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By midlandsmovies, Sep 3 2018 08:50AM

To celebrate the UK home media release of Marvel's Avengers: Infinity War Midlands Movies held a competition where one lucky winner would take home an Avengers bundle of goodies.


With 100 entrants, we drew one winner out at random on the day of release 3rd September and the winner is...


Twitter user...@nelly0777


CONGRATULATIONS! Please get in touch to claim your prize and thanks to everyone who entered into the draw.


Follow Midlands Movies on Twitter for the next exciting competition draw coming soon!


Midlands Movies



By midlandsmovies, Apr 28 2018 10:06AM



Avengers: Infinity War (2018) Dir. Anthony & Joe Russo


17 films and 10 years later, here we go with the big enchilada coming to town in Disney’s Marvel’s Kevin Feige's The Avengers: Infinity War MCU franchise behemoth. As large as that sounds, the film is even larger and with a huge number of characters that we’ve grown with every step of the way the film had a very difficult balancing act but thankfully, mostly gets it spot on.


So what’s the deal here with this new $350 million gargantuan? As most fans would already know, but as a recap for the uninitiated, there have been hints of the Infinity Gems throughout the Marvel films and in this culmination of their story arc, a giant world-conquering warlord known as Thanos (a CGI Josh Brolin) wants to get his hands on all 6 of them in order to rule the galaxy. It may sound simple but the Russos do a great job in giving Thanos an understandable and subtle backstory, faults and all, and Brolin’s performance comes through much more than the purple Bruce Willis version of the trailer.


The film then follows various groups trying to prevent his life-ending goal throughout the universe – Iron Man and Spider-Man hitch a lift on a ship and jet off into space with Dr. Strange, whilst Thor crosses paths with the Guardians and Captain America and friends seek sanctuary in Wakanda.


The film is overstuffed, and slightly overlong, but that was always going to be an issue with trying to give so many characters some screen time but the Russos fast-paced editing jumps from one place to another making the disparate superhero gangs and their individual goals easy to understand. Tonally, it holds up too although it heavily relies on the serious scene/funny comment schtick that has subsequently got really stale since the first Guardians introduced it.


In the negative column there’s a few absences but I understand the need to trim here and there and audiences are always going to want to see more of their favourites. Hawkeye and Ant-Man are completely jettisoned whilst Black Widow is STILL being underused despite being present since Marvel’s third film. C’mon Feige – give the excellent Johansson her own film for once!


Steve Rogers appears an hour in and his emergence from the shadows was a huge moment of cheer. I have to mention again how Chris Evans’ steely and righteous performances as Cap has turned into one of the defining roles in the whole series (see Civil War review) and anchors the film(s) much more than I think most realise.


Infinity War also dips its toe into everything established before – Thor’s ancestry, Guardians’ 70s music, Wakanda’s glorious savannahs and Stark’s battle with technology and so the film feels a bit like a Greatest Hits album. All the boxes are ticked and at times it feels a little bit too familiar. It certainly didn’t have the wow factor of Wheedon’s inaugural Avengers film when the superheroes met for the first time.


That said, Greatest Hits albums are no bad thing. Classic character after classic character appears on screen and if you’re not too bothered about one particular superhero, its fast pace means another will be along soon. Here the film suffers slightly as I mentioned before, with no-one given that much room to breathe owing to the volume of characters. The one exception strangely is probably Thanos himself. His story is fleshed out in flashback with his daughters Gamora (sci-fi legend Zoe Saldana) and Nebula (Karen Gillan) in an emotional intensity rarely seen in the MCU.


Speaking of relationships, the Russos have dug deep to give these characters finally some romantic interest – a part of human nature that has been sorely lacking over the years. The films have already established fierce confident and adaptable females (Lady Sif, Hope Van Dyne, Okoye, Frigga) but a lack of real personal relations always seemed odd to me.


Here however, the Russos put relationships at the forefront. It’s what connects these characters and what makes us connect to them. Vision (Paul Bettany) and Wanda Maximoff (Elizabeth Olsen) get the bulk of these developments whilst Quill (Chris Pratt) and Gamora additionally are involved in some truly touching scenes. Previous hints between Bruce Banner and Natasha Romanoff was one of the best parts of the disappointing Age of Ultron but unfortunately, like their Hulk and Black Widow alter-egos, they sadly don’t get the full treatment here in Infinity War.


