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By midlandsmovies, Jan 17 2019 05:09PM



Colette (2019) Dir. Wash Westmoreland


This biographical drama comes from Still Alice director Wash Westmoreland and is based upon the life of French novelist Sidonie-Gabrielle Colette. Nominated for a Nobel Prize in Literature she is also famous for her 1944 novella Gigi which was the basis for the film of the same name.


Colette covers the early part of her life with Keira Knightley returning from an acting break as the lead woman whose first writings were published under the pen name of “Willy” – a nickname for her husband Henry Gauthier-Villars (Dominic West). She writes a series of stories revolving around “Claudine”, a fictionalised version of her own life which is filled with avant-garde parties and lesbian liaisons.


However, much like in the film Big Eyes (Tim Burton), Colette soon demands her name be revealed as the real author of the stories which her husband resists and which subsequently causes riffs between them. The film is told in a linear fashion and for a film about writing, sadly has too few literary trappings and most reminded me of the standard fare of Merchant Ivory period dramas – but with added liberal and progressive flourishes.


Knightley is solid and Dominic West plays the uptight, sleazy type of macho husband that he often excels in – but is one actor I have never thought has much of a range and he does little to correct that here in Colette.


As Colette’s will becomes more determined, the film delves into notions of masculinity and femininity and whilst swanning into boisterous parties one night in extravagant dresses, she partakes in serious muscular exercise the following day. The cinematography is fascinating as it captures beautiful French scenery as well as bawdy get-togethers exploring both public and private spaces.


The film however concludes with her departure from literature into her mime and stage career displaying her fight for female independence at a time where female respectability was considered paramount and she moves from exercising her mind to the physicality of her body.


Therefore Colette is certainly progressive and honourable – telling a little-known tale of creative and wanton passions – but if I’m honest I found little “life” in the film. Also, there was a very palpable chemistry vacuum between the two leads, yet the excellent support from Eleanor Tomlinson, Aiysha Hart and Fiona Shaw helps ease these gaps.


A melodrama of women’s independence, I would recommend Colette for those interested in the film’s central historical subject matter but for many others, the film – as respectful as it is – dips into blandness, both technically and narratively.


★★★


Michael Sales



By midlandsmovies, Jan 14 2019 08:09PM



Midlands Spotlight - CineQ Queer Film Festival in Birmingham in March


Working with the BFI FAN Film Hub Midlands, Centrala Art Gallery, Midlands Arts Centre and Mockingbird Cinema and Kitchen the CineQ Film Festival runs from the 22nd until the 24th of March covering a range of Queer AF screenings, parties and workshops.


CineQ Queer Film Festival will put the focus on new stories, and QTIPOC (Queer Trans and Intersex People of Colour) perspectives, while introducing ‘New Queer Cinema’ a type of queer cinema often overlooked and showcase some of the best underrepresented LGBTQ film both past and present.


After the film festival, CineQ will specially curate a selection of queer films representative of the LGBTQ community which will tour cinemas, film festivals and film societies in the region in order to grow the appetites of LGBTQ cinema lovers in the Midlands.


CineQ founder Rico Johnson-Sinclair says, “Queer cinema has often been a blind spot in the region’s best independent and multiplex cinemas. Not to say that there isn’t an offer. LOVE, SIMON, CALL ME BY YOUR NAME and GOD’S OWN COUNTRY were notable successes in recent years, but there’s a plethora of films from a variety of perspectives that are being made, but just not shown in cinemas”.


“Often the only places to watch queer films are streaming services, we want to change that by bringing audiences across Birmingham and the Midlands, more opportunities to see these brilliant titles on the big screen”.



CineQ was previously operating as a community cinema supported by Flatpack Projects. They’ve screened many titles such as THE WOUND, CLOSET MONSTER, and CHECK IT as well as short film programmes at Centrala Art Gallery and Cafe, Mockingbird Cinema and Kitchen, and Flatpack Film Festival.


CineQ has also worked with cinemas outside of Birmingham such as Phoenix Cinema in Leicester and was recently awarded a commendation by Cinema for All, Britain’s leading authority for community cinemas and film societies.


Further programme announcements will be made available via social media and the CineQ website from 22nd January 2019.


