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By midlandsmovies, Nov 19 2018 12:40PM



Midlands Review - Teddy Bears Live Forever


Directed by Fabrizio Federico


Very rarely am I lost for words. I must admit that after watching Teddy Bears Live Forever, I experienced one of those occasions.


The film follows April, a young former ‘It’ girl who is effectively in exile after establishing multiple personality disorder, brought on following her time in Hollywood and as part of a UFO cult. As she embarks on a downwards spiral, April decides that is time for one of her six personalities to lose her virginity. In a solitary room, she starts to suffer bizarre flashbacks, sleepwalking, phoning rent boys, and listening to The Carpenters, whilst terrorizing her old guardian.


There is something very odd about every aspect of this film. The narrative, the structure, the look - all these things have been put together in such a way that is creates a massive disconnect between the film and its audience. For me personally, I was a little too detached from what was going on, and so found it quite difficult to stick with the film. However, I can see what the team behind it was going for with their approach. It felt like they tried to cause the viewer to experience some of the feelings that our lead character, April, was going through. She was isolated, and never really connected with anything that was going on around her. The story and the edit made it feel like this was a sensation they were aiming to create for the viewer as well, but like I said, I found it was a little too extreme and it missed me somewhat.


The film had a kind of found-footage/documentary feel to it, presumably to achieve the same effect that the writing hoped for. That was more of a hit for me. I couldn’t quite make sense of what was going on with the visuals, which I think worked well in bringing me closer to what April was experiencing herself.


It also gave the film an edgier appearance that certainly suited all its other aspects.


There were more than a few occasions where I found myself wondering what the hell had just happened. So much just doesn’t make sense. It is a very surreal film that seems to launch numerous relentless attacks on its viewer. I heard things that nearly made my eyes pop out of my head; I saw things that made me wish they had. As much as I tried to just go with the flow here, it just was not happening.


Teddy Bears Live Forever is just a very bizarre film. It’s almost like its main objective is to get its viewers talking about what they’ve just watched, which admittedly, seems to be a trend with some of the big Hollywood releases at the minute as well, so it definitely fits into the current bigger picture. It aims to create a visceral experience for its viewer, which on this occasion I have to say it didn’t quite hit the mark.


I think with a more open mind, a greater willingness to just go with it, and to resist questioning what is happening, more could be taken from it, however I don’t believe I can have the final say on that. It’s something that you can only experience for yourself in order to make your own mind up. I’m afraid that I can’t do that for you. I struggled to do it for myself, to be honest.


4/10


Kira Comerford


Twitter @FilmAndTV101


By midlandsmovies, Nov 12 2018 07:12PM

MIdlands Feature - Cinematic Crusade - The Best Robin Hood movies


With Robin Hood, not since Sherlock Holmes has an iconic British legend been turned into so many movie adaptations over the years.


A report from the NME earlier this year says there are 7 Robin Hood films in the works. However, having just reviewed Robin Hood: The Rebellion I think they’ve missed at least one. Well, 7 or 8 is still a huge number for the same brand recognition but one thing is for sure – it’s a legend ripe for the reimagining!


With so many iterations over the years – from 1908’s "Robin Hood and his Merry Men" which marks the first appearance of the outlaw on screen to porn parody “Virgins of Sherwood Forest” – there hasn’t been a genre that the Robin mythos hasn’t been adapted into. But which of the many versions are the best? Well, with ours and Robin’s Midlands origins we attempt to look at 10 of the best Robin Hood films from cinematic folklore. Please read on...





10. Robin Hood (1991) Directed by John Irvin

The first of two 1991 Robin Hood films on our list – take a wild guess at the other – sees Patrick Bergin embody the outlaw whilst an up-and-coming actress by the name of Uma Thurman stars as Maid Marian. Directed by John “Raw Deal” Irvin and produced by John “Die Hard” McTiernan, sadly don’t expect too much in the way of solid action but owing to Kevin Costner’s huge film later in the year, this film has been regularly overlooked and certainly underappreciated. Fighting nobility, the plot uses the same set up as the 1938 film where a war between Normans and Saxons gets things moving but the movie sadly, and unwisely, jettisons the Sheriff of Nottingham (why?) for some new villains. Filmed on location at Peckforton Castle in Cheshire – a non-Nottingham theme we’ll be seeing more of later – the 19-year age gap between Begin and Thurman is a bit icky but it’s well worth checking out as a bit of a curio in the history of Hood on film.