And it’s not just romance. Friendship, support, family are all strong themes and Tony Stark’s surrogate father figure to Peter Parker’s Spider-Man led to one of the most emotional moments of the entire film. And despite being guilty of a ‘Rogue One’ with some trailer shots blatantly absent from the movie, the film’s action sequences are as large as you expect and aside from some ropey alien hordes, sit more comfortable in real locations than either Ragnarok or Black Panther.


A film in which no one feels safe and a few fan-pleasing cameos from films past, Infinity War is as huge as anyone could have asked for. Personally I don’t feel it hit the heights of that initial buzz from Iron Man – heck, I was 28 when that came out – or the first team-up of The Avengers. Additionally it didn’t feel like the genre game-changers that were the highly praised Winter Soldier or James Gunn's Guardians of the Galaxy. But, and it’s a huge but, this is explosive summer blockbuster cinema of the highest order without question.


A greatest hits album in all senses of the word, Infinity War is a compilation of scenes containing previously established crowd-pleasers with a high degree of already agreed notability. However, like those albums it is common to include remixes of the popular tropes and the Russos add enough new material, depth and high stakes to lay down the gauntlet to other filmmakers resulting in this absolute gem of a movie.


8/10


Midlands Movies Mike



By midlandsmovies, Apr 13 2018 10:10PM



Black Panther (2018) Dir. Ryan Coogler


Now surpassing Titanic as the third highest-grossing film at the American box office ever, Marvel’s Black Panther has been a cultural and audience phenomenon. It has taught the industry a crucial lesson that superhero films can tackle complicated issues of race, representation and politics and still make huge profits.


The story concerns itself with the continuing tale of Chadwick Boseman’s T'Challa (Black Panther) who inherited the mantle of King of Wakanda after his father died in an attack seen in Marvel’s Civil War. Back in his homeland, Wakanda is an African country mixing traditional imagery of the continent with the possession of futuristic technology, but one they have hidden from the rest of the world. This issue that groups should get involved in the wider community is a running theme that Coogler tackles and permeates throughout. In Wakanda, a number of tribes fight for the right to be King but in America we find Michael B. Jordan’s Killmonger making plans to take the crown himself.


Amongst this simple revenge plot, the film tackles family and arms dealing along with female empowerment. Letitia Wright plays Shuri, T’Challa’s sister and designer of Wakandan technology in a great role that echoes Q from the James Bond films. In addition, we have Star Wars’ Lupita Nyong'o as Nakia whilst Danai Gurira as Okoye is the highlight for me by giving a fantastic powerful performance as the head of the female fight-force that protects the Royal family.


So with an amazing cast, important social issues and the Marvel name behind it, the film is a runaway success, right? Well (takes deep breath), not quite.


Sacrilege I hear you say. But as much as I admired Black Panther’s positive messages the film never grasped me with so-so set pieces and on a technical level it reminded me far too much of Avatar in its heavily reliance on CGI. Never once did I feel I was outside the USA – heck not even outside a green screen room – and for a film set in Africa it would have been great to see the production actually film in the beautiful continent.


As with my concerns about Thor Ragnarok, I ask if the MCU is running out of steam – especially with its lazy CGI and technical elements. I was probably the only one but the film, at times, committed the worse crime of all. I found it drifting into dullness.


Coogler’s previous film Creed (2016) also with Michael B. Jordan was one of my top films of that year along with historical sports drama Race. In addition, Jordan Peele’s Get Out also tackled modern race relations and made our 2017 top 20. But Black Panther’s excellent message was lost in some dull council meetings (echoes of Phantom Menace) and the aforementioned poor CGI.


I feel for actors nowadays when they are announced as the next superhero. Previously, the feeling of putting on the suit during casting must have felt amazing but the character is so poorly rendered in CGI that Boseman’s excellent fighting stunts (seen in brilliant and brutal waterfall fights) are completely absent when the suit goes on. Bouncing around with no realism or weight, the computer generated models meant I couldn’t feel that we were actually “there” which was a flaw. I felt myself sighing as the rubber renderings bounced around like a cartoon.


So where does that leave Black Panther? Marvel have finally returned to the director-driven films they begun with. Branagh brought his experience of Shakespearean family feuds, also seen in Black Panther, whilst Joe Johnston’s Captain America used his previous 1940s comic book work on The Rocketeer. And Coogler does the same here – bringing his own class, a soundtrack which excels and the best group cast of 2018 to deliver his message.


