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By midlandsmovies, Mar 23 2018 09:18AM



To celebrate the UK release of Justice League on DVD/BluRay we asked our Twitter followers to retweet a competition tweet for a chance to win one of two DCEU prizes.


One was a Superman t-shirt featuring the iconic "S" logo whilst the other is the infamous bat-symbol on another tee.


On 23rd March we picked out one winner for each t-shirt at random from all entrants and those winners are....


Twitter user @wytchinghour (won the Batman t-shirt)


and


Twitter user Alex_Doddy (won the Superman t-shirt)


CONGRATULATIONS!


Please get in touch to claim your prize and a big thank you from Midlands Movies to everyone who entered.


Stay in touch for more movie related competitions in the future!


Midlands Movies Mike




By midlandsmovies, Nov 20 2017 02:00PM

Justice League (2017) Dir. Zack Snyder

With 4 films now under their belt, DC is still a studio confused as to what it wants to achieve from its flagship franchise characters as we get to a film that sees their previously covered legends Batman, Superman and Wonder Woman join the Flash, Aquaman and Cyborg to take on a planet destroying threat. After director Zack Snyder dropped out owing to a family tragedy, in stepped comic fan-boy Joss Whedon who has clearly added his own lightweight banter to a series steeped in muted colours and moody awfulness.


The plot is simple as Ben Affleck’s Bruce Wayne attempts to persuade other meta-humans to join his team in order to stop evil monster Steppenwolf and his army of Parademons. And that’s it. Batman vs. Superman’s awkward complexity is jettisoned for a simple story and a sub-2 hour runtime but even so, many scenes and characters make little sense – even the ones that have already had an entire film devoted to them.


As a huge fan of Snyder, Whedon and DC characters (see my 2013 favourite superhero films of all time blog), where a reported $300 million was spent is anyone’s guess? The bland CGI Steppenwolf is a boring Scorpion-King nothing and although it’s slightly more coherent than say Suicide Squad, I’ve never had the inclination to see Batman in Lord of the Rings as he battles hordes of fantasy-like winged orcs in Playstation-quality video game visuals.


The League (read Avengers) are formed to stop the coming together of 3 ‘power boxes’ (read Infinity Stones) as other-worldly civilisations like the Atlantians and Amazonians (read Asgardians) fight a CGI fantasy bad-guy (read Thanos) and his parademon army (read Chitauri). Unoriginal and desperate, the film uses Danny Elfman and John Williams’ classic scores in a poor attempt to add class to a very unclassy product.


It not only reminds you of other films, Flash’s slow-motion escapades echo Quicksilver in X-Men: Days of Future Past, but it also reminds you of how good those other films are in comparison. The added Whedon reshoots don’t stand out because nothing relates to any other scene at all anyway, so who would notice. And the obligatory orange and teal colour palette one hour in (a horrid design aesthetic seen in BvS and Wonder Woman already) appears with orange flames and cold blue characters, but one improvement is that they’ve avoided Snyder’s dull colour grading to let some bright images jump from the screen.


The actors are actually quite likeable but they’re not just fighting Steppenwolf, they’re fighting an uphill battle against an awful plot and dialogue. New characters like Cyborg have underdeveloped relationships and back-stories that are brushed over in single sentences of exposition like reading a summary on Wikipedia.


*SPOILER* As the gang attempt to harness the powers of Superman to help their cause, the film delves into one of its best aspects as a particular scene (still heavily drenched in CGI) shows the team battling with the Man of Steel who is confused as to his resurrection. It’s a fun, exciting and totally understandable scene with a clear goal and antagonist. It’s also one that could (should?) have been used as the basis of an entirely different film in an alternative DC timeline full of interesting themes and well established motivations.


Sadly, the film fails to build upon that single scene and the worst thing is that this is DC’s 5th film and in my opinion still worse than their first attempt. Snyder ultimately ends by replacing Joel Schumacher’s legendary bad Batman and Robin’s fake sets and outfits with legendary bad fake CGI and design. As the film fumbles its way into the end-zone final battle, it genuinely looks like everyone has given up. The actors, the computer generated visuals, the recycled scores and the dull boring action sequences simply summarise where their universe is at. If there was any justice in this world, DC would wipe the slate clean and chalk these films up as an admirable failure and resurrect their own franchise with the “hope” this film attempts to leave us with.


