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By midlandsmovies, Nov 20 2019 03:46PM

Review - Movie catch up blog 2019 - Part 7


This month we check out new releases YESTERDAY (from Danny Boyle), THE KING (from David Michôd), HAIL SATAN? (from Penny Lane) and BOOKSMART (from Olivia Wilde).


Scroll down to read the reviews:





Yesterday (2019) Dir. Danny Boyle


Himesh Patel plays Jack Malik in this musical fantasy where a guitar-playing shelf-stacker becomes the only person in the world to remember that The Beatles existed after he survives a bike-crash during a global blackout. The screenplay by Richard Curtis is suitably nimble and light-hearted and after discovering his predicament, Jack decides to take credit for the infamous songs of the Fab-Four’s back catalogue. The more than likeable Lily James plays Jack’s friend and possible love interest Ellie, and she helps him cut a demo of their greatest hits. With audiences going wild for the classic tracks, Jack’s career rushes to worldwide stardom with Ed Sheeran appearing as himself and a ruthless Kate McKinnon as Hollywood music manager Debra Hammer. Probably biased (and certainly a film for fans) my love for The Beatles definitely helped my enjoyment, as the film plays with the song titles, famous stories, the background of the band's music and we even get to visit their hometown of Liverpool. The support cast are also good, especially Sanjeev Bhaskar and Meera Syal as Jack’s parents who barely listen as he plays “his" new song "Let It Be" in the family front room. With over half of the budget reportedly going on the rights to The Beatles’ songs, every penny has been well spent with the tracks, and a score incorporating their various melodies, bringing joy and sadness in equal measure. With fun and jokey performances, heartfelt (and maybe schmaltzy at times) storytelling as well as the obligatory but still legendary music, everything comes together in this captivating comedy.


★★★★



The King (2019) Dir. David Michôd


Back at University I did a course called Shakespeare on Screen and ever since I have been somewhat obsessed by how the Bard’s work has been adapted for movies. And so hopes were high for medieval drama The King which is inspired by Henry IV: Part 1, Henry IV: Part 2 and Henry V. With gorgeous cinematography by Adam Arkapaw, this Netflix period piece had all the fascinating elements of a deep dive into royal politics and war. However, despite a great start whereby the playboy Henry, Prince of Wales (Timothée Chalamet) reluctantly but successfully succeeds his war-mongering father, the film quickly veers into mind-numbingly dull drama and tediousness. The support is great, Joel Edgerton as Falstaff brings a lot of charm, Robert Pattinson as The Dauphin of France is a sleazy delight and Sean Harris is solid as the duplicitous William Gascoigne. However, the carbuncle-growing pace and lacklustre dialogue slows down every dramatic development of the plot to a complete standstill. As Henry eventually succumbs to the war merchants who desire the King to show his strength, the film STILL doesn’t draw your attention - wasting as it does every possibly interesting plot point. Stick with Olivier and Branagh for the definitive Henry V takes and avoid this wearisome run-though of Willy’s work.


★★



Hail Satan? (2019) Dir. Penny Lane


A documentary about The Satanic Temple seems ripe for a warts-and-all exposé on the demonic practices of its debauched members but prepare yourself to be very surprised with new film Hail Satan?. The film opens with the background to the temple’s inception and the subsequent negative media coverage. From the 70s, the “satanic panic” labelled members outcasts at best – and murderers and abusers at worst. However, the film’s politics are much more centred on its tolerance and fight for religious freedoms. After a Ten Commandments monument is set up on State grounds in Arkansas, the group, led by Lucien Greaves (not his real name, and also his “real” name is not his real name), take steps to advocate the separation of church and state. This is done in the main by suggesting their statue of Baphomet (a goat-headed, angel-winged demon) should also be placed on the grounds to maintain impartiality. And more revealing, the film shows that far from the religious extremists that is suggested by its name, the group are dripping in self-conscious irony, media-awareness and tolerance of alternative lifestyles. Although the film shows some internal rifts within the temple's leadership, from after school clubs to the cleaning of beaches, the diverse members in fact commit themselves to well-thought out political and eco causes. At 95 minutes, Hail Satan? doesn’t overstay its welcome and disputes the spurious claims heaped upon the temple whilst exposing the hypocrisy of certain elements of far-right Christianity.