Covering a whole range of ideas on race relations, positive black and female role models and questions about appropriation and inclusion, the director’s stamp is all over Black Panther’s central themes. I just wished it was done with some more entertainment and less CGI as, for me, much is swamped by a lack of believability in its standard revenge story.


But, let’s be fair here, whilst I saw it more as “Bland” Panther, the box office has proven any reservations I have about the film were not felt by the wide majority of the audience. And Black Panther’s position as an important film, and rightly so, is cemented in this colourful trip to Wakanda.


6.5/10


Midlands Movies Mike



By midlandsmovies, Jul 14 2017 07:46AM



Wonder Woman (2017) Dir. Patty Jenkins

Spider-Man: Homecoming (2017) Dir. Jon Watts


Huge superhero franchises are just a thing now. They can be as exciting as a rollercoaster. Or like bad breath, an immediate turn-off. However, in many cases, they sit comfortably like a nice warm cuppa in the summer blockbuster season. Neither a die-hard Marvel or DC fan – like most I just simply enjoy a good film – the two behemoths of the comic (now film) world have released key movies in their complicated production schedule.


After the solid Man of Steel, the abysmal Batman Vs Superman and the misstep of Suicide Squad, DC really needed a hit in order to regain some of the credibility lost from those less-than-satisfying tent-poles. So they’ve taken a chance (which should be hugely applauded) and given Gal Godot the long overdue central role of the infamous female superhero. After 14 films, Marvel STILL haven’t given any woman in their universe a film. Although Brie Larson as Captain Marvel is due soon, Black Widow (Scarlett Johansson) is notably absent from Marvel’s solo film roster.


In short, the narrative shows Wonder Woman (Diana Price) jumping from Themyscira, the island home of an Amazon race of warrior women, to 1918 Europe during the height of the Great War. On her way she saves Chris Pine’s soldier Steve Trevor on her journey to destroy Ares, the god of war, who she believes is the cause of the conflict.


A fresh fish-out-of-water story, the film contains so much of what was missing from DC films so far – humanity, sensitivity, comedy and some characters with motivations you can get behind. Going for simplicity hugely helps the story and director Jenkins (her first film since Monster 14 years ago!) should be massively applauded for ditching the dourness and injecting some overdue fun. At the half way point, as ludicrous as Wonder Woman wearing her full costume in No Man’s Land is, the film already has its tone clearly defined and the audience swept along in its entertainment.


If there was a fault it would be two – albeit small. Firstly, the film suffers from the fact Marvel’s Captain America did the ‘hero in war’ film already so similarities are sadly inevitable. The second is the final battle which has flames (orange) and energy beams (teale) in the obligatory let’s smash everything up mess. Scarily reminiscent of BvS, my eyes rolled at the familiar imagery, which is confusingly edited, and contains the usual over-use of CGI where nothing has much weight. However, more on this later.


Moving on, yet still speaking of the familiar, Marvel has released its new version of the infamous web-slinger. One of the hottest properties out there – maybe only second to Batman and Superman as the most famous superhero (?) – they have done a deal with franchise-owning Sony to finally add Peter Parker to the ever-expanding MCU. His brief appearance in Civil War was a great introduction but with 3 cinematic iterations of the character in just 10 years, can something fresh be brought to the screen?


Well, in the majority, it’s a massive yes! Tom Holland is a hugely likeable Peter Parker and Marvel wisely ditches an origin story (the fact he was bitten by a spider is briefly mentioned once) and focuses on the teenager’s school problems alongside his goals to become an Avenger. Under the tutelage of Tony Stark he’s given the responsibility of a super suit which he struggles to contain in his eagerness to progress. Peter’s ambition jumps from defending the neighbourhood to attempting to stop Michael Keaton’s ‘Vulture’, who is selling alien weaponary he has stolen from previous Avengers’ encounters.


Tying nicely into the MCU but setting out its own individual story, Homecoming (surprisingly) brings enough to the plate to set it aside from the Garfield and Maguire versions. The teen angst is superbly handled, an action sequence atop the Washington Monument was phenomenal (go see this in 3-D and really feel the vertigo) and its jokes come so thick and fast the film veers from superhero action flick to outright pure comedy.