5.5/10


Midlands Movies Mike

By midlandsmovies, Mar 29 2016 01:16PM

Batman V Superman (2016) Dir. Zack Snyder


Well I quite like Zack Snyder in the main. For me, Watchmen and 300 are two great graphic novel adaptations and with a nod to The Dark Knight Returns by Frank Miller, the director was an obvious choice to start the ball-rolling on DC’s cinematic universe. Being a long (long) way behind Marvel’s behemoth, DC seemed to be changing tact – a risk well worth taking according to this reviewer – by focusing on darker superhero lore with the additional producing credits going to none other than Christopher Nolan.


So Batman V Superman is the team up DC’s marketing company has convinced the masses they have always wanted to see – I don’t buy that as the tone of each character is far too conflicting to really gel – and so we get a tent-pole release to show these legendary icons in battle.


And battle they do! The story continues from Man of Steel with Superman’s alien status being questioned by both the authorities and the public whilst a personal vendetta is sown as we again re-witness Metropolis’ destruction, but this time from Bruce Wayne’s perspective. A great car chase sequence opens the film before the mindless demolition focuses Wayne/Batman’s resolve into stopping this god-like being.


Never one for subtlety, Snyder plays up the god-imagery from the outset but a big improvement over Man of Steel is Superman's global saviour status being contrasted with Batman’s local night-time detecting – an important aspect sorely missing from Nolan’s universe. The problems for the story and the script come when Jesse Eisenberg enters as Lex Luthor. The comparisons to his Mark Zuckerberg persona in Fincher’s The Social Network have already been made but another OTT Batman villain I was reminded of was Jim Carrey’s Edward Nigma from Batman Forever. A performance of tics, fast talking and comedy elements, Eisenberg provides some light from the dark themes but is far too eccentric to pull off a convincing villain.


However, his involvement in the plot is significant as he pulls strings in Government to get his hands on Kryptonite as well as (spoiler) setting up the film’s big battle between the two icons. Combined with a new Alfred for Batman, Lois Lane (a better and more feisty version from Amy Adams here), Diana Prince/Wonderwoman AND hints to other “meta-humans” (i.e. DC’s back-catalogue of ridiculous superheroes) there is FAR too much for one film to handle. DC has leaped into the Avengers-style team up without fully establishing their world and you realise how problematic that is.


In addition, Luthor attempts to use the Kryptonian spaceship and body of General Zod to create a “Doomsday” monster to kill ol’ Supes as a backup if Batman doesn’t take him down, leaving us with the obligatory CGI city-destroying smash up that permeate all these movies.


And so what does this all add up to? Not a lot really. With some images of great beauty – unbelievably the killing of the Waynes was done well given it’s a scene seen many times before – Snyder has a great eye for the surface but all the amount of moping in the world cannot make up for its lack of depth. I would love to have seen a Batman solo film as Affleck is very good despite the awful dialogue given to him. However, Cavill is so dour as Superman he’s simply miserable to watch at times. Another note is that film’s violence was as extreme as I’ve ever seen in a movie of this rating (so young children beware) and it wasn’t a million miles away from Deadpool’s incessant killing with branding, executions, patricide, stabbing and suicide bombing amongst the bloody carnage on show.


In conclusion I feel that the film is an unnaturally gloomy feature and although I think it takes admirable risks against the safe-sanctuary of Marvel, it fails on producing a cohesive whole in its creation. Superman never cracks even so much as a smile in 2 hours 30 minutes and Cavill shows less facial emotion than Michael Shannon’s Zod corpse. The film’s absence of humour – I counted two jokes (one of which is in the trailer) – is a huge flaw for such a ridiculous premise and both of those come too late as they appear in the final 15 minutes of the film.