Hood Fact: The use of "Your Majesty" wasn’t used until almost 200 years later, the word “thugs” derives from the Thuggee which Brits wouldn’t encounter for another five centuries, the bloodhound was not a favoured dog breed until the 1500s and when Friar Tuck says he can afford swan's breast in Madeira, the country wasn't actually discovered until 1419 so he would have had difficulty! To be fair, many of the other films on this list commit worse crimes than these nit-picks.



9. Sword of Sherwood Forest (1960) Directed by Terence Fisher

Tagline: “The NEW and Greatest Adventures of Robin Hood... The World's Most Renowned Swordsman!" Sword? Surely bow and arrow? Anyways, a little-seen version, Sword of Sherwood Forest is a Hammer Film Production (them of ‘horror’ fame) and stars Richard Greene – who reprises the role he played in The Adventures of Robin Hood TV series from 1955 to 1959. Hammer stalwart Peter Cushing takes on the part of the Sheriff of Nottingham who has nefarious plans to confiscate a rich estate and, as always, is thwarted by Hood acting on the side of good. Several clumsy sword fights can be forgiven owing to a genuine love for the material and acting heavyweight Oliver Reed appears, but is re-dubbed, as Lord Melton. Unlike a few hammy Hammer sets, the film looks glorious filmed as it was on location in County Wicklow, Ireland – but again not in Nottingham sadly.


Hood Fact: From 1954 to 1967 Hammer Film Productions released three different movies starring the famous outlaw – as well as this there was The Men of Sherwood Forest (1954) and A Challenge for Robin Hood (1967).



8. Robin Hood (2010) Directed by Ridley Scott

Well, it’s not perfect. And then some. Seminal director Ridley Scott – a man known for his visual prowess and epic scale – takes the legend and sadly removes any fun despite a film filled with great actors and impressive locations. Here, Australian Russell Crowe is cast as Robin and is not the first, and no doubt won’t be the last, person to struggle with an English accent. His infamous BBC radio interview had him hopping mad – then walking out – when its authenticity was questioned (click here). Alongside Crowe is one of the best casts in the business, which includes Cate Blanchett, William Hurt, Mark Strong, Mark Addy, Oscar Isaac, Danny Huston, Eileen Atkins, and Max von Sydow. Yet it was the stodgy story and dour delivery that had people turning their noses up. Where’s Robin’s sense of mischief? Where is the adventure? Where is the film’s joy? For all its flaws though, you can still appreciate the fantastic Scott set pieces. Although, when seeing this film for the first time at the cinema I can still remember laughing out loud at the slow-motion sequence of Crowe popping out the sea (sea? In the legendary land-locked Nottingham?) in a shot of such ludicrous “epic-ness” there’s a perverse enjoyment of a film that takes a jaunty tale so seriously. You have been warned.


Hood Fact: The film's budget ballooned from $155 million to $200 million. Scott robbing from the rich film companies to deliver a poor film.



7. Robin and the 7 Hoods (1964) Directed by Gordon Douglas

A 60s musical set in Chicago during the Prohibition where two rival gangs compete for control of the city's rackets seems an unlikely interpretation but with so many films of Robin Hood appearing over the years, it’s these new takes that can standout amongst such a busy marketplace. Written by David R. Schwartz and produced by (and starring) Frank Sinatra, the film sees new mob boss Guy Gisborne (Peter Falk) ordering other gangsters in town to pay him protection whilst “Robbo” (Sinatra) gets together a band of merry men including pool hustler Little John (Dean Martin) and Will (Sammy Davis Jr.). Before long, the gangster ends up robbing from the rich and giving to a poor city orphanage. In a twist however, Barbara Rush as Marian Stevens (Maid Marian) is as duplicitous as they come, playing off both sides and looking out only for herself and stealing tainted money. Mostly a spoof, the film features the rat-pack stars belting out a variety of slick speakeasy hits including "My Kind of Town" which is the centrepiece number and was nominated for the 1964 Academy Award for Best Original Song. A quirky oddity, there’s enough swinging style to give Robin an updated unravelling by jumping into the seedy gangster genre.