Facebook @CineQBrum

Twitter: @CineQBrum

Instagram: @CineQBrum


By midlandsmovies, Aug 24 2018 06:33AM



Midlands Spotlight - LGBT film You Are My Sunshine completes first part of production


After two weeks filming around various locations within the Walsall area, the first shooting block for the new upcoming Midlands feature film You Are My Sunshine has now ended with a deeply heart-breaking scene filmed in North Wales.


Actors Steve Salt and Jack Knight played out their final scenes together as the younger versions of Tom and Joe, the film's protagonists, which chronicles the tender story of how they first fell in love and the difficulties they face against a backdrop of 1970s Britain. Set during a time when gay rights were only just asserting themselves, the film also leads into the modern day where we find how their characters are continuing in the face of prejudice.


Writer/Director Dave Hastings has praised not only their performances but also those of actors and actress Charlie Clarke, Kiah Reeves, Dale Roberts as well as Hellraiser alumni Simon Bamford, all of whom he says brought great pathos and unique energy to the sometimes challenging and dramatic scenes.


"Everyone has been remarkable", continues Dave. "When I first wrote the script for Sunshine back in 2014, I never in my wildest dreams could have imagined these performances. They are heart-breaking, funny, sincere, emotional, as well as loving. I'm such a happy and humbled director because of each and every one of them".


Producer Troy Dennison, who supervised a shoot that saw the filmmakers and actors take to such iconic Walsall locations like Barr Beacon and the Park Lime Pits has equally praised the cast. Thanking them all for bringing some extremely powerful performances to the screen Troy added, "Absolutely astounding, all of them, every single time they were all on set"


"We have been so lucky to have them wanting to work with us, and we will do our very best to honour their work in the final film. That we will always promise".



WIth a very ambitious shoot, and working closely alongside Walsall Council, the director thanked the authorities assistance and advice which eased potential filming issues on location around the borough. "The council have been absolutely incredible and so very supportive, helping us work on the streets of Darlaston which doubled for 1970s British exteriors in one instance" says Hastings.


The production even had an element of nostalgia when it returned to Manor House in West Bromwich where the company had shot The House of Screaming Death. This time, it doubled as a 1970s bedsit. The crew of the film were equally up to challenge to help present and turn locations into those with a genuine 1970s vibe. Director of Photography Will Bradshaw studied the look of former British films made within the era, while set designer L.J. ‘Stark’ Greenwood researched various colour palettes as well as vintage props.



But while this phase of the shoot is over, the crew's attention and planning is now moving towards a secondary block of filming which sees the story of Joe and Tom continue into modern day & the repercussions of the past still haunting them.


And for now, Dave reflects on that final scene just filmed in North Wales. "It was the right one to finish on. We'd been on a rollercoaster of emotions, all of us, both in front of and behind the camera over the past two weeks with the differing scenes and charged content, so this last one, set on an isolated beach, where young Tom & Joe look to the future, just allowed us all to say goodbye sadly to them collectively".


Dennison agrees, stating "It was very difficult to say goodbye because we'd become a massive family again for two weeks".


You Are My Sunshine is a co-production between Lightbeam Productions, 5cm/Sec and Pat The Bull Films and is being executively produced by Kaush Patel. It will continue to be filmed in and around both Walsall and Sandwell areas in the West Midlands.


Find out more information here:


Facebook: https://www.facebook.com/YouAreMySunshineMovie/

Twitter: https://twitter.com/MySunshineMovie




By midlandsmovies, Jun 14 2018 12:58PM



New film You Are My Sunshine, which will be filmed and produced in and around the Midlands this summer, is launching a new crowd-funding campaign for their upcoming LGBTQ drama.


Written and directed by award winning filmmaker Dave Hastings, and produced by award winners Troy Dennison and Kaush Patel, You Are My Sunshine promises to be a heartfelt look at two extraordinary lives wanting nothing more than to be together against hostility and prejudice.


Set across two decades, Sunshine tells the story of Tom and Joe, who first meet in the 1970s, a time when homosexuality is still deemed immoral and wrong. As the two youngsters try and navigate their way through an uncompromising time in history, their modern day counterparts also have to deal with the repercussions of their early lives when events take a turn and families collide once more.