★★★★



Booksmart (2019) Dir. Olivia Wilde

What a year it’s been for Olivia Wilde who starred in the fantastic A Vigilante earlier in 2019 (our review) and now in her directorial debut has delivered a more than pleasurable film about the anxieties of growing up. Beanie Feldstein is amusing as the studious Molly whilst her best friend is Amy (Kaitlyn Dever). After overhearing some gossip in the school bathroom, Molly comes to the conclusion they haven’t had enough fun before they go off to college. Convincing Amy they should attend a party the night before graduation, the two head off on an evening of adventure. With a sensitive, yet hilarious, journey into teen angst, sexuality, popularity and school chaos, Booksmart balances some coarseness with an emotional heft that is incredibly satisfying. At times, the film hits the beats of the similarly structured Superbad (2007) with the protagonists criss-crossing the city in search of a party whilst getting caught up with the cops, strangers and illicit substances. However, the two leads are simply wonderful and some off-the-wall sequences on a boat, at a murder mystery party and as toy dolls are a giddy joy. A poignant and affecting conclusion and some believable drama throughout, the balance of laughs and moving scenes were affecting and even the support cast bring real entertainment to their (sometimes exaggerated) roles. An impressive film, Feldstein and Dever bring real empathy and believability to their characters - whilst being hilarious at the same time - and Booksmart comes highly recommended as a fun night out for all.


★★★★½


Michael Sales



By midlandsmovies, Apr 18 2019 01:59PM



Mary Queen of Scots (2019) Dir. Josie Rourke


Based on John Guy's biography Queen of Scots: The True Life of Mary Stuart, this new historical drama stars Saoirse Ronan as Mary and Margot Robbie as her cousin Queen Elizabeth I.


Covering the 1569 conflict between England and Scotland, the film opens with Mary returning to Scotland from France to take up her throne but she is immediately challenged by her inner circle and cleric John Knox (an incredibly bearded David Tennant) whilst Elizabeth, who is worried about Mary’s claim to her own throne, tries to arrange Mary’s marriage to an Englishman.


With both sides fearing a rebellion from each other and their own internal traitors, Mary’s marriage fails spectacularly and eventually she exiles herself in England. But the two queens’ devotion to their respective countries leads Mary to be sentenced to death.


Covering a tumultuous period, the film is quite timid in its drama but the two central leads are fantastic. The support cast are sadly just passable, and it’s unfortunate that a few admirable progressive themes stick out like a sore thumb in a film that, for the most part, is relatively historically accurate.


Two areas the film does excel in however is the cinematography and the costumes which is understandable given the director’s theatrical past. Glorious Scottish vistas are contrasted brilliantly with dark interiors where castle rooms are either candlelit or have striking streaks of sunlight beaming through thin windows.


At times reminiscent of a Holbein painting (as well as An Experiment on a Bird in the Air Pump by Joseph Wright), these locations are spectacularly filmed and Mary’s amazingly-designed period blood-red and blue dresses add tremendous colour to a film often drenched in Tudor dirt.


An acceptable diversion, Mary Queen of Scots never really steps a foot wrong, but for some reason is as forgettable as it is expertly made. A respectable way to spend a couple of hours, its cinematic charms won’t take your head off but should leave you satisfied as it marries outstanding performances with a scrutinising look at British history.


★★★ ½


Michael Sales


By midlandsmovies, Jan 18 2018 04:41PM

Midlands Feature - The Movie Succession to the Throne


Having recently started watching the historical television drama The Tudors (yes, I know it’s not a movie but stick with me on this) I thoroughly enjoyed its mash-up of sex, murder, beheadings and political and religious themes. The fascinating mix of war, melodrama and a splattering of camp, the high production values make this a series well worth catching if you’re interested in Henry VIII and British royal history in general.


But it got me thinking. As a fan of Cate Blanchett, a viewer could easily do a watch of her brilliant turn as Henry’s daughter Elizabeth in both Elizabeth (1998) and its follow up The Golden Age (2007) as a kind of quasi-sequel. The films continue the political machinations from the time and show another reign of an infamous monarch.


So coming back to the Midlands, with its swathes of picturesque countryside and regal-like manors and houses, the region even has connections to movies covering monarchs. Haddon Hall in Bakewell was used as Hatfield House in Elizabeth. Henry’s story is also covered in The Other Boleyn Girl (2008) by Justin Chadwick, which starred Scarlett Johansson & Natalie Portman as Mary Boleyn and sister Anne Boleyn. Parts of this film were also shot in the region at Dovedale in Castleton and Haddon Hall, as well as at North Lees Hall. Finally, Belvoir Castle in Leicester is home to the Duke of Rutland & seen in Young Victoria (2009).


But if you could follow one dramatisation of a monarch’s reign with another, could you do them all? By that I mean can we follow the entire line of succession using movies (and a few TV shows)? Well, my self-imposed challenge was accepted and the results are below. There have been 66 monarchs of England and Britain spread over a period of 1500 years. Many of the productions are about succession so there’s a lot of overlap between multiple films, but I gave myself just one 'get out' by starting the list AFTER the Saxon Kings. So we begin the list at the infamous date of 1066.


That said, for the Saxon period you can do worse than checking out the 1969 epic Alfred the Great and we begin our full lineage after the death of Harold II and the beginning of the Norman period.




