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By midlandsmovies, Apr 17 2018 07:56AM



Derby Film Festival 2018 – special guests, film previews and events in QUAD 4th to 13 May

Derby Film Festival returns from 4th to 13 May with a host of special guests, film previews and events as well as over fifty feature films.


Guests include actress and singer Toyah Willcox will discuss her career in film and television, from her debut in the television play Glitter in 1976, to Derek Jarman’s seminal punk film Jubilee and his version of The Tempest. She has also featured in films including Quadrophenia and Quatermass, and on BBC TV in Dr Jeykll and Mr Hyde and Tales Of The Unexpected. Toyah Willcox will be in Conversation in QUAD on Saturday 5th May at 5:00pm. Both Jubilee (15) and The Tempest (15) will be screened as part of the festival on 8th & 9th and 9th & 10th May respectively.


Sir John Hurt's widow Anwen Hurt will introduce a preview screening of That Good Night – Hurt’s final leading role. Sir John Hurt was QUAD’s first Patron and Derby Film Festival’s Guest Of Honour in 2014. That Good Night (12A) Preview introduced by Anwen Hurt, takes place in QUAD on Wednesday 9th May at 6:30pm.


And Mandie Fletcher who will discuss her career in film and television, directing classics of British television, from Butterflies in 1983, to Blackadder, Only Fools And Horses, Desmond’s, Absolutely Fabulous and Miranda, and the big screen, with Absolutely Fabulous: The Movie in 2016. Mandie Fletcher will be in Conversation in QUAD on Sunday 13th May at 2:00pm


Exclusive film Previews include:

Redoubtable from the Oscar winning director of The Artist on Friday 4th May at 8:40pm. L’Amant Double, the latest release from French auteur Director François Ozon on Monday 7th May at 9:00pm. Jeune Femme the debut film of director Léonor Serraille on Tuesday 8th May at 6:30pm. Edie starring Sheila Hancock on Wednesday 9th May at 2:00pm. Ismael’s Ghosts starring Marion Cotillard and Mathieu Almaric on Thursday 10th May at 6:30pm. On Chesil Beach adapted from the novel by Ian McEwan on Friday 11th May at 6:30pm. The Suffering Of Ninko, from Japan, is a unique tale which blends live action and animation on Friday 11th May at 8:45pm. The Bookshop starring Emily Mortimer and Bill Nighy on Saturday 12th May at 7:00pm.


Festival films with a local interest include:

Portrait Of A Village is an affectionate portrayal of a semi-rural village in the East Midlands – Spondon - by local filmmaker Mark Rivers. Portrait Of A Village is a snapshot of life in modern Britain and explores the themes of home, community and belonging. Portrait Of A Village screens in QUAD on Saturday 12th May at 12:30pm.


A programme of short films, specially curated and tailored specifically to the needs of D/deaf cinema-goers, will include the Oscar-winning The Silent Child. Lives In Sign Language has been curated by London Short Film Festival’s young Deaf programmer Zoë McWhinney and shows the richness of D/deaf culture and experience. A mixture of comedy, romance, horror bring the stories of D/deaf characters to the screen in a selection of contemporary short films inclusive for all. The films include: Nonsense,


The Silent Child, My House, Imagine, Deaf, A Love Divided and Dawn Of The Deaf. Lives In Sign Language (Advised 15) will screen in QUAD on Saturday 12th May at 5:00pm. There will be Hard Of Hearing subtitles and BSL Interpretation.


Derby Based screenwriters Darrell Buxton and Steve Hardy will be on hand to introduce a Premiere of their film Ouijageist. In the film a young single mum moves to her new flat, and adds to the pressures of finding employment and meeting the rent when she and a friend begin dabbling with a Ouija board found at the property, consequently evil powers are unleashed and mysterious deaths begin to occur. Ouijageist (Advised 15) and Screenwriters Q+A takes place in QUAD on Sunday 6th May at 2:00pm.



This year welcomes a new strand called Paracinema, as part of the main festival. Including horror, sci-fi and fantasy films, it will also be exploring other genres outside the mainstream with special guests, previews and talks on a whole range of unusual genres and subgenres. Paracinema screenings, as part of Derby Film Festival, take place from 4th to 7th May. A Paracinema takeover will include a whole night of screenings on the opening weekend of the festival. The Paracinema All Night Takeover! (18) takes place in QUAD on Saturday 5th May, from 10:25pm to dawn.