From Doomsday’s LOTR cave-troll appearance, which is further compounded with a LOTR-style ‘never-ending’ ending, the film misses crucial opportunities for reinvention and is a structural mess from the outset. I have to admit though, unlike others, I didn’t find it a narrative mess. I thought it was a straightforward story badly put together with middling dream sequences that served little purpose and far too many cooks spoiling the superhero broth.


Teens will no doubt lap up the action sequences (the central fight IS well done, especially in IMAX) and somewhere in here is a more streamlined 1 hour 45 minute film but DC still have a long way to go to catch up with Marvel. That said, this could be a necessary “let’s-get-this-out-of-the-way” stepping stone to greater things. I am staying positive and hope that the spin offs provide much needed levity in the run up to Snyder’s Justice League film. If it doesn’t then prepare yourselves to expect more of these messy “franchise-starters” dampening Snyder’s dynamic plans and replacing them with rundown and disappointing fan-service flicks.


6.5/10 Midlands Movies Mike


By midlandsmovies, Aug 11 2015 12:27PM

The Death of Superman Lives (2015) Dir. Jon Schnepp


Completed with the help of a crowd-funded Kickstarter campaign, this documentary tells the story of one of the most famous unmade films of recent years – Superman Lives. Coming off the back of the success of his Batman films, dark-director Tim Burton was asked to turn his gloomy creativity to the Man of Steel. After rebooting one DC franchise, the folk at Warner Brothers thought he was the perfect choice to give another one of their iconic characters the “Burton” treatment.


The combination of Burton’s left-field design and the wholesome nature of the all-American superhero meant there was conflict from the outset and the documentary tries to unpick the many clashing ideas and proposals thrown up during pre-production. Interviewing everyone involved including multiple writers (one of which being Kevin Smith) as well as producer Jon Peters, they slowly recant a tale of bad decisions, financial troubles and confusing goals which eventually sent all their plans down the drain.


One revelation is the inclusion of grainy VHS footage of Burton’s intended Superman Nicolas Cage (!) trying on various costume designs in what looks like a seedy motel. It puts the controversial costume choices into context (the strange neon-light design was a transitional outfit as part of the hero’s rebirth) whilst Cage’s long hair in fact reflects the contemporary comic-version that was published around that time.


A glaring omission from the interviews is Cage himself who only appears in a few archive clips. Also shown are CGI tests, models and hand-drawn designs from different people within the art department who were attempting to create a singular look in the film. The filmmaker also attempts fairness by giving equal weight to both sides of the arguments even as some interviewees let their guard down and start pointing fingers at others embroiled in the mess.


Letting the documentary down is an obvious lack of budget. The strange “recreations” of parts of the film (horrid green screen “skits”) undermine the solid stories and serve no real purpose. Plus 90 minutes of the run time is essentially the interviews themselves and, although they are broken up, are visually dull at times.


That said, the film is a great insight into Hollywood machinations and the differing views of artists, writers, directors and producers. For film-fans this will illuminate how difficult it is to stick to an exclusive vision with so many incompatible fingers in the pot. Super-dooper!


7/10


Midlands Movies Mike

By midlandsmovies, Jan 8 2014 04:31PM

After another fantastic year at Midlands Movies I treated myself to a little jaunt across the Atlantic to see some old friends in the city that never sleeps, New York. With its esteemed history of movie locations I wanted to visit some of my favourite movie settings in the city so over 7 days, headed around the city (mainly by foot by sometimes by subway as the 2013/14 “polar vortex” headed in) and if you ever visit on vacation I can highly recommend the below places for any cinema connoisseur.


As mentioned, I often used my Metro card to travel on the city’s subway which criss-crosses all five boroughs and is an easy and safe way to get around. However, the movies have previously portrayed this transit system as a place of gang warfare or crazy loners as seen in 1979’s cult classic The Warriors, 1990’s Ghost (“Get off my traaaaiiin!”) or even in Michael Jackson’s “Bad” music video. One of the stops is the city’s main hub at Grand Central Terminal, a huge building and the 6th most visited place in the world (!) which has been seen in Cloverfield (2008) as well as a great scene with disappearing people in Eternal Sunshine of the Spotless Mind (2004). More recently a large part of the finale of Marvel’s Avengers Assemble (2012) is set on the raised part of the road nearby there.


