stallone played Rambo, in the film franchise of the same name. In the novelization of this film, Stallone's character is referred to as "Rambo on ice".




Alive


Long time Spielberg collaborator Frank Marshall's second film tells the story of a young rugby team taking desperate measures to survive after being involved in an air crash that leaves them stranded in the Andes for ten weeks. Despite the survivors of the crash resorting to cannibalism to survive, this isn't a gory shlock-fest, but a triumphant tale of heroism in the face of unaccountable odds. It helps that the story is peppered with some incredible action scenes; with the initial air crash ranking as one of the most realistic and terrifying ever filmed.


Fact - The film's main location was the ski town of Panorama in the Canadian Rockies. To get all 150 cast and crew members to the location every morning took a fleet of five helicopters.


Jake Stevenson

By midlandsmovies, Jan 3 2018 09:13AM

Midlands Movies Writers Top Films of 2017


There's been so many good films out in 2017 that it was difficult for me (Midlands Movies Mike) to choose just 20 for a list of my favourite films of the last 12 months.


Well, we've also got some of our writers' favourite films who had an equally difficult choice to make.


First up is Robb Sheppard who said "it was tough" but amazingly got it down to just 5 excellent films


Robb's Top Films 2017


5. Thor: Ragnarok

4. Get Out

3. Personal Shopper

2. Logan

1. Blade Runner 2049





Check out and follow Robb's further film updates at https://twitter.com/RedBezzle


Up next is Kira Comerford who had honourable mentions to Gerald’s Game, To The Bone and Hidden Figures but slimmed down her choices to the 10 fantastic movies below.


Kira's Top Films 2017


10. Moonlight

9. Jackie

8. Mother!

7. Guardians Of The Galaxy Vol. 2

6. Wonder Woman

5. Manchester By The Sea

4. The Disaster Artist

3. It

2. Baby Driver

1. Dunkirk




Follow Kira at https://twitter.com/FilmAndTV101


Finally , Guy Russell chooses his best from 2017....


9. The Greatest Showman

I can’t remember the last time I saw a musical so feel-good in the cinemas. Hugh Jackman was born to sing, act and dance. A true story if a little manipulated, The Greatest Showman tells the story of P.T Barnum, a hopeless visionary whose dream to entertain and create gave birth to what we now know as the circus. A brilliant and catchy soundtrack, along with the old Hollywood sets, costumes makes this my guilty pleasure of 2017.


8. Guardians of the Galaxy Vol.2

The Guardians return in the craziest series within the Marvel universe. Whilst I’m not the biggest superhero fan, there is something unique about these two films that gets me to revisit them again and again. This time The Guardians help their leader Peter Quill (Chris Pratt) uncover the truth behind his biological father. Just like the first entry, James Gunn writes and directs a crazy and witty blockbuster that sets itself apart from the other Marvel entries.


7. Hacksaw Ridge

Another war film but this time from director Mel Gibson who tells the story of soldier Desmond Doss (Andrew Garfield) a conscientious objector who served during WW2 in Japan. Refusing to kill the opposition he faces adversity from his peers and fellow soldiers, even more so when the troop find themselves in midst of war whilst on Hacksaw Ridge. A visceral war film by Gibson however he focuses on faith, courage and patriotism like many of his other films. This one will stand the test of time.


6. It

A band of mistreated kids group together when the mysterious Pennywise the Clown (Bill Skarsgard) begins hunting the towns children. Not having seen the original 80s miniseries I went into this film with fresh eyes, not knowing what to expect, I came out with a firm belief that the horror genre is alive and well thanks to director Andy Muschietti who blends comedy with the macabre excellently. If you like Stranger Things or Stand by Me then this film is a must.


