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By midlandsmovies, Apr 18 2019 01:59PM



Mary Queen of Scots (2019) Dir. Josie Rourke


Based on John Guy's biography Queen of Scots: The True Life of Mary Stuart, this new historical drama stars Saoirse Ronan as Mary and Margot Robbie as her cousin Queen Elizabeth I.


Covering the 1569 conflict between England and Scotland, the film opens with Mary returning to Scotland from France to take up her throne but she is immediately challenged by her inner circle and cleric John Knox (an incredibly bearded David Tennant) whilst Elizabeth, who is worried about Mary’s claim to her own throne, tries to arrange Mary’s marriage to an Englishman.


With both sides fearing a rebellion from each other and their own internal traitors, Mary’s marriage fails spectacularly and eventually she exiles herself in England. But the two queens’ devotion to their respective countries leads Mary to be sentenced to death.


Covering a tumultuous period, the film is quite timid in its drama but the two central leads are fantastic. The support cast are sadly just passable, and it’s unfortunate that a few admirable progressive themes stick out like a sore thumb in a film that, for the most part, is relatively historically accurate.


Two areas the film does excel in however is the cinematography and the costumes which is understandable given the director’s theatrical past. Glorious Scottish vistas are contrasted brilliantly with dark interiors where castle rooms are either candlelit or have striking streaks of sunlight beaming through thin windows.


At times reminiscent of a Holbein painting (as well as An Experiment on a Bird in the Air Pump by Joseph Wright), these locations are spectacularly filmed and Mary’s amazingly-designed period blood-red and blue dresses add tremendous colour to a film often drenched in Tudor dirt.


An acceptable diversion, Mary Queen of Scots never really steps a foot wrong, but for some reason is as forgettable as it is expertly made. A respectable way to spend a couple of hours, its cinematic charms won’t take your head off but should leave you satisfied as it marries outstanding performances with a scrutinising look at British history.


★★★ ½


Michael Sales


By midlandsmovies, Oct 25 2018 02:43PM



Bohemian Rhapsody (2018) Dir. Bryan Singer


Let’s get the Queen song puns out of the way from the start. Is Bohemian Rhapsody “guaranteed to blow your mind”? Well, it’s a glossy, Queen-approved biopic that had some tremendous moments but unfortunately the sum is less than its parts as we follow the glam-infused rock-opera band from their early beginnings to their Live Aid performance of 1985.


We open backstage at that world-broadcast concert but are soon thrust back in time to 1970 where flamboyant singer Farrokh Bulsara (soon to be Freddie Mercury) meets up with Gwilym Lee as Brian May and Ben Hardy as Roger Taylor after their band ‘Smile’ loses their frontman.


Mercury is encapsulated, and then some, by a beyond-terrific performance from Rami Malek and although the film covers various aspects of the band’s career, Malek is thrust centre stage and like Freddie, all eyes are on him throughout the duration.


After securing bassist John Deacon the film stops off at varying points of the group’s milestones as we get to see the greatest hits of Mercury's life from his Zanzibar roots, Bombay originating parents, his meeting and engagement to lifelong companion Mary Austin, the band on tour and the subsequent falling outs.


Fun and harmless it is but sometimes borders on the bland with shot choices that were less than cinematic. This lack of consistency may have come from the removal of the film’s original director Bryan Singer. The irony of behind-the-scenes (or backstage if you will) creative differences isn’t lost on this reviewer.


Also losing a singer are Queen. The film sees Freddie’s ego get the better of him as his wild lifestyle lead him to a drug and sex-fuelled hedonism which culminates in him pursuing solo project without his band mates. Or his “family” as they are repeatedly referred to.


As a 12A film, the movie doesn’t go into Mercury’s debauched depths (Movie Marker’s Darryl Griffiths sums up the issue brilliantly here) and although it’s not a warts and all exploration, the film doesn’t shy from his sexuality and his subsequent discovery that he contracted AIDS.


The film therefore feels like its trying to cover far too much ground (around 15 years) and doesn’t give adequate space for all its plot and character ambitions. The wayward frontman scenes combine nicely with the studio sequences however. The repetition of Roger Taylor’s falsetto delivery of “Galileo” is a great nod to the band’s recording methods as seen on BBC2s’ “Making Of” documentary where hundreds of takes were attempted to achieve Freddie’s legendary perfectionism.