Hood Fact: For a legend often containing imprisonments, ransoms and money exchanges, a scene depicting a kidnapping was filmed for Robin and the 7 Hoods but was quickly cut when star Frank Sinatra's son was kidnapped in real life. The 19-year old was released soon after after Sinatra paid the $240,000 demanded.



6. Robin and Marian (1976) Directed by Richard Lester

Before tackling his own American icon in Superman II, director Richard Lester went back to the past heroes of the UK with this period romantic adventure starring Sean Connery and Audrey Hepburn. Strangely including comedian Ronnie Barker as Friar Tuck, the film was mostly shot in sunny old Eng—actually in Zamora, Artajona and Orgi in Spain – standing in for France rather than the Midlands at times too. With this suspect geographical anomaly (a Robin Hood film tradition you will see as we continue to go through the list), the movie had big names, a score composed by John “007” Barry and came off the back of Lester’s take on another classic swashbuckler The Three Musketeers (1973). It moves away from the traditional narrative where we get an aging Robin Hood fighting abroad before his return to Nottingham but [SHOCK HORROR SPOILER WARNING] he actually dies at the end. An interesting look at age, legends, love and wisdom, Robin and Marian may be one of the most complex, and interesting, versions of the nostalgic tale to date.


Hood Fact: Connery seems inexplicably linked to the Hood fable from his appearance here to his cameo as King Richard the Lionheart in Prince of Thieves (1991). He also appeared in Time Bandits (1981) which featured John Cleese’s comical Robin Hood. And it doesn’t stop there as his own son Jason Connery would later play Robin Hood in Robin of Sherwood (1984)!



5. Robin Hood: Men in Tights (1993) Directed by Mel Brooks

Parodying the Robin Hood myth – but more specifically the 1938 and 1991 film versions – Mel Brooks undoes some of the legend’s classicism and replaces it with the pratfalls, visual jokes and verbal gags seen in Brook’s previous comedies. Cary Ewes plays a solid Robin holding together the chaotic narrative stemming from the eclectic support cast and bit-players which includes Dave Chappelle (in his first film role and clearly inspired by Morgan Freeman’s Moor), Isaac Hayes, Tracey Ullman, Patrick Stewart and even Dom DeLuise. A point-of-view shot following an arrow’s impossible journey around a forest (in the trailer only no less) is another direct reference to Prince of Thieves and whilst it pokes fun, it respects the story’s heart and never feels like a direct dig at the tale. Favourite line? “Unlike other Robin Hoods, I can speak with an English accent”. With this and some actors interacting with the crew on screen, Men in Tights takes a swipe at a number of past performances whilst warmly acknowledging the history of Hood on film into the bargain.


Hood Fact: As mentioned several times already, the geography of Great Britain is again suspect here – maybe intentionally so given the film’s parodic nature – but at the end of the movie when the camera is zooming out the castle is shown to be around Milton Keynes. Tut Tut.



4. Robin Hood (1973) Directed by Wolfgang Reitherman

Can humanoid cartoon animals portray historical characters better than Russell Crowe? You bet your ass they can! Disney’s box office success found fans owing to its excellent voice cast, fun animation and catchy tunes and although it may have aged a little worse than its initial box office suggested, the movie’s biggest draw is its entertaining and light-hearted take on the hero. Languishing in development hell since the mouse house’s Snow White (1937) the tale is inspired by Reynard the Fox – a medieval fable featuring a trickster red fox character. This version’s Little John shares eerie similarities with Baloo from The Jungle Book (1967) who was also a bear that had been voiced by Phil Harris and classic sequences are incorporated from the traditional Robin Hood narrative. One such take is the cordial tree-crossing in which Robin Hood and Little John wander over a fallen tree which bridges a river – this twists their usual legendary fight at the same location.


