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By midlandsmovies, May 9 2019 05:59PM



Kaleidoscope

Directed by Nicole Pott

2019


“Who’s in control now?”


Kaleidoscope is the new 10-minute short from Derbyshire director Nicole Pott showing the preparation of a child’s party by his parents that unwraps a far more sinister side to this suburban family’s life.


We open on a brightly lit day where a child in a dinosaur onesie plays in his room. The camera lightly dances around the boy, Conan, (played by an excellent Harry Tayler) and along with a suitably whimsical piano score brings us into a world of childhood imagination.


As his mum (Cressida Cooper) calls him down to breakfast, he stops playing with his gun and goggles and we see his father (a burley Ian Virgo) arrive with a toweringly big present.


Whilst mother busies herself with phone calls and food preparation, we get scenes of father-son bonding. Conan and his ‘Papa’ pretend to be karate masters before he teaches his son to put on a tie for school and they leave.


Here the film cuts to later in the day with a distinct shift in tone as well. Director Pott subtly moves us from a place of childhood wonder to a darker drama as mother and father begin arguing.


Barbs fly about the father’s drinking habits and Conan moves himself away and retreats into his own world, returning to his steampunk goggles that help him hide from the noisy quarrel downstairs.


However, unbeknownst to the disputing parents, their argument moves into the bedroom he’s hiding in and he witnesses the argument become far more serious.


A verbal assault becomes a physical confrontation between them as their son witnesses the worst of family situations. Musically the audio turns much more melancholic and the film shows some stark realities of domestic violence.


As lonely Conan blows out the candles on his cake, the ending is far darker yet poignant than the frilly beginning. Kaleidoscope therefore leads audiences down surprising yet satisfying narrative paths and the short works tremendously well by contrasting these two extreme elements.


As Conan sees through dark lenses, the film’s kaleidoscopic nature consists of different parts, constantly blurring and fracturing your expectations.


With three strong performances, the actors are very believable during their interactions which move from heart-warming to dark warnings – especially when we get glimpses of a controlling and abusive partner.


Showcasing how domestic violence can be lurking very much beneath the surface of a seemingly fun-loving family, Kaleidoscope exposes a wealth of distorted domestic secrets using a wonderful narrative structure. Skilfully playing with expectations, the short is a great drama showing the unpleasant patterns of cruel perpetrators.


Michael Sales


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