5. Dunkirk

Not my favourite Christopher Nolan film by a long shot, however Dunkirk is still an impressive bit of filmmaking. A dramatic account of the evacuation of Dunkirk during WW2, Nolan concentrates on three aspects of the evacuation, land, sea and air. Expertly giving equal time to each service, showing exactly how frantic and grave the situation was. Dunkirk doesn’t spend time on character development or background into the war, aspects I wasn’t a fan of when first viewed however I think a second viewing will prepare me better.


4. War for the Planet of the Apes

You could be forgiven for thinking this instalment of the Apes franchise was a WW2 film. Gun wielding maniacs on horses. However this is the third and supposedly final instalment of the Apes trilogy directed by Matt Reeves. This film honours the films before it as well as rounding up the trilogy in a satisfying manner. Another knock out performance by Andy Serkis as Caesar, the leader who leads a team of apes to retrieve his son from The Colonel (Woody Harrelson).


3. Get Out

Directed by comedy maestro Jordan Peele, his first feature film Get Out impressed critics and audiences alike. Chris is invited by his girlfriend Rose to spend the weekend at her parents’ house, introducing him to them for the first time. Embarrassingly the family make Chris’s skin colour an issue albeit a well-meaning though ludicrous issue. Peele’s debut spoke volumes to the masses in the midst of a vocal topic in America. Race. This is a popular movie that mattered.


2. Manchester by the Sea

An apartment handyman (Casey Affleck) becomes the legal guardian of his nephew when his brother passes away suddenly. I have never seen grief depicted in such an unflinching way before on film, director and writer Kenneth Lonergan handles the subject matter with a gentle hand allowing the audience to connect with the characters instead of just pitying them.


1. Star Wars: The Last Jedi

Loved by critics, hated by (a lot) of fans. I was one of the few fans of the Star Wars saga who was glued to their seat for the entirety of the films run time. Excellent action sequences, a complex villain, brilliant score and fantastic vision by Rian Johnson make Last Jedi the best cinema experience of 2017.



By midlandsmovies, Dec 19 2017 08:54AM

Top 5 Christmas Movies


Midlands Movies writer Guy Russell gets in the Christmas spirit by choosing his personal top 5 festive films that bring a warm feeling to his winter heart.


Well, it's that time of year again. The season of festivities, goodwill and a large amount of Christmas films showing in either the cinema or through the television at home. From childhood classics to black comedy capers here are my Top Five Christmas films.




1) Home Alone (1990)


An obvious choice but rightly so. Premiering in 1990, over the past 27 years Home Alone has cemented itself as a holiday classic. Starring Macaulay Culkin as Kevin McAllister, a 10-year-old boy whose parents have accidentally left him home alone in the madness of making a plane to Paris for the festive season. Burglars Harry and Marv (Joe Pesci & Daniel Stern respectively) are working the McAllister’s street not knowing Kevin is left behind. What ensues is a hilarious, chaotic fight to claim the house.


With a brilliant score by John Williams, family-friendly direction by Chris Columbus and original screenplay by John Hughes, not only is Home Alone a Christmas favourite but a favourite all year around.


Honourable Mention: Home Alone 2: Lost in New York (1992). Whilst repetitive and overlong, Home Alone 2: Lost in New York recreates some of the same magic the first had one has, adding the festive New York atmosphere into the mix as well as the hilarious addition of Tim Curry as a snobby hotel concierge.



2) The Muppets Christmas Carol (1992)


One of the greatest and most heavily adapted stories of all time, A Christmas Carol is brought to life in a unique way in The Muppets Christmas Carol. A live-action musical starring an on-form Michael Caine as Ebenezer Scrooge whilst the supporting cast feature Kermit, Mrs Piggy and the rest of The Muppets. As a comedy film with modern songs and puppets it would have surprised many when this film revealed itself to be one of the most faithful re-enactments of Charles Dickens story. Michael Caine brings the film to life as Scrooge is visited by three ghosts on Christmas Eve night, they visit the past, present and future in the hope he can see the error of his ways and redeem himself.


The cold, bleak, Victorian London setting is realised fantastically and compliments the film further as a Christmas classic.