Hood Fact: The famous gap on Terry-Thomas' teeth was incorporated into the design of the character he voices, Sir Hiss (a snake) – and it makes a handy opening for his forked tongue to dart out from.



3. Robin Hood (1922) Directed by Allan Dwan

As the first film ever to have a Hollywood premiere, held at the now legendary Grauman’s Egyptian Theatre, Robin Hood was also one of the most expensive films of the 20s with a one-million-dollar budget. Douglas Fairbanks stars in this black and white silent movie as Earl of Huntingdon/Robin Hood and with sword fights, castles, horse chases and a feather in his hat, this much-lauded classic help set up many of the tropes we know from the films today. A massive film for its time, its use of over 1200 extras can be seen in spectacular battle scenes in huge Hollywood scale with some of its impressive sets being designed by architect Lloyd “Hollywood Bowl” Wright.


Hood Fact: Alan Hale, Sr. made such an impression as Little John in this film that he reprised the role sixteen years later in The Adventures of Robin Hood (1938) opposite Errol Flynn. Then he played the character again in Rogues of Sherwood Forest in 1950, 28 years after his initial performance in this original.



2. The Adventures of Robin Hood (1938) Directed by Michael Curtiz

Considered by many to be the definitive Robin Hood interpretation, the film is most known for Errol Flynn’s magnetic performance of Robin but director Curtiz (of Casablanca and Mildred Pierce fame no less) should be equally lauded for helming this legendary production. As well as Flynn, superstar Olivia de Havilland stars as Lady Marian Fitzwalter (Maid Marian) whilst Basil Rathbone takes the role of Guy of Gisbourne. Melville Cooper’s take on the High Sheriff of Nottingham is underrated and once again a film company (this time Warner Bros.) made their most expensive film ever with its budget being a richly $2 million. With its adventure spirit, a host of dramatic yet charismatic performances and fantastic fights, this film is rightly held as the pinnacle of chivalric swashbuckling on film and won Academy Awards for Art Direction, Editing and Original Score from celebrated composer Erich Wolfgang Korngold.


Hood Fact: James Cagney (of Curtiz’s earlier film Angels with Dirty Faces) was originally cast as Robin but walked out on his Warner Bros. contract and the filming was postponed three years, as a result – but paved the way for the role to go to Flynn.



1. Prince of Thieves (1991) Directed by Kevin Reynolds

As I have mentioned before on this site 1991 was a brilliant year for film which saw Terminator 2, Silence of the Lambs and JFK having huge critical and commercial success but it was Bryan Adams’ soundtrack song to Robin Hood: Prince of Thieves that takes me back to that infamous year. Spending what felt like 16 years atop the charts at number one (it was in fact a record-breaking 16 long WEEKS) the song’s cheesy love lyrics also earnt it an Academy Award but was the perfect accompaniment to a film that was (and still is to me) one of the guiltiest pleasures of the nineties. Costner’s intense and dodgy-accented New Orleans attorney in JFK from the same year was left behind for the dodgy-accented outlaw in a film which balanced both folk tale fun alongside serious issues of history, honour and guilt. Stealing the show of course is Alan Rickman’s BAFTA winning turn as the Sheriff which cemented his career playing legendary villains. It was also Rickman who brought in friend Ruby Wax to improve the Sheriff’s scripted dialogue. Also in on the act is a superb support cast including Morgan Freeman, Christian Slater and Mary Elizabeth Mastrantonio who all give a bit of a depth to the characters we’ve seen dozens of times before. The brilliant rousing music score was composed by Michael Kamen and was subsequently used on Walt Disney trailers and gives me chills each and every time I hear it. The movie contains a split arrow sequence that nods to Flynn’s 1938 archery contest scene, a Sean Connery cameo as King John (who else, huh?) and lots of laughs and action that entertains to this day. Having kept the VHS of this film – I think it was the first one I ever bought – I’ve always had a soft spot for it and although it’s so cheesy it should be served with crackers, the film’s tone is the perfect adventure mix of silly and serious.


