By midlandsmovies, Apr 15 2019 04:03PM
The Wind (2019) Dir. Emma Tammi
Emma Tammi’s directorial debut is a western horror and although the title sounds like a sub-Blumhouse video on demand chiller (or an unwanted Shyamalan The Happening spin-off) the sombre tome makes this a scary trip to the West worth checking out.
Horror westerns are a small sub-genre – from direct-to-video sequels From Dusk Til Dawn 3 and Tremors 4 all the way to S. Craig Zahler’s excellent Bone Tomahawk via the slightly less-excellent Jesse James Meets Frankenstein's Daughter (1966). John Carpenter’s Vampires also mixed the genres but here though, the film ditches any b-movie stylings and feels more in tune with the Coens’ Buster Scruggs.
The film stars Caitlin Gerard as Lizzy, a resourceful woman in a remote cabin on the American plains. She lives with just her husband, Ashley Zukerman as Isaac before being joined by Julia Goldani Telles as Emma Harper and Dylan McTee as Gideon Harper. With just 4 people, the women toil the crops as the men leave them for long stretches hunting and gathering.
Opening on a horrific scene of a pregnancy gone wrong, we know we’re not going to be in for an easy ride. The structure of the film flashes back and forth from the present, where Lizzy is surviving on her own, to the 4 people trying to settle in this harsh environment back in the past. The two intertwining narratives was a fantastic device to create mystery and leave questions unanswered. For some though, the lack of clarity between where we are in time could infuriate. And I have to admit myself, there were times of head-scratching to work out where we were in the story.
As Emma Harper gets pregnant, she begins to have visions and feelings of another presence in the area. Initially dismissive herself, Lizzy takes little notice of these until later when the wind – and whatever forces it is hiding – comes to her own door.
The dialogue is minimal but effective from scriptwriter Teresa Sutherland and Caitlin Gerard is great as the lonely woman battling supernatural entities and possibly her own sanity. The film is also beautifully shot and slowly allows the story to build before we get a shock scare or two.
With intrigue and violence, the film is ambitious yet doesn’t always hit its mark. The slow editing makes its 90 minutes seem longer, but in many ways the film is too short and the ending is a little rushed and offers little in the way of explanation. Although I suspect that was the point.
In conclusion, The Wind is an impressive and sporadically frightening first film which takes the large scale and uncharted American wild West and places its foreign nature into the cabin - and the mind - of a female pioneer. With heady themes of religion, redemption and the unfamiliar, you will be rewarded as you roam into this undiscovered and menacing windy wilderness.