Looking for help to tell their stories, their filmmakers’ campaign launches with an aim to raise funding for locations, make up effects, transport as well as other considerations such as food and insurance.


Much of the cast have already been secured including Steve Salt who will be playing the younger version of Tom, while Jack Knight will be the younger version of Joe, Martin’s son. Both are from the Midlands and studying drama in London and they are joined by Charlie Clarke, Charles O’Neill and Rosemary Manjunath.


Director Dave Hastings comments, "This is an important story to tell now more than ever. Especially when we are again seeing a rise in homophobic crimes around the world, which in itself is sickening. Sunshine shows that while in the face of tough adversity, whatever your sexual preference, there is never anything wrong with falling in love with someone of the same gender”.


Producer Troy Dennison elaborates; "while the film presents hope, it never shies away from showing the ugly side of these discussions, with the script showing how in the 1970s, even when we had the first Pride in the UK, attitudes were still very difficult, and were strong enough to rip whole families apart, an event that could take decades to heal, while in other cases, not even being repaired at all, leaving some members of the LGBTQ community vulnerable and separated by their families forever".


The filmmakers first feature collaboration was Checking In” (see MM review here) which told five stories all set over the course of a 24hr day in a hotel. The film was screened in London, was featured on BBC Midlands News, and eventually went on to WIN BEST BRITISH FILM at the 2014 London Film Awards. The film was made on a budget of £2,000.


And their Hammer horror inspired second film entitled The House of Screaming Death won Best Feature at the 2018 Midlands Movie Awards.


“We are very passionate about filmmaking and doing the absolute best we can with what limited resources we have. But we believe this just makes us more creative on set and how we develop not only ourselves but the movies we make”.


To make a pledge please check out the Indiegogo Campaign by clicking here


For more info please head over to their official website: www.lightbeamproductions.co.uk



By midlandsmovies, Apr 1 2018 01:41PM

You, Me and Him (2018) Dir. Daisy Aitkens


You, Me and Him is a brand new comedy drama from writer/director Daisy Aitkens and follows the story of lesbian couple Olivia (Lucy Punch from Bad Teacher & Hot Fuzz) and Alex (Faye Marsay from Game of Thrones & Pride) and the trials of their complicated relationship.


They bond over mocking the idiotic hedonism of their recently divorced next-door neighbour John (a bearded David Tennant) but before long, their age-gap leads to the awkward question of pregnancy. Nearing 40, Olivia secretly becomes pregnant via artificial insemination and when Alex finds out, she drowns her sorrows at John’s divorce party and wakes up in his arms. And despite her regrets Alex too becomes pregnant owing to this one-night liaison.


Thus the film sets in motion a clash of situations none particularly planned for. You, Me and Him is set in the Midlands around Stratford-Upon-Avon which gives it a local flavour and with a strong cast of film and TV stars, the movie gets off to a likeable start from the outset. Punch’s Olivia is all hilarious noise and sniffly tears whilst Marsay brings a sensitivity to her more eclectic boho cynic.


Marsay is particularly effective as what could be an annoying hippie stereotype is given much more depth by her compassionate take on the role. Tennant too is having huge fun with his debauched Casanova. His support for a chauvinist “Manimist” help-group later makes way for a sympathetic character who is struggling to deal with expectant-father difficulties.


In support, Sarah Parish as Mrs. Jones throws in an OTT performance which is equal parts prejudice combined with a number of sharp-barbed insults. And Smack the Pony’s Sally Phillips is hilarious as an Australian antenatal class teacher bouncing around on fitness balls.


Although the actors are all top notch, the film slightly lacked a cinematic presence and the performers weren’t flattered by the TV lighting. But this was a minor flaw and disappeared when the well edited jokes were pushed to the forefront.


As the narrative develops, Tennant’s flamboyant father-to-be clashes with Olivia’s emotional (and flatulent) mother-to-be for the attention of Alex whose previous life of drink and drugs is calmed by her newly glowing predicament. The comedy (and the drama) almost solely come from this triumvirate. And their dialogue – some of which seemed brilliantly improvised – is slick, well-written and had me chuckling throughout.