Honourable Mention: Scrooge (1951). Another adaptation of A Christmas Carol, Scrooge is a lot more straightforward than The Muppets take on the subject matter. Alastair Sim portrays the titular character here brilliantly however when first released the film didn’t take off, only finding an audience many years later.



3) Die Hard (1988)


Recently voted “Britain’s favourite Christmas film” by the British public, this action adventure film from John McTiernan splits fans down the middle as to whether or not it can be classed as a “true” Christmas film.


The odds are stacked against off-duty police officer John McClane as he is trapped in a L.A. skyscraper during a Christmas Eve party while terrorists storm the building led by Hans Gruber (Alan Rickman). Released during July 1988, it became a smash hit summer blockbuster. With its sunny Los Angeles setting it’s easy to see why some people disregard Die Hard as a Christmas film however the merry soundtrack and seasonal references are peppered throughout bolstering the argument this is one of the greatest Christmas films of all time.


Honourable Mention: Die Hard 2 (1990) Suffering from the same problem Home Alone 2 had, this sequel was accused of being too repetitive when first released as John McClane fights more terrorists on Christmas Eve, this time at an airport. It has become a firm favourite since then too, myself finding it greatly entertaining. It even has snow this time around!



4) The Family Stone (2005)


One film that doesn’t pop up on these lifts very often is The Family Stone, a comedy-drama film that follows the Stone family as they gather at their parent’s home, amongst them is Everett Stone (Dermot Mulroney) who introduces his family to his new fiancée Meredith (Sarah Jessica Parker) during the holidays. However, she receives a hostile reception and invites her own sister to stay causing further complications.


The Family Stone is a Christmas film that doesn’t get much air time come the festive season and it’s a shame. A moderate box-office and critical hit, it’s funny enough and has some real dramatic clout. It has a real slice of life feel to the film as there are awkward dinners, family rifts and arguments over spouses whilst balancing the comedy well.


If you’re after a snowy, Christmas setting with a fun premise then I would definitely recommend The Family Stone.


Honourable mention: Christmas Vacation (1989). Everyone’s favourite screwball family The Griswold’s return as they plan a big family Christmas involving both Clark and Ellen’s parents. Similar to The Family Stone in the sense that the family rarely get on for longer than ten minutes however in traditional John Hughes fashion the film doesn’t pass by without a happy, festive finale.



5) Bad Santa (2003)


Produced by the Coen Brothers and starring Billy Bob Thornton, Bad Santa was always going to be close to the knuckle and it does not disappoint. Alcoholic safe cracker Willie (Billy Bob Thornton) and fellow thief Marcus (Tony Cox) hit a mall every year at Christmas whilst posing as the stores Santa and his little helper, complications arise however when Willie befriends a troubled boy.


One of the crudest but funniest Christmas films of all time, Bad Santa will have some opposition for its less than gleeful outlook on the season however its use of advent calendars and store Santa’s more than make up for it.


If you’re a fan of the comedic talents of John Ritter, Bernie Mac and Billy Bob Thornton then check Bad Santa out! Just avoid the 2016 sequel.


Honourable mention: The Night Before (2015). Booze, Drugs and Debauchery come together to produce a Christmas three friends will never forget. The Night Before stars Seth Rogen, Joseph Gordon Levitt and Anthony Mackie as childhood friends who get together every Christmas Eve to support Ethan (Levitt) who lost his family at Christmas. They decide to end their tradition but not without going out with a bang. The Night Before is a welcome addition to the adult Christmas genre providing enough laughs for the viewer to remember why they’re having such a good time.


Guy Russell

https://twitter.com/BudGuyer


By midlandsmovies, Dec 17 2017 05:23PM

Midlands Movies Favourite Films of 2017





20. What Happened to Monday Dir. Tommy Wirkola

What we said: “The film’s chases, fire-fights, explosions and shoot-outs will satisfy fans of action yet it is so well constructed, with decent narrative and character development, that these have an emotional weight as an audience sides with the siblings’ plight. A career high for the director and with Rapace returning on a high from an earlier cinematic stinker, the film sits alongside Snowpiercer and Predestination as a fantastic under-valued science fiction story”.