It gave the impression at times that the film (produced and approved by May and Taylor) was also attempting to force their contributions in which made it feel a bit "try-hard". The whole band were brilliant of course and each member essential but it was definitely the Freddie show that made the best cinema here.


And although a cameo from Mike Myers was a nice nod to the song’s influence, like far too much of the script, he delivers lines from Anthony McCarten's screenplay that are simply too on the nose. "We get it. It’s Wayne’s World! You don’t need to say it!"


One of the most talked-about, and lauded, scenes is the recreation of the band’s Live Aid show at Wembley Stadium. A fantastic realisation of the day, it is somewhat spoiled by a Return of the King (or should that be Queen) style ending that felt like it went on for days. Rami struts the stage in a way that is less than just a good impression and more of a total embodiment but after 15 minutes the film easily could have wrapped itself up after the first track.


As a huge fan of the band I enjoyed Bohemian Rhapsody but it's all a bit like Queen themselves – slightly indulgent, sometimes overlong and contains an unhealthy obsession with its own importance BUUUUUT you can't take your eyes off that man at the front. And Rami Malek is without doubt stunning as Freddie Mercury.


A shed-load of hits from Queen’s back catalogue are obviously interspersed throughout and the most moving moment was Malek’s delivery as he reveals his AIDS diagnosis to his weeping band mates. A heart-breaking and jolting sequence in a film that had been mostly surface throughout.


But I couldn’t dislike the film for its broad strokes. It aimed high and unfortunately fell a little flat yet I enjoyed much of the film’s approach, its likeable depictions of the band (and their hangers-on) as well as the shooting star of the show that is Rami Malek.


Broken into three parts – the film shows Freddie’s killing of his past persona growing up, then the campy frolics and hedonism of operatic orgies and a final head-banging ending with pulsating riffs and joyous rock – if only there was a Queen song that encapsulated all this.


8/10


Mike Sales


By midlandsmovies, Jan 18 2018 04:41PM

Midlands Feature - The Movie Succession to the Throne


Having recently started watching the historical television drama The Tudors (yes, I know it’s not a movie but stick with me on this) I thoroughly enjoyed its mash-up of sex, murder, beheadings and political and religious themes. The fascinating mix of war, melodrama and a splattering of camp, the high production values make this a series well worth catching if you’re interested in Henry VIII and British royal history in general.


But it got me thinking. As a fan of Cate Blanchett, a viewer could easily do a watch of her brilliant turn as Henry’s daughter Elizabeth in both Elizabeth (1998) and its follow up The Golden Age (2007) as a kind of quasi-sequel. The films continue the political machinations from the time and show another reign of an infamous monarch.


So coming back to the Midlands, with its swathes of picturesque countryside and regal-like manors and houses, the region even has connections to movies covering monarchs. Haddon Hall in Bakewell was used as Hatfield House in Elizabeth. Henry’s story is also covered in The Other Boleyn Girl (2008) by Justin Chadwick, which starred Scarlett Johansson & Natalie Portman as Mary Boleyn and sister Anne Boleyn. Parts of this film were also shot in the region at Dovedale in Castleton and Haddon Hall, as well as at North Lees Hall. Finally, Belvoir Castle in Leicester is home to the Duke of Rutland & seen in Young Victoria (2009).


But if you could follow one dramatisation of a monarch’s reign with another, could you do them all? By that I mean can we follow the entire line of succession using movies (and a few TV shows)? Well, my self-imposed challenge was accepted and the results are below. There have been 66 monarchs of England and Britain spread over a period of 1500 years. Many of the productions are about succession so there’s a lot of overlap between multiple films, but I gave myself just one 'get out' by starting the list AFTER the Saxon Kings. So we begin the list at the infamous date of 1066.


That said, for the Saxon period you can do worse than checking out the 1969 epic Alfred the Great and we begin our full lineage after the death of Harold II and the beginning of the Norman period.




