By midlandsmovies, May 28 2018 12:59PM
Deadpool 2 (2018) Dir. David Leitch
After losing the first film’s director (Tim Miller) to the Cameron produced Terminator franchise (good luck with that as lord knows it needs some help), the sequel to 2016’s surprisingly knowingly violent superhero flick was left in the hands of David Leitch. As either director or co-director of both John Wick and Atomic Blonde, Leitch has certainly got the action chops and he brings his kinetic aesthetic to another outing from Ryan Reynold’s ‘merc with a mouth’.
[slight spoiler] In this film, Deadpool blames himself for the death of his partner Vanessa and after a suicide attempt he joins with X-Men’s Colossus and Negasonic Teenage Warhead to help contain a young orphaned mutant Russell/Firefist (Julian Dennison from Hunt for the Wilderpeople). But after a standoff, both Wade and the vengeful youth get taken to a prison where collars are attached to supress their powers.
At the same time, Cable (Josh Brolin) travels through time to prevent disaster (“that’s just lazy writing”) as we discover the Russell of the future uses his powers to kill others – including Cable’s family. After a breakout from prison sees Wade recruit potential new superheroes to his cause – in a sequence that owes more than a nod to 1999’s Mystery Men – he creates a new team called X-Force. This group includes Domino (a fantastic Zazie Beetz whose power is pure ‘luck’) Terry Crews as Bedlam, Lewis Tan as Shatterstar, Bill Skarsgård as Zeitgeist and Rob Delaney as a regular guy called Peter.
Ryan’s ad-libbed dialogue is still present but my gripe with the first film was that the endless snide comments and pop-culture references made it feel particularly smug. This follow up mostly avoids that with a script focusing more on narrative and the inclusion of extra characters takes some of the attention away from Ryan’s endless quips.
A James Bond-style opening with Celine Dion ballad “Ashes” sets up the film with its brand of irreverent humour and its use of varied and inappropriate musical cues. AC/DC’s “Thunderstruck” is pure Iron Man territory but is a stonker of a tune which attempts to pump up the audience for a parachute jump during X-Force’s heist plans.
As well the action and comedy, Josh Brolin brings the same nuances that he brought to his other Marvel villain this summer and I have to admit I was waiting for a Thanos reference throughout and got the requisite nod before the end. Although he’s not given a great deal, Brolin adds more depth than is written and he’s without a doubt infinitely better than the awful unforgettable turn by Ed Skrein from the first.
Brilliant cameos at the X-Mansion and a hilariously excellent meta-nod to the film’s timeline during the end credits – both in this universe and others – are just two of many standout comedy sequences but with the addition of some emotional heft I enjoyed this ride a lot as it zips along at a pace.
For me, the film wasn’t helmed in by the origin story problem and, although not on the same level of quality, it sits alongside Spider-Man 2 and X-Men 2 as far better sequels than their origin films. Dark humour, screwball sequences and a great ensemble cast, Deadpool 2 again plays like the naughty child to the MCU’s high-achieving big brother but if you want less schmaltz and more obscenity, this superhero sequel delivers it in huge dirty doses.
Midlands Movies Mike