Just a few blocks south is the art deco classic and iconic image of New York, the Empire State Building, which is most famously climbed by King Kong in the 1933 black and white film as well as again in Peter Jackson’s recent remake. Further down past Broadway is another infamous building in the slim-line facade of the Flat Iron Building. This plays the offices of the Daily Bugle in Sam Raimi’s 2002 Spider-Man movie.


Slightly off the track on the East of Manhattan I wandered down towards the University area where I headed to Washington Square (seen briefly with a monstrous apparition in 80s actionner Ghostbusters) before taking a short walk to a street of shops where I found The Little Lebowski Shop (215 Thompson Street, New York, NY 10012 http://www.littlelebowskishop.com) which is the world’s only dedicated “dude” store.


Continuing around the East Village area I stumbled across Tompkins Square – the location where John McLane and Zeus (Bruce Willis and Samuel L Jackson) have to play a game for the villainous Jeremy Irons “Simon Says” with a couple of water jugs in the third Die hard movie. The park also hosts regular outdoor movie screenings every summer so if you go during the summer months you may be able to catch a film or two!


Slightly further south is Katz’s delicatessen (www.katzsdelicatessen.com) which has been established since 1888 and maintains its tradition of quality food but is beloved for film fans for its “orgasm” booth where Meg Ryan fakes her pleasure across the restaurant table to Billy Crystal in When Harry Met Sally (1989) – “I’ll have what she’s having”.


Another food related place is Joe’s Pizza where Peter Parker is (briefly) employed in Spider-Man 2 (2004) and although I didn’t pop in, the food smelt and looked great and the queue from the shop to outside seemed to suggest the same. Later on in the vacation, my friend who I was visiting worked at a restaurant uptown and to get there we came out of the 72nd Street subway station which also appeared in Die Hard with a Vengeance (1995) as the place Simon gives our two protagonists a verbal riddle by phone as well as again appearing in The Warriors (1979).


Although I had been to New York 3 times before and had sampled the main attractions the city had to offer, one place had always eluded me but no more during this visit. I walked a long distance as the temperatures lowered (but that was not going to stop me) to the NYFD Hook and Ladder #8 Fire House. What’s that I hear you ask? Well, it’s from one of my favourite childhood films and may be better known as the Head Quarters to the Ghostbusters as seen in the 1984 film of the same name. The firehouse even has a (slightly faded) Ghostbusters-inspired insignia on the sidewalk outside and was one of those places that “looked just like the movie”.


As I was visiting in Dec/Jan, I was in the city for New Years. Planning to go to a friend’s party at a bar in Brooklyn I got a taste of the chaos in Times Square as I tried in vain to get to her apartment. Over 20 blocks were cordoned off by the police and the detour I had to take was massive as some subway stations were closed as well. The crowds were building and the streets densely packed and it was not even 7pm yet! The neon signs and advertisements of the square itself can be seen (although in a different context) in the deserted/empty scenes in the movies I Am Legend (2007) and Tom Cruise’s dreamy Vanilla Sky (2001). The emptiness of the square in those films contrasted massively to the reality of the tourist packed sidewalks of the holiday season.


I decided to avoid that area for the rest of the trip so over the next few days I went down Fifth Avenue to see St. Patrick’s Cathedral, seen in classic sequel Gremlins 2: The New Batch (1990) where a genetically engineered flying Gremlin is thrown in wet cement before drying on the Cathedral’s roof as an epic gargoyle.


Also on Fifth is the Rockefeller Building. Beneath the imposing height of the main skyscraper is the infamous ice rink with a statue that I found out when I got back is actually Prometheus! The area’s Christmas tree can be seen in Will Ferrell vehicle Elf (2003) as well as the meeting place in Home Alone 2: Lost in New York (1992).