Hood Fact: Everyone always dismisses the film’s geography – land in Dover, get to Hadrian’s Wall then enter Nottingham by nightfall on foot but…..if the cliff is just a cliff and the wall just a wall then you can land in Grimsby at 5am in Summer and get to Loxley near Sheffield in 62 miles which is just kinda possible. And that’s what I’m sticking to.


Michael Sales

By midlandsmovies, Jul 11 2018 02:00AM

Quite simply, here is our ongoing and updated list of Film Festivals in the Midlands (2018 edition):


• THE SHORT CINEMA http://www.theshortcinema.co.uk info@theshortcinema.co.uk Phoenix, Leicester - August 20 – 25, 2018


• NOTTINGHAM MICRO FILM FESTIVAL Twitter @FilmNottingham http://www.nimfestival.com/ 8-10 March 2018


• INDIE-LINCS - March 15-18 2018 Based at Lincoln Performing Arts Centre, and run in partnership with The School of Film and Media at the University of Lincoln http://www.indie-lincs.com


• BRINDLEY PLACE OUTDOOR FEST - http://www.brindleyplace.com/event/brindleyplace-film-festival-2018/ July 16 -22 2018


• LEICESTER DOCFILM FEST https://twitter.com/docfilmfestival Contact John Coster November 2018


• BORDERLINES FEST http://www.borderlinesfilmfestival.co.uk UK's largest rural film festival. Herefordshire/Shropshire - 23rd February - 11th March 2018


• BIRMINGHAM FILM FEST - November 22 – 25 2018 https://filmfreeway.com/festival/Birminghamfilmfestival


• BIFF FEST (Black International Film Fest) https://www.biffestival.co.uk 2018 dates TBC


• SHOCK AND GORE FESTIVAL http://www.shockandgore.co.uk The Electric Cinema in Birmingham, July. Contact david@theelectric.co.uk or https://twitter.com/shockgore July 27 to Aug 5 2018


• DEAFFEST http://www.deaffest.co.uk The UK's International Deaf Film & Arts Festival Wolverhampton. Contact info@light-house.co.uk Friday 17th to Sunday 19th May 2019


• THE UK ASIAN FILM FESTIVAL LEICESTER - http://tonguesonfire.com/ 15 March - 31 March 2018


• SHOUT FESTIVAL http://shoutfestival.co.uk Birmingham Dates TBC for 2018


• DERBY FILM FESTIVAL http://www.derbyfilmfestival.co.uk 4th - 13th MAY 2018


• FANTASTIQ FEST http://fantastiq.co.uk Fantasy/Horror Fest at Quad in Derby (part of Derby Film Fest)


• MAYHEM HORROR Film Fest - Halloween. Contact Broadway cinema in Nottingham http://www.broadway.org.uk/mayhem 11 October - 14 October 2018


• FLATPACK FEST - Birmingham, UK. http://www.flatpackfestival.org.uk 13 - 22 April 2018


• EAST ASIAN FILM FESTIVAL http://www.eastwindsfilmfest.com May 2018


• BEESTON FILM FESTIVAL - https://twitter.com/BeestonFilm 8th - 11th March 2018


• SHROPSHIRE RAINBOW FILM FESTIVAL http://www.rainbowfilmfestival.org.uk/midlands-zone 5th - 7th October 2018


• GRINDHOUSE PLANET - www.grindhouseplanet.com November 2018 TBC


* BOTTLESMOKE FILM FESTIVAL - https://www.facebook.com/BottleSmokeStoke Stoke on Trent, 8th - 9th September 2018


* POCKET FILM FESTIVAL (Unseen cinema) http://www.unseencinema.co.uk/pocket-film-festival-2018/ Stafford 12-17 March 2018


* BIRMINGHAM HORROR GROUP - https://www.eventbrite.co.uk/e/birmingham-horror-group-mini-movie-marathon-25-march-2018-tickets-41683231668 Mini-Movie Marathon Mini-Movie 25 March 2018


