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By midlandsmovies, May 15 2019 02:06PM



Loro (2018) Dir: Paolo Sorrentino


Stylish. Decadent. Captivating. Loro, the latest film from Paolo Sorrentino see’s the Italian director reunite with Toni Servillo, with whom he collaborated with on The Consequences of Love and The Great Beauty, in a satirical take of Silvio Berlusconi.


Now to describe Loro as a biopic is perhaps a little misleading as the film itself is a fictional account of what might or might not have happened behind closed doors during this period of his return to politics and the breakdown of his marriage, although Sorrentino covers much more than that in this layered yet somewhat confused societal and political comedy. However the fact that the film was released in two parts in its native land, with the UK receiving a combined version lacking an hours worth of material may perhaps explain this.


The film itself is imbued with symbology, for instance at the very beginning a lamb dies in a villa, no doubt a reference to rival Agnelli, which is balanced out by the more explicit, quite literally in some cases, visual excesses which may or may not work on several levels depending on your knowledge of the characters, Italian politics and culture. This unfortunately, like many other foreign releases that do not cover universal themes, means that Loro suffers from a lack of transferability and that layers of meaning are lost.


To further complicate matters, a significant portion of the first act focuses on Sergio, a small-time and unscrupulous business man who seeks to win favour with old Silvio. However as compelling as this story is, Sorrentino appears to lose interest part way through and poor Sergio is relegated to barely even being a supporting player.


If some storylines are seemingly tossed aside in the UK version thankfully the visuals remain consistent in their beauty and alongside Servillo’s perhaps too-charming performance, there is enough for the rest of us to enjoy.


Sorrentino once again delivers excess and style in a high-brow and artistic manner, some of which is certainly questionable but perhaps apt, and while entertaining for the most part, Loro is one perhaps only for his committed fans, Italophiles or those who want an overly sympathetic story of partying Silvio.


★★½


Midlands Movies Marek

@CinemaEuropa



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