Among the special events for Derby Film Festival, Derby Cathedral will host a screening of silent classic accompanied by a live score on the Cathedral’s Compton organ. The score will be performed by Richard Hills, organist of St Mary's, Bourne Street, who was named 'Organist of the Year' in 2010 by the American Theatre Organ Society. F.W. Murnau’s classic vampire tale Nosferatu, from 1922, stars the legendary Max Schreck in the title role. Nosferatu + Live Score (PG) takes place in Derby Cathedral on Saturday 5th May, doors open from 7:30pm.


Closing the Festival is the unique Five Lamps Films 24 Hour Challenge. Returning for its ninth year, the Five/24 24hr film challenge entrants will make a three-minute short in just twenty-four hours, over the weekend of 5th and 6th May. The following weekend the public are invited to a screening of all the entries and announcement of the winners. Five Lamps Films 24 Hour Challenge Screening & Prize Ceremony takes place in QUAD on Sunday 13th May at 8:15pm. For more information on how to take part, please see: www.fivelampsfilms.co.uk

For full information on Derby Film Festival films, screening times and ticket prices please go to https://derbyfilmfestival.co.uk

FULL LISTINGS


FRIDAY 4TH MAY

12:00 LEON MUST DIE (ADVISED 18) S - UK PREMIERE

12:00 SOMETHING (ADVISED 15) - EUROPEAN PREMIERE

13:35 BODIES (ADVISED 15) - EUROPEAN PREMIERE

13:50 ALL LIGHT WILL END (ADVISED 18) - UK PREMIERE

15:30 OUT OF THE CORNER OF THE EYE (ADVISED 15) S - EUROPEAN PREMIERE

15:35 HI-DEATH (ADVISED 18) - EUROPEAN PREMIERE

17:45 IMAGES OF APARTHEID (ADVISED 15) - WORLD PREMIERE + DIRECTOR Q+A

18:00 CHARISMATA (ADVISED 18)

19:45 ATTACK OF THE ADULT BABIES (ADVISED 18) + DIRECTOR & CAST Q+A

20:40 REDOUBTABLE (15) S – PREVIEW

21:00 THE PARACINEMA SOCIAL


SATURDAY 5TH MAY

10:00 THE PARACINEMA DEALERS ROOM

12:30 DEATH LAID AN EGG (18) S + NUCLEUS FILMS RESTORING CLASSICS INTRO

15:00 BORLEY RECTORY (ADVISED 15) + DIRECTOR Q+A

17:00 TOYAH WILLCOX IN CONVERSATION

18:45 ALL LIGHT WILL END (ADVISED 18) - UK PREMIERE

19:00 JUBILEE (15)

19:30 NOSFERATU (PG) + LIVE SCORE AT DERBY CATHEDRAL

20:45 HIPPOPOTAMUS (ADVISED 18)

22:25 THE PARACINEMA ALL NIGHT TAKEOVER! (18)


SUNDAY 6TH MAY

13:00 AN INTRODUCTION TO PINK CINEMA BY JASPER SHARP (ADVISED 18)

14:30 THE GLAMOROUS LIFE OF SACHIKO HANAI (ADVISED 18) S

14:30 PARACINEMA SHORTS (ADVISED 18)

16:20 THE ENDLESS (15) - PREVIEW

16:40 A TASTE OF PHOBIA (ADVISED 18) - WORLD PREMIERE

18:30 THE ASCENT (ADVISED 15) - EUROPEAN PREMIERE

18:30 SOMETHING (ADVISED 15) - EUROPEAN PREMIERE

20:30 THE LEGENDARY PARACINEMA QUIZ

20:30 REVENGE (18) - PREVIEW


MONDAY 7TH MAY

12:00 HI-DEATH (ADVISED 18) - EUROPEAN PREMIERE

14:00 HIPPOPOTAMUS (ADVISED 18)

14:00 OUIJAGEIST (ADVISED 15) - WORLD PREMIERE + SCREENWRITERS Q+A

14:00 A.I. STUDIOS MAKE UP EFFECTS DEMONSTRATION

15:35 CHARISMATA (ADVISED 18)