Keaton, who I’ve loved since Batman ’89 (my personal favourite superhero film) is so watchable here he’s already jumped to a close second, behind just Loki, as one of the best MCU villains to date – an area Marvel has been under-achieving at best.


Strangely, its biggest flaw is almost the same as Wonder Woman’s. A final battle sees the Vulture – with flames in the background (orange) – take on Spidey using his damaged mechanical wings (both teale) and here we are again. In a film taking lots of chances, it was a sequence that could have done with a shot of more unique web-slinging action and originality.


That aside, Spider-Man’s first full film in the Marvel world was certainly a surprising success. Was it better than Sam Raimi’s Spider-Man 2? Personally, I think not. Raimi’s unique directorial style and more interesting villain still holds firm but Marvel went VERY close to reassessing its pole position.


Both films then prove to be hugely satisfying and have course-corrected their respective franchises as needed. Both are surprising in all the best ways – Wonder Woman’s feminine focus and more subtle story shows DC can get audiences emotionally involved and Spider-Man proves that Marvel can bring something new and fresh to an over-exposed character. Super!


7.5/10 Wonder Woman


8/10 Spider-Man: Homecoming


Midlands Movies Mike

By midlandsmovies, Jun 6 2017 04:26PM


Local filmmaker ready to take you to another world


With the release of Marvel’s Spider-Man: Homecoming in the Summer of 2017, interest in the web-slinging superhero is at an all-time high. After a deal that saw Spidey enter the MCU from a property owned by Sony, fans are anticipating a great first adventure during the blockbuster season.


However, the biggest fan might just be right here in the Midlands as Leicester filmmaker Joey Lever is set to launch his own fan-film based around the infamous New Yorker. Now we’re “tingling” with excitement, we swing by to find out more about the ambitious production.


In early 2017, Joey Lever won a Midlands Movies Award for his sound mixing work on his film Paper Plane which began a successful start to a year that looks set to explode for the local filmmaker.


His new superhero fan film is Spider-Man: Another World and it is in fact part of a larger shared universe he has created with fellow fans. Taking an idea from Marvel themselves, Lever has named it "The strand of web, web series" which includes 3 films and one short.


DiGitiLhEaRt & PavillionArts are the studios who have invested in his vision and Joey’s new project has also seen him working with many of the region’s most talented creatives, including Gatling Gun Productions who also hail from Leicestershire.


With the trailer just launched in June (see YouTube video above) Joey Lever says “We are so excited to hear what [fans] think about it as this been such an amazing experience to step back into the shoes of Peter Parker. This time trying to make a fan film that is different and we are so proud of the outcome”.


Also supporting the production is comic book artist Marc Ducrow who has designed the film’s poster.



Updating via the movie's Facebook page, Joey goes on to add, “As a child I was always fascinated by the idea to tell stories in different ways. I spent many years growing up drawing, acting out little sequences I thought up before bedtime. This blossomed into my love of film making. Every film you see of mine will be made with my heart and soul”.

Based in Leicester, Joey is a self-taught freelance filmmaker & cinematographer and has been lucky enough to work internationally on projects in the USA, South America, Australia and Germany


As well as writing and directing Lever himself stars in the action-drama alongside local talent Jak Lionel Beasley, Lauren Baxter, Gill Broderick, Wade James Keeling and Carley Lightfoot.


We'll be keeping a close eye on the film's development as it comes to launch and follow the movie's updates on the official pages below.

https://www.facebook.com/SpiderManLC


http://www.joeylever.com

By midlandsmovies, May 8 2017 09:04AM



Guardians of the Galaxy Vol. 2 (2017) Dir. James Gunn


After the huge success of the first film, writer-director James Gunn returns to the vibrant day-glow world of Peter Quill (Chris Pratt) and his eclectic gang for this sequel in the never-ending Marvel franchise.


One of its positives is perhaps its lack of connection to the shared Marvel cinematic universe allowing for (aside from few post-credit scenes) a focus on its own story rather than setting up future characters and films with a set of unfulfilling cliff-hangers.


Here the superhero film focuses on the Guardians crew who are now mercenaries for hire of sorts and after defeating a large squid in a superb one-take musical opening, meet with a golden race called the Sovereign. Their reward for their job is Gamora’s sister Nebula (Zoe Saldana and Karen Gillan respectively) but they are soon on the run after Rocket Racoon (voiced brilliantly still by Bradley Cooper) steals valuable batteries from them.


