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By midlandsmovies, Sep 11 2019 10:06AM



John Wick: Chapter 3 - Parabellum (2019) Dir. Chad Stahelski


Keanu Reeves returns once more as the eponymous ‘hero’ John Wick in this third instalment of the hyper-violent neo-noir action series. The movie picks up immediately from the previous sequel where the ex-assassin is in New York escaping from a $14 million hit put upon his head after his unsanctioned killing of a member of the “High Table” – a seedy cabal of hitmen and women. But before you can say “parabellum”, Wick is involved in bloodier fist/knife/gun fights than ever before.


Influenced at times by old gun-slinging westerns – (Wick-y Wick-y Wild Wild West) he uses 6-shooter guns and tomahawks, rides a horse through Manhattan and there is a distinct steel-guitar vibe on the soundtrack. Technical wise, the lighting is beyond fantastic with the gorgeous visuals, neon lights and heavy rain giving the locations a classic cinematic feel in comparison to other genre films.


The culture continues (as first seen around Rome in Chapter 2) with scenes set at theatres, museums, libraries and art galleries setting the somewhat low-brow fight action against more civilised environments.


During a ballet rehearsal, a rare but welcome Anjelica Huston appearance explains “the path to paradise begins in hell”. This is one of a number of religious nods alongside a crucifix necklace, stained glass windows and later on a cross is seared on Wick’s back before a gruesome scene of anatomical sacrifice. And redemption is a big theme too. Wick wants out but is drawn back in – not just by his guilt – but by a sense of obligation to the codes of conduct the High Table group enforce.


Support comes from an excellent duplicitous Ian McShane as the manager of a hotel refuge whilst Laurence Fishburne brings his mouthy gravitas to underground crime lord, the Bowery King. The excellent Halle Berry is sadly wasted in a silly shoot-out sequence in Casablanca. The bland gun action is not helped by some CGI dogs - however, those waiting for some long overdue dog revenge will lap up the hounds’ killing spree.


What doesn’t work? Well, the action – as good as it is – is constant. And relentlessly so. Characterisation is kept to a minimum but expected I suppose and the much-lauded motorcycle chase is a poor facsimile of the superior one in The Villainess.


Also, and I’m not sure if it’s because I watched this recent video breaking down stunt choreography from an expert, Keanu was starting to look his age as the overly-choreographed fights seemed to have a few missed marks. A minor gripe I admit.

Whilst expanding the mythos Wick has also lost some of its initial Taken-style charm. The two films were never realistic per se but in Parabellum, murders in public at Grand Central Station and bus-loads of SWAT push it a little bit too far into fantasy. Heck, it even bordered on WANTED (2009) territory with its clan of shady assassins clinging to their historical rules of engagement.


All that said, Wick does what it sets out to do with no apologies. A few nice nods to The Matrix are a nice inside-joke - Neo, I mean Wick, is asked to make a choice by a monologue-ing mentor in a video-screened room and also asks for “Guns. Lots of guns”. And not to mention that Morpheus is in it of course!


And so, genre fans will lap up the explosions, punches, martial arts, gun-fu and the well-executed stunt work. But Wick goes beyond b-movie staples with a film that not only delivers on its action but is a feast for the more discerning viewer with its eye-wateringly impressive lighting, cinematography and production design.


★★★★


Michael Sales


By midlandsmovies, Dec 11 2018 01:04PM



The Night Comes for Us (2018) Dir. Timo Tjahjanto


It would be easy to compare this film to 2011’s The Raid given the two main actors Joe Taslim as and Iko Uwais are major players in both films, yet it’s that film I cannot reference here with its similar mix of Indonesian gangs and corrupt cops fighting for honour and power using the most violent means possible.


And violent it is! Extremely.


When Ito (Taslim) saves a young girl and goes rogue from lethal Triad enforcers the Six Seas, he is immediately hunted down by the gang and thus begins a film that is almost entirely action-orientated throughout. Iko Uwaisis as Arian is called up to kill the traitor and Taslim returns to an old friend’s apartment for refuge.


It’s at this apartment where the best scenes occur. Forced into a tight situation, the character set up is fleshed out before the martial arts kick in and flesh of another kind is strewn around the room. Fantastic brawling action is brilliantly filmed with the character development helping us care about each person’s fate. Arms are blown off, necks are broken and if you don’t like stabbings or gunshots then don’t even think about watching this film. Oceans of blood are spilled and the bone-crunching punches and killings soon leave bodies piling up.


If there was one thing missing, it is that the film quickly ditches its character motivations for more endless fights. As well as they are filmed, the movie needed some space to give the audience the chance to take a breath. It also plays its best hands far too early. The aforementioned early apartment fight is followed by a great battle in a police van but soon repetition kicks in and, like The Raid, once you get down to one-on-one fights, the film all but loses its momentum.


That said, action and martial arts fans will lap up the phenomenal fight choreography and Zack Lee as "White Boy" Bobby is a minor character who steals any scene he is in. Stylish and frenetically chaotic, The Night Comes for Us is not for the queasy but its wild action and furious violence results in an intense experience that you won’t forget in a hurry.


The fight comes to you!


8/10


Mike Sales





By midlandsmovies, Jun 6 2015 10:10AM


Kung Fury (2015) Dir: David Sandberg


This crowdfunded short film comes across as a mash up of bad (read good) martial arts action films and 80s side scrolling beat em-up arcade games topped off with perhaps the most insane over the top action that you will ever see. Logic and quite frankly the rules of nature are cast aside in this mad action packed fun-filled rollercoaster of a film.


Set in 1985 the plot sees city cop Kung Fury travel back in time to kill the most deadliest criminal of all time - Kung Fuerher Hitler, but to do so he needs to call on his friends; the nerd Hackerman, his police partner Triceracop the Triceratop and of course the Norse god Thor. Makes sense right?


Writer/director/star David Sandberg proves that you don't need a massive budget to make an explosive and entertaining film just a green screen, bad one liners and plenty of humour. Kung Fury is one film that will entertain anyone with a penchant for action and the open ending hopefully hints at a full feature sequel. You can watch the film on YouTube above


8.5/10


Midlands Movies Marek


(Editor Mike: Couldn't agree more on this one. A great idea will always overcome any budget constraints and the hilarity of the 80s iconography, OTT jokes and ingenious effects and nods to low budget films make this an entertaining one to catch. Also, its online to watch for free too!)


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