Click here for full review





19. The Killing of a Sacred Deer (2017) Dir. Yorgos Lanthimos

What we said: “With one of the best casts of the year, the film will find its fans in those willing to go to the darkest and most gruesome places and uses an antiquated literary device to help provide its metaphorical narrative. It feels that it exists beyond its ancient allegory and with perfect performances, the movie will hopefully gain interest for its artistry alone but in fact leaves an audience with so much more to contemplate”.

Click here for full review




18. Logan Dir. James Mangold

What we said: [Robb Sheppard REVIEW] “All the ingredients are there: Logan’s relationship with Patrick Stewart’s infirm Xavier is touching and shows a tenderness previously unseen, whilst his role reversed turn as a father figure to a young girl sees him move closer to the feeling of family that he’s been so afraid of. This is the finest X-Men outing yet and a near-perfect presentation of a jaded, aging, flawed hero”.

Click here for full review




17. Jackie Dir. Pablo Larraín

What we said: “With a constant shift from public to private, and back again, director Pablo Larraín films many of the scenes in a Kubrick-esque one-point-perspective which both signifies institutional structures but maintains the focus on the lead performance as the world spins around her. Jackie is a rare insight into the private world of a very public figure”.

Click here for full review




16. Mommy Dead and Dearest Dir. Erin Lee Carr

What we said: “The juxtaposition of interesting witnesses, side tales and the natural twists and turns of a barely believable story keeps the interest up. Tackling the lofty subject matter of neglect and child abuse alongside the mystery of a murder case, Mommy Dead and Dearest is terrifying yet very honest in its portrayal of the depths of dishonesty”.

Click here for full review




15. Guardians of the Galaxy Vol. 2 Dir. James Gunn

What we said: “GOTG Vol. 2 is an exceptional feat. The film could be the best-looking Marvel film to date with its eye-popping colour palette and with outstanding costumes, make-up and special effects scenes will satisfy the action fans. However, for me it showed that if you care about your leads then these are hugely heightened and the film’s best asset is Gunn himself in delivering the whole package of a blockbuster franchise and is the Guardian of his own gorgeous galaxy”.

Click here for full review




14. Christine Dir. Antonio Campos

What we said: “Hall does superb work with a complex character that could have easily been exploitative. It avoids focusing on the terrible incident that made her “famous” and attempts to explain what could have caused such a tragedy. Christine’s career-minded female juggling the demands of work, love and womanhood exposes the mental strain of life yet handles all of these difficult themes with compassion and without judgement”.

Click here for full review




13. Baby Driver Dir. Edgar Wright

What we said: [Kira Comerford REVIEW] “Baby Driver proved to be a highly entertaining ride. There are some huge chase scenes to be found throughout...where I sat forward in my chair, mouth wide open, holding my breath with my eyes glued to the screen”.

Click here for full review




12. I Don't Feel at Home in This World Anymore Dir. Macon Blair

What we said: “One of the biggest and best surprises of the year so far, a superb central performance shows how one frustrated nobody can go almost full-on “John Wick” in the face of an apathetic society. Funny and fascinating, this indie gem uses the reluctant hero trope to perfection as an awkward misfit becomes involved in crimes just by circumstance and bad luck. Yet, there’s no bad luck in the execution by the filmmaker who delivers a knock-out punch of hilarity and humanity”.

Click here for full review




11. The LEGO Batman Movie Dir. Chris McKay

What we said: “The references are nicely woven into the fabric of the film and the jokes hit the mark far more times than they miss. A cool comic comedy, I’d recommend this to anyone who loves Batman and his history over the years and whilst younger kids may not get all the history, the film is enough of a fun family romp to be enjoyed by any audience looking for lots of laughs”.