16:25 ESCAPE FROM NEW YORK (15)

17:30 LEON MUST DIE (ADVISED 18) S - UK PREMIERE

19:05 BODIES (ADVISED 15) - EUROPEAN PREMIERE

21:00 L'AMANT DOUBLE (CERT TBC) S - PREVEW

21:00 OUT OF THE CORNER OF THE EYE (ADVISED 15) S - EUROPEAN PREMIERE


TUESDAY 8TH MAY

12:00 EAT MY SHORTS 1 (ADVISED 18)

12:10 JUBILEE (15)

14:20 MARISA IN THE WOODS (ADVISED 15) S

16:10 HUNTER'S CROSSING (ADVISED 15)

18:15 THE MAN WHO ALWAYS DID HIS PART (ADVISED 15) S

18:30 JEUNE FEMME (15) S - PREVIEW

20:35 BACKSTAGE JAZZ MYSTERY (ADVISED 15) S

20:35 JUBILEE (15)


WEDNESDAY 9TH MAY

12:00 THE TEMPEST (15)

12:00 EAT MY SHORTS 2 (ADVISED 15)

14:00 EDIE (12A) - MIDWEEK TREAT PREVIEW

14:15 JUBILEE (15)

16:25 VISMRIT (ADVISED 15) S

18:00 THE TEMPEST (15)

18:30 THAT GOOD NIGHT (12A) - PREVIEW

20:00 MUSIC ON THE RUN (ADVISED 15) S

20:45 JUBILEE (15)

21:10 HUNTER'S CROSSING (ADVISED 15)


THURSDAY 10TH MAY

13:30 THE TEMPEST (15)

15:00 THE MAN WHO ALWAYS DID HIS PART (ADVISED 15) S

16:00 EAT MY SHORTS 3 (ADVISED 15)

17:00 MUSIC ON THE RUN (ADVISED 15) S

18:30 ISMAEL'S GHOSTS (CERT TBC) S – PREVIEW

20:45 THE TEMPEST (15)


FRIDAY 11TH MAY

14:50 THE KURODIANS (ADVISED 15) S

16:30 BACKSTAGE JAZZ MYSTERY (ADVISED 15) S

18:30 ON CHESIL BEACH (15) - PREVIEW

18:45 MARISA IN THE WOODS (ADVISED 15) S

20:35 LEAVE NOW (ADVISED 15)

20:45 SATORI SCREEN: SUFFERING OF NINKO (ADV 18) - UK PREMIERE S


SATURDAY 12TH MAY

12:00 PORTRAIT OF A VILLAGE (ADV 12A) – WORLD PREMIERE

15:00 QUAD YOUNG ADVOCATES PRESENT SHARKNADO (15)

17:00 LIVES IN SIGN LANGUAGE (ADVISED 15)

18:30 EAT MY SHORTS 1 (ADVISED 18)

19:00 THE BOOKSHOP (PG) - PREVIEW

20:40 EAT MY SHORTS 2 (ADVISED 15)

21:15 THE KURODIANS (ADVISED 15) S


SUNDAY 13TH MAY

14:00 MANDIE FLETCHER IN CONVERSATION

14:00 LEAVE NOW (ADVISED 15)

16:25 VISMRIT (ADVISED 15) S

18:00 EAT MY SHORTS 3 (ADVISED 15)

20:15 FIVE LAMPS FILMS 24 HOUR CHALLENGE SCREENING & PRIZE CEREMONY




By midlandsmovies, Apr 13 2018 07:58AM

Flatpack Film Festival 2018


The 2018 Flatpack Film Festival kicks off on Friday 13th April so get ready to experience over 100 events and screenings across venues across Birmingham.


Running until 22nd April, there are plenty of options for all kinds of cinema fans and we take an overview look at some of the best the festival has to offer over the full 2 weeks of fun.




Colour Box

This is a fabulous film lucky dip with a focus on “doing” as much as on “viewing”. This year’s creative playground includes smartphone projectors, Moomin puppets, VR adventures and a massive zoetrope, while in the screening programme you can find the best new family shorts and features from around the world. Colour Box is suitable for all ages, although even more fun if you’re 11 and under!