After being chased, the group split with Peter, Gamora and Drax ending up on a sentient planet created by Peter’s God-like father Ego (Kurt Russell) whilst Rocket and Vin Diesel’s (baby) Groot cross paths with Michael Rooker’s superb Yondu who is in trouble with his own mutinous clan.


GOTG Vol. 2 is a fresh, superb sequel that delves deeper into these characters established in the original and each distinct personality has their own unique narrative arc. Gunn has done a great job with a multi-character script with a few pop-culture references (TV’s Knightrider is brilliantly given a nod) which do not muddy the deeper themes. Gunn uses serious drama, stories of revenge and love and a father-son dynamic to create conflict in a lesson to all budding scriptwriters. Yet, none of it feels like a surface gesture.


Drax’s “literal” laughter develops into more understanding of his bluntness whilst fun jokes, such as the ones at the expense of the strangely named Taserface, sit perfectly with parental quarrels and inter-team tensions.


The film never once felt slow or dragged out and is edited to within an inch of its life letting the audience know exactly where everyone is and what their motivations are. This is without losing the crucial essence of the characters. Rogue One this isn’t and thank goodness for that.


Given the film’s sensitive subject matter to me after my own recent loss of a parent, the ideas and excellent delivery of them by Gunn hit an emotional core that may be beyond the casual viewer. However, that’s not to say others will not find an emotional resonance with the superbly played out poignancy of the film’s conclusion – where I admit a tear of two was shed.


Dave Bautista as Drax rounds out the first-rate acting on show and I would go as far to say that the film could be even better than the first. Like Raimi’s Spider-Man 2, the film jumps straight into the drama without the need for the “origin story” and delves deeper into each character and their universe akin to classic sci-fi follow up Empire Strikes Back.


With enough new elements added, as well as the obligatory 70s soundtrack which is incorporated well into the story, GOTG Vol. 2 is an exceptional feat. The film could be the best-looking Marvel film to date with its eye-popping colour palette and with outstanding costumes, make-up and special effects scenes will satisfy the action fans. However, for me it showed that if you care about your leads then these are hugely heightened. Yet the film’s best asset is Gunn himself who delivers the whole package needed in a summer blockbuster and it is he who is the Guardian of his own gorgeous galaxy.


9/10


Midlands Movies Mike

By midlandsmovies, Nov 3 2016 04:12PM

Dr. Strange (2016) DIr. Scott Derrickson


A former neurosurgeon embarks upon a journey of self-healing only to find himself drawn into a world of mysterious arts.


Successful neurosurgeon Dr. Stephen Strange (Benedict Cumberbatch) falls apart after a tragic car accident leaves him unable to continue with his work. In denial, he pushes for a number of pioneering treatments in order to regain full use of his hands, however when reality hits him that he will never operate again, he begins to look at somewhat alternative methods. After arriving at a location in Nepal, he is introduced to The Ancient One (Tilda Swinton) who informs him that he must set aside all ego and learn the secrets of a mystic world and alternative dimensions. However, before long, Strange finds himself as an intermediary between the real world and everything beyond this - something that is slightly more than he bargained for...


So, my birthday present from my best friend came in the form of a cinema trip to see the latest edition to Marvel's Cinematic Universe, Doctor Strange. Quite a good birthday present I must say, even if it wasn't quite in line with what we had expected.


Straight off the bat, it has to be said that Benedict Cumberbatch's performance was rather wonderful. He, of course, played the film's title character, and was every bit as impressive as some of the dimension-defying abilities Strange eventually possessed. Despite not being the most instantly likeable character, Cumberbatch did provide him with a certain charm that did well to win the viewer round.


With every hero, there must come a villain, and that villain came in the form of Mads Mikkelsen's Kaecilius. If I'm completely honest with you, I have to say that I was left slightly disappointed by Mikkelsen's performance, or perhaps the amount of it that we saw. He wasn't in the film for nearly as long as I had hoped he would be, and I feel like he was kind of wasted in the role for how little we actually saw of him. Yes, this was the first Doctor Strange film, so I understand that it is a introductory film of some sort, however, there really wasn't enough of him here, and from what I saw, it doesn't look as though we're going to be seeing much more of him any time soon.


The film's cast was made up by quite a few serious names. Alongside Cumberbatch and Mikklesen were the likes of Tilda Swinton, Chiwetel Ejiofor and Rachel McAdams, and this was something else that worked in favour of the film.