Click here for full review




10. Brigsby Bear Dir. Dave McCary

What we said: “The low budget nature of their endeavours clearly reflect the filmmakers’ own passions and every positive ounce of that is on screen. Good-natured without being drippy, Brigsby Bear invokes the best parts of child-like innocence and exalts the benefits of simplicity in order to find the basic joys in an ever confusing world. Brilliant”.

Click here for full review



9. Get Out Dir. Jordan Peele

What we said: “A suitable sense of dread is created, not with any jump cuts (although there are a couple) but with an interesting narrative, story development and unsettling atmosphere, Who would have thought such basics would really appeal to cinema fans? Eh, Hollywood? Peele keeps it simple and the film is all the better for it and all the characters are played well be a cast of diverse actors who held hold the whole film together, without ever falling into horror-cliché territory”.

Click here for full review




8. Hacksaw Ridge Dir. Mel Gibson

What we said: “A fully rounded cast deliver a great screenplay and although Garfield as Doss takes centre stage, it really is an ensemble film with everyone delivering their role to perfection no matter how big or small. Catch this as soon as possible and tinsel town’s biggest outcast has once again come in from the cold to deliver a passion project that favours hope over horror on the big screen”.

Click here for full review




7. Free Fire Dir. Ben Wheatley

What we said: “Wheatley has created a sharp action thrill fest...and with a fantastic cast it aims to be more than a throwaway list of killings. Although it’s a little rough and ready round the edges, the film uses this to its advantages making Free Fire a comical accomplishment that will engage fans of Wheatley’s work but will widen his appeal with something more commercially accessible”.

Click here for full review




6. Miss Sloane Dir. John Madden

What we said: “Having already been won over by Chastain’s central performance and the tight script, the film concludes with somewhat of a twist ending I didn’t see coming. But all of the narrative – and almost all of the scenes throughout – squarely rests at the door of Chastain...It’s an intense single piece of acting that without which the movie would simply fall apart. Miss Sloane ends as a well-made and brilliantly paced character study that covers both personal and political themes”.

Click here for full review




5. The Love Witch Dir. Anna Biller

What we said: “Enchanting and engaging, The Love Witch sees Biller creating a multifaceted masterpiece that, whilst on the surface tells the story of a technicolour temptress, is a far more magical experience mixing low-budget tropes with high-brow awareness”.

Click here for full review




4. Raw Dir. Julia Ducournau

What we said: “Raw infects the audience with an orgy of limbs whilst Justine’s withdrawal is depicted in a painfully straight forward filming style. Raw takes the flesh-eating concept and attempts to normalise its presentation. The film becomes a biting metaphor for growing up and its effects on the body and succeeds on many levels and after it had finished I found an obsession with its images and themes and longed for another taste of its delicious pleasures”.

Click here for full review




3. Dunkirk Dir. Christopher Nolan

What we said: [Kira Comerford REVIEW] “....Overall, Dunkirk is a knock-out. It’s a grown-up film that can be enjoyed by the younger generations, and works to give a three-dimensional view of how events played out during this amazing operation that took place in WWII. It combines terrific performances with a score that ratchets tension perfectly, and visuals that place you right at the heart of the action”.

Click here for full review




2. The Last Jedi Dir. Rian Johnson

What we said: “With an expansion of its themes and both the classic and new characters finding their place The Last Jedi will hopefully satisfy super Star Wars nerds and general film audiences too. With such great filmmaking from Johnson, it’s a huge task to tackle the lore and the fan expectations of the infamous space opera, but the director more than comes through. Yet the main thing is the film is a lot of fun. Lots of unadulterated fun. And like the best cinema has to offer The Last Jedi leaves you both with a smile on your face and a lump in your throat”.