Birmingham 68

A landmark year internationally, 1968 was also a turbulent time for Birmingham. This eye-opening, city-straddling programme will take you from Digbeth bikers to Erdington psychedelia, from black masses in Solihull to the lost streets of Balsall Heath. On 13-15 April a host of special guests will join us for a weekend of walks, talks and screenings tapping into a range of subjects that still resonate today. Flatpack welcome a range of guests including writer Dilip Hiro and Oscar-winning cinematographer Chris Menges and there's a very rare chance to see a psychedelic Cilla Black satire set in Ladywood.




Optical Sound

Optical Sound explores the love affair between sound and image through a packed weekend of live events and screenings. Expect AV artistry, music documentaries and ingenious gadgets.




Unpacked

A chance to poke around under the bonnet and explore the creative processes behind some of the work on show at Flatpack. At the heart of Unpacked is a day of talks and demonstrations with a fantastic line up of artists, inventors and filmmakers, while at Film Camp the focus shifts from making to showing. Film Camp is designed to gather together film exhibitors from across the Midlands to share their wealth of experience, and to explore fresh approaches to programming and audience development. The event is open to everyone from multi-screen venues and festivals to community cinema organisers and student film groups.




Special Events

Check out Flatpack’s full complement of theatre, performance, live soundtracks, daft parties and a quiz. Highlights include live animation troupe Paper Cinema and a night at the circus to remember.




Features, Shorts and Documentaries

based at the Electric and the Mockingbird, this year's survey of the best new films from around the world is a fantastic trip. For those who don’t know, Flatpack started life as a film night in a pub and the short films are an end in themselves, overflowing with great ideas and indelible images. In 2018 the competition expands to six programmes and will include a bumper crop of UK premieres. Flatpack’s international documentary selection is by turns playful, provocative and strange.


Short Film Competition Pass

The short film competition is the shining jewel in our crown each year and audiences can pick up a pass wo view Is This Some Kind Of Joke, Little Wonders, Signal To Noise, Artefacts, Memory Lane and Breaking Point for just £32.



To buy tickets and to check out the full programme go to the festival's official website - http://flatpackfestival.org.uk


By midlandsmovies, Apr 10 2018 05:23PM



Midlands Movies Interview - Going Behind the Lens with Jordan Dean


Local filmmaker Jordan Dean came to Leicester’s De Montfort University from Hull at the age of 22 and grew up like so many did with Spielberg and Star Wars as his first foray into film. We speak to this exciting new local filmmaker about his influences, film music and the uncomfortableness of watching audition tapes.


Midlands Movies: Hi Jordan. Glad you could join today. You mention you got into film via Spielberg?

Jordan Dean: Yes I did, but as a kid I was always asking how they managed to create these fantastical worlds!


MM: And getting older how did you end up in your current position?

JD: Well my love for film as a youngster developed into working for Bizarre Culture where I was their film and media editor. I wrote articles and reviews before studying film at DMU in Leicester. It was a very academic weighted degree but at a very highly regarded film university.


MM: And what did you learn during those years?

JD: Well, I made some terrible and awful stuff in my first year [laughs]. But by my third year I had learnt a lot so chose to make a film rather than do a written dissertation. By doing that I tried to prove to myself I could handle a larger production. I actually had 27 cast and crew for a 7-minute short. This included costume designers, extras, fashion models and the like. It really helped me learn different skills, got me a first in my degree and then played at 5 festivals winning a cinematography award at one of them. That was when I thought - I can do this!


MM: I went to the same University funnily enough from 1998-2001 and we only had video in year 1! It moved very quickly to digital.

JD: Ha ha. I would love to shoot on film but producers say think about the money!


MM: So where are you now in your career?

JD: Well now I am undertaking an MA in Film Production with DMU and Pinewood Studios which is exciting. I get to work every week with Terry Bamber (first assistant director on films such as Gulliver’s Travels and World War Z), Chris Kenny and Iain Smith, producer of Mad Max: Fury Road. It’s a real high calibre of people to learn from.


MM: Sounds very rewarding. What projects have you made?

JD: I worked on Not Alone which was actually a film to test equipment but has recently won a short film award at the Direct Short Online Film Festival. In addition I’ve been working with Rhys Davies on his upcoming feature Acid Daemons (click here for info on that film).