* SHROPSHIRE'S FIRST WORLD WAR FILM FESTIVAL https://twitter.com/wilfredowen100 8th October to 23rd November 2018


* THE BRAVE BLACK BIRD FILM FEST Wolverhampton https://ajayhackett2113.wixsite.com/bbff Wolverhampton 25th Feb 2019 (submissions until July 2018)


* HIGH PEAK INDEPENDENT FILM FESTIVAL Derbyshire https://www.highpeakindie.com 12th to 16th June 2019. #HPIFF18


* NOTTINGHAM FILM FESTIVAL Hothouse Theatre Nottingham https://twitter.com/NottmFilmFest 8th July 2018


* THE VENUE LINCOLN FILM FESTIVAL Lincolnshire https://www.thevenuelincoln.co.uk 6th - 8th July 2018


* THE SHORT STACK FILM FESTIVAL Nottingham Bi-monthly screening night at Broadway Cinema https://www.facebook.com/groups/841340665914084 (Various dates)


* THE TELFORD FILM FESTIVAL Telford & Wrekin - various venues across Telford as part of the twon's 50th anniversary http://www.telford50.co.uk/filmfestival 14th September to 31st October 2018


Other useful Film Festival information can be find at these links:

http://www.festivalfocus.org/festival

http://film.britishcouncil.org/festivals-directory/festivals-map

http://www.thefilmfestivaldoctor.co.uk

By midlandsmovies, Jun 2 2018 07:55AM



Eviction (2018)


Directed by Lewis Clements


When it came to creating his final piece of work for his university course, Lewis Clements decided to create a short film - his second following a debut project that screened at a number of festivals around the US and Canada.


Eviction follows Nigel Grimshaw and Luke Fox, two debt collectors who go about their day-to-day business, which quite often involves evicting tenants who cannot afford to pay their dues. However, little do they know that they are soon to evict a tenant with a very dark past.


The film was inspired by the TV series, 'Can’t Pay? We’ll Take It Away!', which follows a group of the country’s most experienced High Court sheriffs as they travel around enforcing writs and repossessing whatever they have to in order to pay off the debts that people have built up. After seeing this show, Clement thought it would be interesting to turn the tables and have the tenant turn on the debt collector.


Eviction makes you think on a few different levels. First, there were a lot of red herrings thrown into the mix throughout the film that made you expect the story would head in one direction one second, but it soon actually goes elsewhere. I liked this element and whilst I won't spoil the film, there are parts that hint at the end-game for the film. Ultimately it's best I say no more as if you know this I don’t think you can quite appreciate some of the other moments and how effective they really are at throwing you off the scent.


Eviction also makes the audience seriously consider the people who actually do this job. When we watch shows like Can’t Pay, I don’t think it's really considered about the potential repercussions some evictions carry with them. Quite often people are forced to think about those who get evicted from their homes, but the guys who just have to do this job don’t ever seem to get spared a second thought, at least I haven’t done so on the occasions I’ve watched.


So the film becomes a thought provoking piece that makes you take a minute to take stock of how these things affect the day to day lives of everyone involved, and it’s always a powerful thing when a short can achieve that.


The film did a good job of portraying the debt collectors here as real people with real problems, which is easy to forget when you see them evicting tenants from their homes. In this case, the character of Nigel was massively humanised, and didn’t particularly enjoy his job, but was doing it simply because he had bills to pay. Again, in terms of defending these enforcers, it’s an important thing to bear in mind what their personal circumstances are.


Clements made the decision to set the atmosphere for this film using grime music (I hope that’s right anyway), and I think it was the perfect backdrop given the subject matter being dealt with. When you look at the history of grime, there are some major similarities to some of the themes in this film, and seeing as Clements wanted to ensure that the project had a super British film in order to properly celebrate cinema in this country, I think it was a perfect fit.


All in all, Eviction is a film that really makes you take in the bigger picture surrounding a very interesting subject. There are a lot of elements that it makes you seriously consider, and whilst having some pretty dark themes, it does manage to remain entertaining through the changes of pace and direction that happen almost constantly throughout. Definitely worth a gander if you’ve got the time to spare.