Click here for full review




1. Loving Vincent by Dorota Kobiela & Hugh Welchman

What we said: “It’s all too easy to allude to this as a masterpiece but a masterpiece it is nonetheless. In the end, Loving Vincent provides a portrait of a conflicting and unknowable sequence of past events that maintains the celebrated artist’s place in the art world. The story, music, acting and, of course, the unique painted design combine perfectly to create a dazzling canvas to be studied over, and most of all enjoyed, like Vincent’s best works already are”.

Click here for full review


Midlands Movies Mike

By midlandsmovies, Jun 2 2017 09:09PM



Well, it's been nearly 5 years since I launched Midlands Movies and in 2012 I did one of my first ever blogs by writing a simple feature about my favourite 50 films of all time (click here).


This was done straight off the top of my head so after all this time I thought it would be very intresting to do it again! Will any of them change? What has aged well and which are no longer sitting in my favour, I wonder?


As always, these lists are entirely subjective and with *only* 50 to choose from I have obviously missed out some great films I love but thought it would be intriguing to put out a new list so many years later.


So, below is the full 50 films (and I have to clearly state that these are in no particular order):


1 Back to the Future Trilogy

2 Alien Quadrilogy

3 The Dark Knight

4 Almost Famous

5 The Big Lebowski

6 Goodfellas

7 Withnail and I

8 Die Hard

9 Dr Strangelove

10 Eternal Sunshine of the Spotless Mind

11 The Fall

12 Fight Club

13 12 Angry Men

14 The Godfather 1 & 2

15 Groundhog Day

16 Heat

17 Indiana Jones Trilogy

18 Batman '89

19 Jurassic Park

20 LA Confidential

21 Gladiator

22 The Matrix

23 Memento

24 Gravity

25 One Flew Over the Cuckoo's Nest

26 The Prestige

27 Psycho

28 Pulp Fiction

29 JFK

30 Reservoir Dogs

31 Robocop

32 Schindlers List

33 Toy Story Trilogy

34 Star Wars: Original Trilogy

35 The Silence of Lambs

36 Some like it Hot

37 Inception

38 This Is Spinal Tap

39 T2: Judgment Day

40 Trainspotting

41 Unforgiven

42 Django Unchained

43 Wall E

44 The Wolf of Wall St

45 The Warriors

46 Shawshank Redemption

47 Lord of the Rings Trilogy

48 Se7en

49 Zodiac

50 Mad Max: Fury Road


A quick check shows that the following great films have slipped out the list after 5 years:

American Beauty, Anchorman, Minority Report, Raging Bull, Requiem for a Dream, True Romance, Chinatown, Sin City, The Sixth Sense, Spiderman 2, Team America: World Police and Full Metal Jacket.


These were replaced by The Fall, Groundhog Day, Heat, Memento, Gravity, The Prestige, Trainspotting, Unforgiven, Django Unchained, The Wolf of Wall St, Zodiac and Mad Max: Fury Road


Maybe in a few years I will do another check of these and no doubt some will stick around and some will move on - and again allow myself some trilogies in there to get more films in! LOL.


Midlands Movies Mike






By midlandsmovies, Feb 26 2017 10:55PM



Midlands Movies 2017 Film Award Winners


First of all, the Midlands Movies crew and I would like to say a great big thank you to everyone who made suggestions and nominations for our first ever film awards.


A special thank you should also go to all the artistic filmmakers, actors, writers, directors and more who have shown throughout the last 12 months that the Midlands region is a hot bed of talented folk from across different communities and locations.


Midlands Movies is very grateful for your enthusiasm and support in our efforts to help celebrate the brilliantly gifted artists who endeavour to tell their stories no matter what they may be and advance the local filmmaking industry.


And your encouragement has also helped build on the achievements of the Midlands filmmakers, so we would like to reward the hard work and accomplishments of those involved, and showcase this talent to the rest of the UK and beyond.


Winners were certainly not easy to decide upon as the selections were all of such a high quality. Therefore big congratulations go to all of the films submitted as we enjoyed each and every one of them. Finally, Midlands Movies hopes that this celebration can help ensure an even more successful movie awards as we develop an event for next year.