NORMAN KINGS

WILLIAM I (The Conqueror) 1066- 1087 Guillaume, la jeunesse du conquérant (2015)

WILLIAM II (Rufus) 1087- 1100 Blood Royal: William the Conqueror (1990 TV adaptation)

HENRY I 1100-1135 The Pillars of the Earth (2010 miniseries)

STEPHEN 1135-1154 Cadfael (1994)




PLANTAGENET KINGS

HENRY II 1154-1189 The Lion in Winter (1968)

RICHARD I (The Lionheart) 1189 – 1199 Robin Hood: Prince of Thieves (1991)

JOHN 1199 -1216 Ironclad (2011)

HENRY III 1216 -1272 Becket (1964)

EDWARD I 1272 – 1307 Braveheart (1995)

EDWARD II 1307 – deposed 1327 Edward II (1991)

EDWARD III 1327 – 1377 The Dark Avenger (1955)

RICHARD II 1377 – deposed 1399 Richard II (2012)




HOUSE OF LANCASTER

HENRY IV 1399 – 1413 Chimes at Midnight (1965)

HENRY V 1413 – 1422 Henry V (1944) & Henry V (1989) - both classic adaptations

HENRY VI 1422 – deposed 1461 Beginning of the Wars of the Roses Tower of London (1939)


HOUSE OF YORK

EDWARD IV 1461- 1483 The White Queen (2013 TV)

EDWARD V 1483 – 1483 Richard III (2008)

RICHARD III 1483 – 1485 End of the Wars of the Roses Richard III (1995)




THE TUDORS

HENRY VII 1485 – 1509 Looking For Richard (1996)

HENRY VIII 1509 – 1547 Carry on Henry (1971) & The Tudors (2007)

EDWARD VI 1547 – 1553 Well, Edward VI is the basis for the Prince & the Pauper and so the best version of that is clearly Trading Places (1983). For a more traditional take check Tudor Rose (1936)

LADY JANE (9 Days Queen) Lady Jane (1986)

MARY I (Bloody Mary) 1553 – 1558 The Other Boleyn Girl (2008)




ELIZABETH I 1558-1603

There are so many films and prodcutions featuring The Virgin Queen but for some of the best check out Elizabeth (1998) and its sequel The Golden Age (2007), Shakespeare in Love (1998) and Anonymous (2011).




THE STUARTS

JAMES I and VI of Scotland 1603 -1625 Gunpowder, Treason & Plot (2004 TV)

CHARLES 1 1625 – 1649 English Civil War The Devil's Whore (2008 TV)




THE COMMONWEALTH - declared May 19th 1649

OLIVER CROMWELL, Lord Protector 1653 – 1658 Cromwell (1970)

RICHARD CROMWELL, Lord Protector 1658 – 1659 To Kill A King (2003)




THE RESTORATION

CHARLES II 1660 – 1685 Restoration

JAMES II and VII of Scotland 1685 – 1688 England My England (1995)

WILLIAM III 1689 – 1702 The League of Gentlemen Apocalypse (2005)

MARY II 1689 – 1694 Orlando (1992)

ANNE 1702 – 1714 The First Churchills (1969 TV)




THE HANOVARIANS

GEORGE I 1714 -1727 The Iron Glove (1954)

GEORGE II 1727 – 1760 Pirates of the Caribbean: On Stranger Tides (2011)

GEORGE III 1760 – 1820 The Madness of King George (1994)

GEORGE IV 1820 – 1830 Beau Brummell (1954)

WILLIAM IV 1830 – 1837 The Young Victoria (2009)

VICTORIA 1837 – 1901 Mrs. Brown (1997)




HOUSE OF SAXE-COBURG AND GOTHA

EDWARD VII 1901 – 1910 Victoria and Abdul (2017)




HOUSE OF WINDSOR Name changed in 1917

GEORGE V 1910 – 1936 W.E. (2011)

EDWARD VIII June 1936 – abdicated December 1936 Chariots of Fire (1981)

GEORGE VI 1936 – 1952 The King's Speech (2010)

ELIZABETH II 1952 – The Queen (2006)



And there we are! With a few close calls the monarchs from 1066 to the modern day each appear in a different film or production. Which is a cinematic universe I'd give props to anyone trying from start to finish!


A special mention as well to British actress Jeannette Charles who once had difficulty obtaining Equity membership due to her resemblance to the Queen. However, she subsequently played the role in numerous films including Secrets of a Superstud (1976), Queen Kong (1976), The Rutles' movie All You Need Is Cash (1978), National Lampoon's European Vacation (1985), The Naked Gun: From the Files of Police Squad! (1988) and Austin Powers in Goldmember (2002)


*raises goblet* So, ladies and gentlemen, let's toast all of the talent, both local, national and international, who put their heart and soul into bringing history to the big screen for our pleasure!


Midlands Movies Mike

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