MM: You also made Behind the Lens which was nominated for a Midlands Movies Award in 2018 for best score for Peter Flint (click here). What were your influences for that film?

JD: Both of us were influenced by Drive and Neon Demon composer Cliff Martinez. I also love John Carpenter and got great feedback from Terry (Bamber) that Not Alone was Carpenter-esque which was fantastic to hear.


MM: It’s great to have recognition from someone who has been in the industry for a long time. I have seen in the Midlands that those connections and recommendations can really help (and inspire) local independent filmmakers move forward in their work.

JD: Yes and also give you the feeling that you do know what you’re doing. I’m not the best at networking and its great to be at Pinewood to meet people but also at the Midlands Movies film awards where I met likeminded filmmakers from the region.


MM: With local filmmakers like Gareth Edwards, who jumped from editing Monsters in his home to Godzilla and then to Star Wars, is he an example of how low budget can spiral to the big time no matter how unlikely? Does that help motivate you?

JD: It’s really inspiring to see those journeys, of course. I also love sci-fi. E.T. is one of my all -time favourite films. I’d love to make a film in that genre but I feel I would need the resources to do justice to the ideas I would want to convey. My main focus right now is horror. I’m obsessed with scary films since seeing The Texas Chainsaw Massacre when I was younger.


MM: I definitely noticed a Neon Demon influence in Behind the Lens

JD: My biggest influence right now actually is Nicholas Winding Refn. I know he’s not for everyone but I love his films. Over the last few years I’ve also enjoyed a variety of horrors such as The Babadook and It Follows. I’m not a fan of the current jump-scare style movies though.




MM: I found the recent version of IT a surprise success for Hollywood horror but its musical stings were warnings which gave away the approaching scares. Do you like foreign horrors though?

JD: I think you feel more vulnerable watching a foreign horror giving the investment you have to make. I am a huge fan of Asian extreme horror and my next film is heavily influenced by Park Chan-Wook’s The Handmaiden.


MM: Are there any other genres you would like to dip your toe into?

JD: I don’t want to be a genre filmmaker as such. As a fan of Refn, if you showed Neon Demon to someone they may not consider it a horror. I would like to do similar and mix genres up but I was also exhausted by the end of The Witch as it built up tension without giving the audience a release. I wouldn’t mind trying a straight-up drama and tell a simpler story as well.


MM: Where do you get your ideas from?

JD: Behind the Lens is very much influenced by the photographer character from the Neon Demon and realised I had alos met those type of creepy, really intense characters.

MM: Voyeuristic?

JD: Very much so. I can get uncomfortable myself looking at audition tapes that I get sent given the nature of it.


MM: And where next for you?

JD: The next film is The Nail That Sticks Out whose title is taken from a Japanese proverb. It’s the first film I’m directing that I haven’t written. Rebecca Whelan has written a great script and I was instantly attracted to it as it has a tone and themes I can relate to myself.


MM: And what’s the story of the film without giving too much away?

JD: It’s about a Japanese artist living in England and her girlfriend is a failing English actress. It’s about culture clashes and how far different people are willing to go to produce their art. The two characters go in very different directions.


MM: And how far into production are you?

JD: We're making the crowdfunding promo this week and it’s the most ambitious project I’ve ever been involved in. We’re shooting at the end of July in the Midlands at Scene Studios in Nottingham and location shooting at DMU as well. It also has an all Midlands based crew and we're looking to raise an £8000 budget which feels ominous but we’re hoping for success once we launch.


MM: And what’s changed for you on all of these projects?

JD: It’s a scary thing to undertake these different films. Especially when you can’t always pay people when you are starting out and there are very difficult thing to manage on small productions. Now we’ve got a group of people involved – including a producer – there’s a move away from checking the sound and lighting etc yourself. There’s people you can trust in all the roles within the crew. And Peter Flint will be again working with me on the score so we’re discussing that right now.


MM: That must be a relief?

JD: To an extent. My first real production (Acid Daemons) I was working with others and I took the advice that if I had a full understanding of how film works – not just your own role – then you understand the departments and their processes. By having a little bit of knowledge about each department you can respect their craft.


MM: Thanks Jordan. Any final thoughts or help for other local filmmakers?

JD: Don’t be scared of feedback. I have a weird thing as I think I encourage criticism as it’s the only way you learn. Friends and parents will go “it’s great” but you can’t ride that for long otherwise you won’t get anywhere.