NORMAN KINGS

WILLIAM I (The Conqueror) 1066- 1087 Guillaume, la jeunesse du conquérant (2015)

WILLIAM II (Rufus) 1087- 1100 Blood Royal: William the Conqueror (1990 TV adaptation)

HENRY I 1100-1135 The Pillars of the Earth (2010 miniseries)

STEPHEN 1135-1154 Cadfael (1994)




PLANTAGENET KINGS

HENRY II 1154-1189 The Lion in Winter (1968)

RICHARD I (The Lionheart) 1189 – 1199 Robin Hood: Prince of Thieves (1991)

JOHN 1199 -1216 Ironclad (2011)

HENRY III 1216 -1272 Becket (1964)

EDWARD I 1272 – 1307 Braveheart (1995)

EDWARD II 1307 – deposed 1327 Edward II (1991)

EDWARD III 1327 – 1377 The Dark Avenger (1955)

RICHARD II 1377 – deposed 1399 Richard II (2012)




HOUSE OF LANCASTER

HENRY IV 1399 – 1413 Chimes at Midnight (1965)

HENRY V 1413 – 1422 Henry V (1944) & Henry V (1989) - both classic adaptations

HENRY VI 1422 – deposed 1461 Beginning of the Wars of the Roses Tower of London (1939)


HOUSE OF YORK

EDWARD IV 1461- 1483 The White Queen (2013 TV)

EDWARD V 1483 – 1483 Richard III (2008)

RICHARD III 1483 – 1485 End of the Wars of the Roses Richard III (1995)




THE TUDORS

HENRY VII 1485 – 1509 Looking For Richard (1996)

HENRY VIII 1509 – 1547 Carry on Henry (1971) & The Tudors (2007)

EDWARD VI 1547 – 1553 Well, Edward VI is the basis for the Prince & the Pauper and so the best version of that is clearly Trading Places (1983). For a more traditional take check Tudor Rose (1936)

LADY JANE (9 Days Queen) Lady Jane (1986)

MARY I (Bloody Mary) 1553 – 1558 The Other Boleyn Girl (2008)




ELIZABETH I 1558-1603

There are so many films and prodcutions featuring The Virgin Queen but for some of the best check out Elizabeth (1998) and its sequel The Golden Age (2007), Shakespeare in Love (1998) and Anonymous (2011).




THE STUARTS

JAMES I and VI of Scotland 1603 -1625 Gunpowder, Treason & Plot (2004 TV)

CHARLES 1 1625 – 1649 English Civil War The Devil's Whore (2008 TV)




THE COMMONWEALTH - declared May 19th 1649

OLIVER CROMWELL, Lord Protector 1653 – 1658 Cromwell (1970)

RICHARD CROMWELL, Lord Protector 1658 – 1659 To Kill A King (2003)




THE RESTORATION

CHARLES II 1660 – 1685 Restoration

JAMES II and VII of Scotland 1685 – 1688 England My England (1995)

WILLIAM III 1689 – 1702 The League of Gentlemen Apocalypse (2005)

MARY II 1689 – 1694 Orlando (1992)

ANNE 1702 – 1714 The First Churchills (1969 TV)




THE HANOVARIANS

GEORGE I 1714 -1727 The Iron Glove (1954)

GEORGE II 1727 – 1760 Pirates of the Caribbean: On Stranger Tides (2011)

GEORGE III 1760 – 1820 The Madness of King George (1994)

GEORGE IV 1820 – 1830 Beau Brummell (1954)

WILLIAM IV 1830 – 1837 The Young Victoria (2009)

VICTORIA 1837 – 1901 Mrs. Brown (1997)




HOUSE OF SAXE-COBURG AND GOTHA

EDWARD VII 1901 – 1910 Victoria and Abdul (2017)




HOUSE OF WINDSOR Name changed in 1917

GEORGE V 1910 – 1936 W.E. (2011)

EDWARD VIII June 1936 – abdicated December 1936 Chariots of Fire (1981)

GEORGE VI 1936 – 1952 The King's Speech (2010)

ELIZABETH II 1952 – The Queen (2006)



And there we are! With a few close calls the monarchs from 1066 to the modern day each appear in a different film or production. Which is a cinematic universe I'd give props to anyone trying from start to finish!


A special mention as well to British actress Jeannette Charles who once had difficulty obtaining Equity membership due to her resemblance to the Queen. However, she subsequently played the role in numerous films including Secrets of a Superstud (1976), Queen Kong (1976), The Rutles' movie All You Need Is Cash (1978), National Lampoon's European Vacation (1985), The Naked Gun: From the Files of Police Squad! (1988) and Austin Powers in Goldmember (2002)


*raises goblet* So, ladies and gentlemen, let's toast all of the talent, both local, national and international, who put their heart and soul into bringing history to the big screen for our pleasure!


Midlands Movies Mike

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