I stated at the beginning that I didn't feel the film was as good as I had been expecting it to be. Despite this, it was still up there as one of 2016's better films, but not among the best. However, there is part of me that thinks that the only reason it was still above average for the first time of viewing is because of the brilliant visual effects. There was a hint of Inception with the bending of matter and dimensions and this was very good to see, however if it wasn't for this, I may have very likely felt considerably more let down by the film, and it is for this reason that I probably won't be able to watch the film for a second time in the near future.


All in all, Doctor Strange is a half-decent popcorn film that most cinema goers will enjoy, however will most probably not be blown away by. the cast and the acting were superb, even if perhaps screen time was not distributed as I'd have liked it to be. The storyline is something we have seen before, but is held up by the visual effects that are something quite special, but might have lost some of their wonder when it comes to a second viewing of the film.


7/10


Kira Comerford

By midlandsmovies, Jun 9 2016 10:41PM

Click here for all photos of the 2016 event on the Midlands Movies Facebook page


Midlands Movies Mike takes a trip to the ever-expanding Comic Con Leicester at the Athena venue in the city’s cultural quarter. With a completely sold-out event, Mike braved the throngs of cosplayers and comic fans for the weekend where the wacky and wonderful sat side-by-side in a showcase of the region’s immense talent.


After last year’s fantastic event (read our report here) it was great to see the event back in the city and even bigger than before. Organisers Gavin-Lee Pate (http://www.theretrodraughtsman.co.uk) and Richard Twekesbury promised even more fun than last year and boy did they deliver.


Rocking up to the Athena venue (an art-deco building previously the Odeon cinema) the joy began with an amazing appearance from Ecto-1, the car from Ghostbusters. As accurate as you could possibly want, the vehicle was a fully kitted out replica with the sirens and the Ghostbusters theme playing in the background and from the amount of happy faces, this slice of the 80s went down great with old and young alike.


With no queues – better than last year – the organisers had staggered attendees and I entered the venue’s foyer and was greeted by a host of Cosplayers from comics, film, gaming and television. Some of the more impressive outfits included a number of authentic Stormtroopers, a couple of Predators (one of which had a Judge Dredd costume so Dredd-ator?) and one boy in a fully accurate Batman V Superman Dark Knight armour outfit – even with light-up eyes. More obscurely, a personal favourite was one guy in a Warriors leather jerkin – something he had made himself which was a cool nod to one of the most enjoyable gangs flicks on the early 80s.


As before, the old cinema lay-out meant that shops were mainly on the lower floor and stall-holders on the tiered balconies which made for a distinctive arrangement but one drawback was the stairs (especially for masked cosplayers) and the unfortunate temperature – again, the heavily costumed attendees would have been sweating like mad. I was, and I just was just dressed in a t-shirt!


So, who were the talent on show? Well, there was both a high quantity of creatives but more importantly and amazing quality and passion amongst them too.


Manga influenced comic studio, Tanra Studios were on hand both days to promote their new join-project Pandora and Nadia and Tara drew a host of commissions over the two days. Check out their work at www.tanrastudios.blogspot.co.uk or on Twitter @Tanra626


Kate Beaumont from www.cosmicmindcomics.tumblr.com were grateful for the water provided by what they called “blue shirts” (a spin on Star Trek and a kind nod to the organising volunteers on the day) and had a fantastic time selling their comic to new readers.


Local Leicester legend Rebecca Mansfield from the 2015 show was again in attendance with her dragon inspired art and prints www.rebeccamansfieldart.com and Dark Pond Creations’ Patrick Scattergood was there to promote his award nominated anthology series Flesh Tones https://sellfy.com/DarkPondCreations


With me being raised in a small town called Walderslade in Kent, it was an interesting chat with Maidstone-based writer Kit Cox who went to school a town over from where we grew up. Kit acknowledged my ‘Godzilla’ t-shirt and who entertained later in the day with a comedic speech on the history of Myths and Monsters. Very apt! www.kitcox.com


Midlands Movies event poster designer and Leicester’s premier artist to the local scene Ryan Button, was there selling fabulous prints of his 80s and sci-fi inspired art. From Transformers to Star Wars via Skeletor and Cybermen, Ryan of RB Illustrations had a steady flow to his stall. Also a storyboard artist for local filmmakers, contact Ryan for film-related commissions and order from his website at http://rbillustration.com