Follow Jordan Dean for updates on all his projects on his Twitter feed here: https://twitter.com/Jordandeanfilm






By midlandsmovies, Apr 7 2018 12:43PM



Midlands Spotlight - Don't Follow the Light


After the success of his psychological horror and Midlands Movies Award-nominated The Telephone, Derbyshire writer-director Stuart Connock Wheeldon is again delving into the world of independent cinema with his new film Don't Follow the Light.


Stepping into the preproduction phase this short will be filmed in and around the Derbyshire countryside during the summer of 2018 and Don't Follow the Light is a prequel to the filmmaker’s much-talked-about production concept for Vanished which is gaining a cult following on social media.


That film is to be a smart spin on misadventure and mystery and Stuart says Vanished has already attracted the interest and support of industry professionals.


The prequel - which now seeks funding - pre-empts the story of Gillian Gold, who is described by the filmmaker as the ‘Banksy of Journalism’ and a tenacious investigative journalist. Stuart has been influenced by Hitchcock as Don't Follow the Light is set amongst a succession of unsolved murders and the disappearance of Gold herself.


A range of fine actors has already been chosen for production with Lana O'Kell set to play Gillian Gold and Nigel Barber will be joining the cast in the role of Dr. Williams. Paul Dewdney will play Dr. Childs and Dilly Evans-Smith has landed the role of Jessica.


Stuart hopes all these acclaimed actors will bring an engaging mix of experiences and will add heart and soul (“not to mention a degree of ruthlessness”) to the characters.


His production company Nine Ladies Film is now about to undertake a crowdfunding campaign. Stuart is joined by Nick John Whittle as producers of the film and they plan to get together a working budget to realise this early chapter in the Gillian Gold story.


He hopes that with the help of a generous public who enjoy independent film, Don’t Follow the Light's dark ideas can be expressed in full once production is underway.


For more information visit The Vanished Film website to find contact details and updates about the crowdfunding page http://vanishedfilm.org



By midlandsmovies, Apr 7 2018 07:42AM



Midlands Spotlight - Wash Club


Midlands Movies Mike finds out about new Nottingham-made film Wash Club which used a local cast and crew to create its weird tale of a death cult in the least likely of places.


Wash Club tells the true story of how an inspiring journalist accidentally created a death cult and as the movie Fight Club reaches cinemas worldwide, a Norwich student discovers his own underground version.


Wash Club is the latest film from writer Ross Sutherland, director Simon Dymond and producer Lauren Parker. The short was selected from over 300 submissions to be one of just 16 put into production on Creative England and BFI Net.work’s iShorts scheme in 2016.


Since then it has been since shown at festivals around the world and is now available online premiering on the acclaimed Short of the Week. And we also have embedded right here above!


In Wash Club, quiet student Doug overhears an anecdote about a secret society that test their endurance inside the campus tumble driers. Determined to use the story for his journalism coursework, Doug accidentally becomes the ringleader of a new group of tumblers, before realising that the original anecdote was clearly made up.


The filmmakers go on to say that when the campus driers are revealed to be gas operated, Doug realises he has formed a death cult. In a final bid he attempts to shut down the group, but it turns out to be harder to kill a good story than you might think.


Unbelievably, Wash Club is based on a true story based on the writer Ross Sutherland’s own experiences at university in 1999. A satirical thriller, peppered with dark humour.


Watch the film above and also check out the film's Twitter page: https://twitter.com/washclubfilm


By midlandsmovies, Mar 30 2018 12:42PM



The Derby Film Festival 2018


The Derby Film Festival is back for its fifth edition taking place from 4th – 13th May 2018 and local audiences can expect another successful array of previews, classic films from the archive and a weekend dedicated to genres beyond the mainstream.


DFF are scouring the globe to find the best in world cinema as well as bringing some special guests to talk about their experiences in the film industry. As ever they'll be home to the Five Lamps 24 hour film challenge 24/5, the contest to make a 3 minute film in 24 hours.


Over the opening weekend of Derby Film Festival, they also launch Paracinema Weekend, a long weekend dedicated to films and genres outside the mainstream. Events at Paracinema include an on-stage conversation with actress Toyah Willcox and a screening of Nosferatu in the grand surroundings of Derby Cathedral.