Until then, we have the pleasure in announcing the following Midlands Movies 2017 Film Award winners in each category below.


Mike Sales

Editor, Midlands Movies



Cinematography

Nominations: Transcended, Our Father, The Long Way Home, Archway 0173, Dolls

WINNER: Karl Poyzer (Transcended)


Costume Design

Nominations: The Long Way Home, Hollow Men, Night Owls

WINNER: Sammy-May Buxton (Hollow Men)


Documentary

Nominations: JA40: The Junction Arts Story, Who Killed British Cinema

WINNER: Robin Dutta & Vinod Mahindru (Who Killed British Cinema)


Editing

Nominations: Archway 0173, Static, Dolls, Squidge, Working Girl

WINNER: Keith Allott (Dolls/Archway 0173)


Actress in Leading Role

Nominations: GRID, Static, Squidge, Arrivals: Rachel, Crossing Paths

WINNER: Charlie Clarke (GRID)


Visual Effects

Nominations:The Long Way Home, The Slayers, Paper Plane, Darkwave: EOTS

WINNER: MangledPixel & Mike James VFX (Darkwave: Edge of the Storm)


Writing (Adapted Screenplay)

HONORARY WINNER: Tom Young (Pitiful Corpses - monologue from The Three Sisters by Anton Chekhov)


Music (Original Score)

Nominations: Our Father, Frettin, The Long Way Home, Karma, Squidge, Dolls

WINNER: Zachary Start (Our Father)


Supporting Actor

Nominations: Hinterland, Transcended, Just Charlie, Kebabylon, Arrivals: Rachel

WINNER: Annil Mittoo (Kebabylon)


Sound Mixing

Nominations: Paper Plane, Frettin, Static, Transcended

WINNER: Joey Lever (Paper Plane)


Best Picture (feature)

Nominations: Neville Rumble, The Slayers, Frettin’, Just Charlie

WINNER: The Slayers


Animation

Nominations: The Fairy & the Dragon, Aladdin & his Magic Teapot, The X-Mas Files

WINNER: The Fairy & the Dragon by Alex Sinclair


Actor in Leading Role

Nominations: Transcended, Squidge, Dolls, Night Owls, Capricious

WINNER: Jonny McPherson (Night Owls)


Supporting Actress:

Nominations: Archway 0173, Just Charlie, Neutral

WINNER: Eleanor Worthington Cox (Archway 0173)


Best Picture (short)

Nominations: Feiht, Archway 0173, A Girl in Words, Static, Transcended, Dolls, Night Owls, Capricious, Ballpoint Hero

WINNER: Feiht by Harry Wilding


Directing

Nominations: Frettin, Neville Rumble, Ballpoint Hero, Static, Squidge,

WINNER: Lee Price (Frettin, Neville Rumble) & Richard Miller (Ballpoint Hero, Neville Rumble)


Foreign Language Film (screened in Midlands)

HONORARY WINNER: Justicia Justiciera by Rafa Dengra


Makeup /Hairstyling

Nominations: Transcended, Hollow Men, Just Charlie, Night Owls, Darkwave

WINNER: Charlotte Price (Night Owls)


Music (Original Song)

Nominations: Frettin’, Just Charlie, Crossing Paths, Night Owls

WINNER: Balls Balls Balls (Frettin’)


Production Design

Nominations: Our Father, The Long Way Home, Transcended, Hollow Men, Night Owls

WINNER: Jen Meredith (The Long Way Home)

Honorary mention: Bugsy Malone (The Curve Theatre)


Sound Editing

Nominations: Frettin, The Long Way Home, Dolls, Paper Plane, Static, Squidge

WINNER: Martin Critchley (Squidge)


Original Screenplay

Nominations: A Girl in Words, Hinterland, Night Owls, Arrivals: Rachel

WINNER: Sophie Black & Tommy Draper (Night Owls)

RSS Feed twitter