Freelance comic and cartoon artist Tara Washington had a range of fantasy and dream-like art www.Chosha-kurenai.deviantart.com and illustrator Alexandra McCarthy had post-con Twitter comments of “best stall there” with a selection of quirky cat art. Lots of awesome cats including one as a “cat-tamer”. http://1-in-100.co.uk. Jess Taylor was nearby and is an illustrator inspired by Disney concept and storyboard art and check out her amazing designs at http://jesstarts.tumblr.com/ whilst another 2015 alumni, animator Thomas Crook, was promoting his current cartoons.


Also from 2015’s con, David “We were wearing Iron Maiden t-shirts last year” Millgate was back and this time with his new comic “Jackboot & Ironheel” – soon to be available via Forbidden Planet. David even had his mum looking after his stall at one point and I purchased an amazing signed Kylo Ren poster print from the Blaby based artist who designs on a wide range of topics including Star Wars and 2000AD. Follow David on Twitter here https://twitter.com/DavidMillgate


Tom Hodge aka The Dude Designs is now back in Leicester after a stint in LA and his 80s VHS-style work has been used for Hobo With a Shotgun, The Innkeepers and Wolf Cop’s official artwork. As well as these wider releases, Tom hasn’t forgotten his roots after designing the poster for Leicester grindhouse feature The Wrong Floor by Roasted films (https://www.facebook.com/TheWrongFloor) and check out his huge selection of posters at his site http://thedudedesigns.com


Leo Gavin of Phisog is a self employed artist whose designs range from film prints to sketchbook doodles. Based in Staffordshire, Leo created this cartoon which I loved and he’s recently moved into digital art involving characters like Deadpool and Harley Quinn.


Artist Sandra Danborg showcased her art inspired by fantasy characters and fictional worlds and told me how she created her first graphic novel by drawing a page a day. She was worried that the final pages were a much better quality than the first but you wouldn’t be able to tell with her unique style and colouring process. www.memorylane.thecomicseries.com


Founded in 2012, Reckless Hero have moved from their t-shirt prints into publishing with their “The Last Sheriff” comic but now have a new book they were promoting called “The Falconer”. The group (Chris Imber, Chris Jenkins and Matthew King) have bonded over music and art for over a decade and are continuing to bring a vivid range of stories to life. Check them at www.recklesshero.com


Death Bugle’s hilarious comics were a joy – originally a story about a death metal band but now encompassing bears, fleas and “hideous flies”. Ha ha! Check their out their clever and peculiar take on the world at www.deathbulge.com whilst Dan Harris promised epic science fiction and more “epic-er” comedy with his action adventure Lou Scannon series (geddit?). As well as that title, the interestingly named “Druid Investigations #1” has now been released as part of the Attic Studios collective. www.atticstudios.website


Another returnee was Wolverhampton University alumni Keith Chan www.keith-chan.co.uk whose comic book art, greeting cards and prints had everything from trouser-eating horses to superhero sketches and basset hounds!


One of the more popular stalls was Sajan Rai whose “Childish B*tt Vomit” comic had free stickers and a chance for you to get yourself drawn as a sloth. Not the one from The Goonies. But an actual sloth. Brocko and Frens was a big hit with the crowds with what can only be described as a dolphin in a leather jacket (Brocko), a polar bear (Barnabus Buggles) and a baby seal (Baby Seal). www.sajanrai.co.uk


Giles Meakin Illustrator focuses on fantasy, horror, murals, storyboards and even portraits and photography. In addition he also does commissions so see if there’s something up your street over at www.gilesmeakin.co.uk


Finally – but most eye-opening-ly – the brave ladies of Midlands Body Paint decided to go mostly natural where a team of talented artists drew comic book designs directly onto their bodies. A risqué show of individualism and empowerment, their network of talented artists, models and photographers took many a breath away but the absence of offense showed the welcoming nature of a diverse crowd. Well done Leicester.


And with a busy two days drawing to a close, the final day encompassed a cosplay show and with everyone tiring from so much fun, the event drew to a satisfying close. A huge congratulation and thank you should be passed to the organisers, attendees, artists, Cosplayers and everyone else who came to Leicester to experience one of the city’s best alternative weekends. Long may it continue.


Midlands Movies Mike

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