Kira Comerford

Twitter @FilmAndTV101


By midlandsmovies, Apr 5 2018 08:51PM


Trapped (2017) Dir. Thomas Longstaff


Finding the laughs amongst the darkness, local writer-director Thomas Longstaff creates a unique comedy take on a trip to the wilderness in his new film Trapped. The film is a 4 ½ minute short opening on a beanie-clad hiker, taking in the deep breaths of fresh air before he begins to embark on a journey into a forest.


But soon the audience has their breath taken away themselves as the jaunty and bright opening leads us almost instantly into a trap. And this trap being a literal historic bear-trap that ensnares our protagonist with a rusty metal grip around his leg.


Screaming in pain and begging for help, the audience feel every sharp twist as the lead winces and whines as the awfulness of his predicament slowly dawns.


Graeme Brooks plays the unlucky captured man and provides a fun performance of overdramatic shrieks. And despite the character’s best efforts he is unable to loosen himself from its tortured grip.


The tension is sliced with comedic cuts as we see our ‘hero’ indulge in some crisp munching before he resigns himself to his fate as night draws in. With the symbolic breaking of a chocolate bar, we quickly realise that the man is going to go full ‘127 Hours’ on us.


Here the filmmakers pull no punches (or should that be kicks). Some gruesome blood effects swiftly move this short from humour to horror. Kudos too should go to sound designer Edward Towers whose bloody squelches and bony crunches are an aural enjoyment. But be prepared if you’re not a fan of wounds and gore.


With a wicked sting in the tale, Trapped is an amusing short that relishes in the tongue-in-cheek (foot-in-trap?) nature of the comedy-horror genre. With great technical aspects and some truly nasty effects, Trapped could have you chuckling or chucking up depending on your disposition.


My advice though?


Go get caught up in Trapped. You won’t walk out. Cos you’ll love it too much, baby.


Midlands Movies Mike


As a bonus, we have the full short for you to watch below:





By midlandsmovies, Mar 6 2018 08:09PM



CINESISTERS, THE NEW COLLECTIVE OF AWARD-WINNING BRITISH FEMALE FILM DIRECTORS LAUNCHES ITS FIRST MIDLANDS BRANCH


New female film group Cinesisters is launching its new branch covering the Midlands area along with a

showreel showcasing the work of women film directors. The group aims to highlight highlighting the breadth of female talent available whilst addressing the industry gap in knowledge of the work of female directors.


Cinesisters is a collective of directors dedicated to supporting the creation of more films by and about women. The group currently has more than 100 members who meet in London once a month to offer each other hands-on advice and share relevant experience.


Due to many members struggling to get to London, but wanting to be part of this group a Midlands branch has now been started by Cinesister and award-winning director Rebekah Fortune.


Cinesisters was formed in response to the barriers female directors face in the film and TV industry. According to ‘Cut Out of the Picture’, the report commissioned by Directors UK in 2016 to look at female participation in the industry, just 13.6% of working film directors in the past decade were women.


Cinesisters confronts this fact. The collective supports and promotes members work and offers a place to share practical problems and successes. Members include BAFTA winners, Screen Stars of Tomorrow, Broadcast Hotshots, Breakthrough Brits and Emmy nominees.


Its members have also worked with big-hitters including BBC Films, Film4, Pathe, Canal Plus, Channel 5, Film London, Netflix and Sky.



The launch of the Cinesisters showreel is intended to showcase this incredibly talented group of women. The Cinesisters website also offers a database of members’ work as a direct response to an industry switching onto the previously untapped talent of female directors.


Any Female Director of Film, TV or Animation who is interested in doing this wonderful collective should contact wearecinesistersmidlands@gmail.com


Co-founder Claire Oakley says, “Directors don’t often meet each other but we all have a wealth of experience, it seemed crazy not to share it. Through the group we can learn from each other and support each other to get our films funded, made and released.”