During my first trip to NYC in 2002 I stayed at a hotel on East 57th Street NY 10022 and opposite the hotel was a tall tower which I again saw on this trip and was used for the exterior shots of the Oscorp building in Spider-Man (2002). A few streets away are the Roosevelt Island cable cars which I rode and can also be seen in the same web-slinging movie as Spidey fights off the Green Goblin.


On the Upper East Side later in my trip I hopped off the subway and walked a short distance to the Guggenheim Museum, an iconic and startling looking circular building seen in Will Smith’s first alien encounter in the opening of Men in Black (1997).


Opposite is New York’s huge open green space Central Park which has been seen in everything from Ghostbusters (1984) to Annie Hall (1977) and Adam Sandler’s Big Daddy (1999). A walk through the park from East to West and I ended up at The Museum of Natural History which has the Rose Center for Earth and Space at the back of the building (81st Street, Central Park West) and this unique globe-inside-glass structure was seen in Spider-Man 2 (2004) for the John Jonah Jameson III benefit event.


Post New Year’s Eve and many days into the trip, the city was struck by what the media dubbed “Snowpocalypse” and then was subsequently labelled a “polar vortex” as snow, ice and below freezing temperatures swept the North East of the country. For me it was a cross between the planet Hoth from Star Wars (see a video I filmed here - facebook video) and disaster movie The Day After Tomorrow (2004) where Manhattan gets covered in a thick layer of icy snow such were the shockingly (and shiveringly) low temperatures.


However, on my final few days the snow began to thaw (briefly enough) to get on the Staten Island ferry which takes you out into the water near the Statue of Liberty as seen in Planet of the Apes (1968), Ghostbusters 2 (1989) and Bryan Singer’s X-Men (2000). Once back on dry land, a short walk downtown saw me end up on Wall Street which is where Christopher Nolan filmed Bane’s attack on Gotham’s Stock Exchange in The Dark Knight Rises (2012) as well as being extensively in Oliver Stone’s Wall Street (1987) and a brief appearance at the end of National Treasure (2004).


On Park Avenue, my last memory of the trip was seeing the famous Met Life Building (formerly Pan Am) which is in Spielberg’s Catch Me If You Can (2002) and doubles as the offices of The Daily Planet in Christopher Reeves’ incarnation of Superman (1978).


Not even the cold weather could stop my enjoyment of such a creative, bohemian and cosmopolitan city which is still one of my favourite places on the planet. If you get the chance then I can guarantee you will have a good time seeing iconic buildings and enjoying the hustle and bustle of the busy streets - but if you’re a film fan then there’s even more to marvel and enjoy and you will get an understanding of why New York is so regularly used on the big screen – hopefully you’ll have as much fun as Eddie Murphy does in Coming to America (1988)!


See all my New York pictures in this gallery here - Facebook Gallery


Midlands Movies Mike

By midlandsmovies, Sep 22 2013 09:50AM

Thanks to everyone for following, retweeting and generally supporting Midlands Movies over the last 18 months and we recently passed our 1000th follower milestone.


In order to celebrate that achievement we gave one lucky reader of the site the chance to get their hands on some "super" film related goodies.


Courtesy of Pyramid International we had a Man of Steel poster to give away along with a Midlands Movies prize of an Ultimate Guide to Superman DC book with 2 collectable prints and also a Superman notebook.


The lucky winner chosen at random from the 55 entrants that got involved is.....


Rob Jones @Hulksmash1985 on Twitter.


Well done Rob (please drop us a tweet with your details) and thank you everyone for getting involved. We've had competition winners for 700, 800, 900 and 1000 followers as well as the one off Dark Knight Rises at Wollaton Hall competition so keep reading for more movie picture prizes coming your way soon.


Thanks again all!