Also taking place is a talk on the bizarre and subversive world of Japanese pink cinema and an all-night movie marathon running across two cinema screens, a host of premieres and previews and much more.


Expect horror, sci-fi and fantasy but we be trawling the history of cinema to find those sub-genres that delight and entertain too. For the full PARACINEMA line-up please click here.


During the festival the organisers will also present a preview of That Good Night, featuring the final leading role from Derby acting legend Sir John Hurt.


Festival passes (allows entry to all events during the full festival) £80


Weekend passes (allows entry to all events 11 - 13 May) £50


The full line-up is soon to be announced and will be published here: http://derbyfilmfestival.co.uk


QUAD based in Derby is a Cinema, Gallery, Café Bar, Digital resource and Workshop that anyone can use and a creative hub that connects people and businesses to art and film and create opportunities for entertainment, education and participation. QUAD transforms lives through active participation in art and film.

By midlandsmovies, Mar 13 2018 10:09PM



Leicestershire movie Art is Dead launches on Amazon Prime


Filmed entirely around Leicestershire and the East Midlands, Art Is Dead is a new comedy feature which uses talent from the local region and has recently become available via Amazon streaming services.


The film is described as “the ultimate underdog story” and has already gained reviews describing its “outrageous humour” and “gripping” and “thought-provoking” ideas.


Written, directed and produced by Luke Oliver the film also stars Richard Mason (Scott & Sid and Oscar-winning short film Stutterer), George Newton (This Is England, Paddington) and Mark Peachey (Richard III, Hollyoaks). In a small cameo, there’s even room for Alex Reid from Celebrity Big Brother.


Created by InkyBlue and Gatling Guns Productions the film can now be downloaded via Amazon Prime (click here) and writer-director-actor Luke Oliver trained whilst working in a dingy pub kitchen. From a working-class background himself, Luke almost starved whilst funding himself through acting School.


Eventually he had little option but to leave London and once he returned to the Midlands, he started penning a short film script which would soon become the full-length feature film “Art is Dead”.


The story is biographical somewhat in that a working class actor is oppressed within the “plastic fantastic” entertainment industry due to lack of money.


Luke explains, “The comedy takes a gentle poke at the vulgarity of the wealthy in a world where the working class aren’t given a break. It sees the main character Ant, and his fellow actor friend’s kidnap a wealthy actor Benjamin Cummerbund and reek a night of havoc on the industry’s biggest night of the year”.


Following an initial screening at Coalville’s Century Theatre in February the film has been a labour of love for Luke. He formed the company InkyBlue Productions and started working tirelessly towards his first film and commissioned a local Leicestershire company ‘Gatling Gun Productions’ to provide crew and equipment to make Art is Dead become a reality.


Check out the film's trailer above and order now on Amazon for the full feature.


By midlandsmovies, Mar 13 2018 06:44PM




Ground-breaking new Midlands project 'Crushed Wings' being developed to tackle FGM


Based on true life events, the English-spoken drama film ‘Crushed Wings’ boldly challenges dangerously prevalent and out-dated ideas surrounding FGM (female genital mutilation), forced marriage and honour killing.


The story tells of brave Ria, an FGM-survivor who tries to find the strength through the impossible and is one of the first movies ever to be made on this subject.


“The shocking fact we wanted to show in our film is that this is not only happening in Africa and Europe – including the UK – but also in Asia and even in Russia. And many people are not aware of this”, says Amrita Tewari, the Managing Director of production company Cam Buddha Films who are behind the film.


FGM is officially classified as child abuse and the filmmakers have filmed both abroad and more locally in Birmingham to get their story across.


The film's director Lalit Bhusal explains, “We have huge aims - to release a powerful piece of film making and to push the pressure movement for a ban on FGM. By joining the Crushed Wings family you’ll be part of more than just a film; you'll be bringing us one step closer to a world free of FGM”.


The filmmakers have recently launched a crowd-funding campaign to assist in the production of their project and more info on can be found at Indiegogo here https://igg.me/at/crushed-wings


View the film’s first trailer below.





For more information on the film please visit the official site here: www.crushedwings.org


And follow on Twitter here: https://twitter.com/Cam_buddha




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