The unique set up of the group is a key factor in it’s success as co-founder Nicola Mills points out. "I’ve found nothing as inspiring as this kind of peer to peer mentoring and support - the sheer amount of information and energy you can access through the Cinesisters network never fails to make me grin. Change is definitely now.”


Cinesisters members work and showreels can be seen at www.cinesisters.com



By midlandsmovies, Dec 2 2017 09:46AM



Random Acts and Rural Media - Part 2


We take another look at a selection of young filmmakers from across the East and West Midlands who have been involved in the Random Acts/Rural Media programme in the region. Please check out the talented filmmakers and their films below.


To read more about other filmmakers from the programme please check out Part 1 of our showcase here.





The Legend of Rawry (Herefordshire)

A fantasy drawing animation based on the Michael Bailon’s own drawings, this short focuses on dragons and more. Introduced by Michael himself who has autism, the filmmaker is a young artist who is from the ASD community. AT just 17 years old Michael’s inspiration includes Pixar, Manga, Marvel and of course himself.





Dancer of the Future (Herefordshire)

Made by Anna Campbell her film focuses on pole-dancing which only recently has become a fitness phenomenon which celebrates the aspects of women which have historically been repressed: strength and sexuality. Anna says that “Pole represents a shift in how women view their bodies: from the aesthetic to the functional. The extent to which women will cripple themselves in order to exaggerate feminine beauty can be seen in footwear. Pole dancers now are barefoot, as utility becomes more important than image; pole is about what the body can do, not how it looks”. Anna Campbell is a creative writing student with a passion for filmmaking and pole-dancing.



Impact (Worcestershire)

"Post Traumatic Stress Disorder (PTSD) is most commonly associated with veterans of war, however, many diagnosed with PTSD are affected through other traumas. This short drama by Eleanor Smart explores the stigma surrounding PTSD. Elle is a graduate from University of Worcester and has a degree in Digital Film Production & Screen Writing.



Super Citrus Force (Leicestershire)

Filmmaker Laurence Maybury creates a crime-fighting duo who have to stop an evil villain from objectifying women... LITERALLY! The film is a combination of British surrealist comedy and Japanese special effects from the 24 year-old filmmaker who has a degree in media production and has been making short films since he was just 16.



Oblivion (Lincolnshire)

This animation from Sarah Worcester is a first person POV film that allows the viewer to feel like they are inside the trapped world of someone who is suffering with a mental illness. The young animator from Lincolnshire is influenced by Florence & the Machine and has found her Random Acts experience “artistically exciting and challenging”.












By midlandsmovies, Nov 20 2017 09:34AM



Sundance Film Festival award winning director comes to Birmingham


A Sundance Film Festival award winning director, who filmed her experience living with Myalgic Encephalomyelitis, has come to Birmingham to showcase her critically acclaimed documentary Unrest.


Jennifer Brea’s documentary Unrest which won the U.S. Documentary Special Jury Award for Editing at this year’s Sundance Film Festival was shown at the Mac, as part of the third Screening Rights Film Festival.




Unrest follows her experience living with Myalgic Encephalomyelitis which is more commonly known as chronic fatigue syndrome, and she started documenting her life after showing her doctor a video she recorded on her phone of one of her symptoms.


“I had been trying for eighteen months to explain my experience in words, millions of people have been trying for decades to explain their experiences. Words fail because people translate them to what is familiar to them and there is something about the visual image that is different.”


The documentary also follows the online community of chronic fatigue syndrome patients, and the co-director believes that it was important to give an insight into the daily lives of people from around the world, by bringing a virtual reality experience to the festival.


“I thought if we could take people into our homes and bedrooms into these spaces and moments that they never get to witness, then maybe that would have to start to change the conversation."


“I chose to create a VR experience as I think the kind of internal experience that ME patients go through is very hard to convey.”




One of the Screening Rights Film Festival’s organisers Dr Michele Aaron, said that Unrest: “Tells a personal story that has not been told within mainstream culture before, and it tells of the power of activism in this process.”


Rebekah Smith


@rebekahsmithy


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