Mike Sales, Editor

Midlands Movies

By midlandsmovies, Jul 30 2013 05:43PM

With the Man of Steel tearing up the box office, the Comic Con announcement that Superman AND Batman will appear in the next DC film together as well as being deep inside Phase 2 of the Marvel Universe, I’m going to take a brief look at my favourite superhero films. A few films like Scott Pilgrim and Wanted (both of which I love) I’ve decided against including as although both from graphic novels and both having protagonists with “powers” they didn’t seem to fit in with the masked crusaders from the rest. They’d both be pretty high up however. Also, honourable mentions to Mystery Men, Captain America, Hellboy 2 & The Rocketeer. That said, commence au festival!


15. Thor (Kenneth Brannagh)

Marvel proved it was willing to take a few chances with its directorial choices as Sir Ken came in and gave a big dose of Shakespearean family feuding to the usual CGI fight-fests and to his credit comes out with one of the more distinct movies from Marvel’s Phase One. Hammer time!


14. Superman (Richard Donner)

We believed a man could fly in the ultimate showcase of actors (Brando, Reeve and Hackman) taking a serious look at the indestructible red pants man, taking us from Krypton to Earth with amazing results. Super dooper!


13. Blade (Stephen Norrington)

With the black jacket, sunglasses, bullet dodging and building leaps, it’s easy to see how The Matrix overshadowed this movie despite their similar style in this dark and gritty 90s vampire-killing classic. It’s got a big bite of action and effects with some unique fighting that sadly fizzled out in the humour-filled sequels. Tasty!


12. Unbreakable (M Night Shyamalan)

His second (and last good) film and the one that many of us are awaiting a sequel for, the director told a slow-burner of a story as a man who doesn’t even believe he has any powers but has to protect his family and the public from a classic villain taken (literally) from comic books. Uniquely told with comic-panel visuals and presented in a down-to-earth realistic way makes the film all the more impressive. Shatter proof.


11. Batman Begins (Chris Nolan)

Nolan sets the bar high with his re-imagining of Batman after the dreadful Joel Schumacher failures with an authentic tale of rich boy going AWOL and then being trained by assassins before returning to his beloved city to do good. With a strong set of actors and some exciting action scenes, Bale’s Batman placed him solely in the real world with very real problems. Bat-tastic!


10. Kick A** (Matthew Vaughn)

Over the top action sequences combined with some hilariously named heroes, all tied together with a self-referential knowing of superhero traits blended to give this film a violent look at a brand new set of characters outside of the usual huge franchises we already know. Cage hasn’t been this good in years and the young protagonists try to balance their growing pains with the torture of street pummels! A cult classic with a sequel due anytime now in July 2013.


9. X-Men (Bryan Singer)

Again, the origin story seems to be the strongest of the bunch as Singer takes the mutant group and brings it into a faithful world setting (or gay allegory as some have suggested) by aligning them with modern day persecution. Amazingly, Singer takes the premise of a child’s cartoon (my first experience) and turns it into an action packed narrative with serious adult themes and where moral discussions lead to genuine and sincere consequences. The film also introduces us to an unforgettable actor/character pairing with Hugh “Wolverine” Jackman. X-cellent.


8. Iron Man (Jon Favreau)

Marvel’s first foray into movie-making may never be topped for some as Robert Downey Jnr plays arrogant billionaire Tony Stark who after a kidnapping uses his company’s technology to create the ultimate military suit. From the playboy with the boy’s toy to the perfect pacing, Iron Man has humour, hurt and tenderness but is mostly a lot of fun with an amazingly recreated CGI suit, great action scenes and set the stage for the future team-up with his avenging pals. A metal marvel. (Just don’t mention Iron Man 2).


7. The Incredibles (Brad Bird)

Pixar moved away from cuddly toys and talking animals in this almost art-deco style story of one family’s superhero problems - from secret identities to the inconveniences of capes, the movie twists the genre conventions, the animation is flawless and the characters well shaped. Throwing in plenty of funnies and nods to other famous superhero powers (ice, stretching, invisibility etc), director Brad Bird even gets in on the action as the voice of costume designer Edna Mole. Nobody does it quite like Pixar.


6. X-Men: First Class (Matthew Vaughn)

After the incredibly disappointing and flawed X-Men Origins: Wolverine, we go back to the beginning for a Cold War narrative as the backdrop to finding out how Xavier and Magneto met, developed their skills and started the school for the gifted in this brilliant prequel/origin story. From the nods to real world events (Cuban missile crisis) to the training montages, the film balances the serious Nazi themes of the opening with a later light-hearted touch as the swinging 60s takes hold. Fassbender is a joy as we watch his downfall during his clashes against Kevin Bacon’s excellent villain. Pure class.


5. The Avengers (Joss Whedon)

The pinnacle of Marvel’s Phase One as we finally got to see Nick Fury’s plans come to fruition during his ploy to assemble the greatest set of heroes on earth to defend against the nefarious Loki (a brilliant Tom Hiddleston) and his alien army of minions. Whedon gives everyone their fare share of screen time and injects a dose of humour and knowing about the proceedings before unleashing Thor, Iron Man, Captain America and finally a decent Hulk onto the city of New York with support from Black Widow and Hawkeye. Action aplenty, lots of laughs and solid storytelling all lead to a brilliant finale that satisfied geeky fans and the passing crowd on its way to a $1billion plus box office. Avenge that!


4. Watchmen (Zack Snyder)

Snyder’s literal interpretation of the infamous graphic novel was a turn off for some but with adult themes in an alternative history and his visual pyrotechnics assaulting the eyes, the film is a faithful re-telling of Moore’s opus. A story of getting older, doing things for the greater good and double-crossing, the film tackled huge themes and has one of the best opening credit sequences of ANY film. From the violent Rorschach who refuses to compromise to the out of shape Night Owl via the omniscient Dr. Manhattan, the brilliantly realised characters show the darker side of the American dream. The joke’s on us as we are forced to confront our own moral standpoint. Very watchable.


3. The Dark Knight (Chris Nolan)

Nolan’s best entry in his trilogy contains Heath Ledger’s astounding take on Batman’s nemesis as he creates havoc in Gotham as the sadistic Joker whilst Bruce comes to terms with losing a loved one alongside the transformation of Harvey Dent to Two-Face. Filled to the brim with classic scenes from the opening heist to the Bat-cycle speeding through city streets, Nolan makes not just a superhero film but an inspired crime saga with immense depth previously unseen in the genre. Virtuoso acting, remarkable stunts and a convincing script resonated with audiences who wanted to follow Bruce’s continuing journey as the watchful protector. Wayne-derful.


2. Spider-Man 2 (Sam Raimi)

The first film established a solid but uninspiring take on the webbed-wonder but after its success Raimi was allowed to unleash his full directorial flourishes onto the franchise in the form of zooms, whip pans and more Bruce Campbell in this superior sequel. Maguire loses his mojo as Parker tries hard to be both Spidey and boyfriend to MJ whilst Alfred Molina is top drawer as Dr. Octopus, a much improved and far more fun villain than the Green Goblin. With less-cartoony CGI, brilliant action sequences on the elevated train, during the bank robbery and high-up on buildings, Raimi showed he could handle the affectionate closeness between characters whilst wasting no time in slinging in some comedy, mild horror and plenty of fisticuffs as Spiderman comes to terms with what’s important in his life. Go web go!


1. Batman (Tim Burton)

The best of Batman in my eyes with the right balance between fantasy comic book and dark reality with a brooding Michael Keaton as Bruce Wayne and devilish Jack Nicholson as The Joker in a role he was born to play. Rejuvenating the comic-book movie (after the Superman franchise ended in a damp squib) the film was stylish, sassy (“where does he get those wonderful toys?”) and equal parts insane and serious. Nolan took more from this than anyone cares to admit (see my Bat-blog here on their similarities – click for blog) and Burton focused on the Caped Crusader’s crime and detective background and gave us the origins in well-thought out flashbacks. With a BatMobile for the ages, a solid support cast (Michael Gough as Alfred lasting ALL four of this franchise’s movies) and a gothic design by the late Anton Furst, the simply titled Batman was not only the sum of its parts but much more than that and made the anti-hero not just a campy actor in tights, but a major cultural phenomenon. Good knight my sweet Prince.


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