You, Me and Him therefore aims for comedy in the main. With sight gags, cutaways, slapstick and plenty of body and adult humour all thrown in, it was surprising then to find that the film’s highlight is a tonal swing in the third act. A shift from the previous broad comedy to an incredibly sincere sequence is both thoughtful, honest and exceptionally moving. The pratfalls and hilarity make way for heart-breaking moments that are all the more powerful with the removal of dialogue. The trio of main actors will make you weep as their pain, caring and tender embraces emote from the screen without so much as a word.


But there’s hope amongst all this anguish and director Aitkens more than handles the complex balance of Richard Curtis-style droll laughs mixed with poignant compassion. The film is overall lightweight but takes a meaningful look at the serious issues of LGBT love (not a “large sandwich” as the film jokes) and the multifaceted intricacies of modern relationships. With three wonderful showings from Punch, Marsay and Tennant, the film is an enjoyable romp with plenty of laughs without forgetting the affectionate support needed for mothers, fathers and partners.


7/10


Midlands Movies Mike

By midlandsmovies, Mar 21 2018 02:14PM



David Tennant walks the red carpet with other stars for Birmingham Easter charity premiere - You, Me & Him


David Tennant will be joined on the red carpet by cast including Faye Marsay, Georgia E Tennant, Sally Phillips and Director Daisy Aitkens on Saturday 31st March at Cineworld, Broad Street Birmingham, for the charity premiere of You, Me and Him. David Tennant, Faye Marsay and Daisy Aitkens will also introduce the film before the screening.


You, Me & Him is a comedy-drama about a lesbian couple at different points in their lives - high-powered lawyer Olivia (Lucy Punch) is nearly 40 and wants to start a family but her free-wheeling younger partner Alex (Faye Marsay) doesn't share her urgency. What happens next involves recently-divorced neighbour John (David Tennant) and creates a tangled web of consequences and pregnancies.


There are a limited number of tickets available for this special screening at £36 each for the event at Cineworld Broad Street, Birmingham 31st March 2018 6.30pm.


Baby Lifeline is the official charity partner of the film You, Me & Him and it is hosting the Birmingham red carpet premiere which will be attended by the cast and many other well-known names. The film was shot on location in the Midlands.


Other well-known celebrities from the music, television and radio world also confirmed are, Peter Davison, Tessie Orange-Turner, Christian Brassington, Jack Savoretti, Nick Owen, Jack Cork, the cast of BBC's Doctors, Ainsley Harriot and Heart West Midlands Breakfast presenters Ed James and Gemma Hill… more to be announced!


David Tennant and Sally Phillips are both Ambassadors for the charity Baby Lifeline’s £5 million Monitoring for Mums appeal to provide maternity and neonatal equipment for maternity services nationally, and the premiere will raise funds for this appeal.


Tickets are available from http://babylifelinetraining.org.uk/home/product/birmingham-film-premiere/


Watch the film's trailer below:






By midlandsmovies, Jan 29 2018 09:55AM



Nottingham writer director James Postlethwaite is soon to launch his new film, As The Sun Rises, a relationship drama that covers LGBTQ issues with a sensitive and passionate approach. Midlands Movies Mike finds out more about this gripping new film.


Getting into the industry at the tender age of 16, James Postlethwaite has trained and worked on some of Britain's most prestigious and well-known programmes including Coronation Street and The Graham Norton Show. Having also directed films and documentaries in Los Angeles, he returns to the region for his new project.


As The Sun Rises follows a man called Andy who is in a loveless relationship with his partner, Emma, but who has known he was gay from a very early age. Spending most of his life masking his emotions and living a lie, the film shows Andy's struggles to be honest about his sexuality to the people he loves the most.


The film’s pre-launch campaign has gone live and the makers are offering fans the chance to win one of five £50 Amazon vouchers just for signing up with their email address and sharing the post on their own social media. Click here for the first offer full details.


Tackling their fundraising with gusto, the filmmakers will then run an IndieGoGo campaign from 9th March seeking to raise a budget of £25,000.



James is supported by a talented crew including Oli Braybrook who is a producer based in Nottingham. Oli is most known for producing the films Lucidity and The Keys to It All along with three episodes of the television pilot, Print.


Laura Gallop joins the production as director of photography whose strong belief is that cinematography “should compliment the story and should add to the project on an unconscious level rather than overpower it”.


Christian Smith will compose the film's score and the Hampshire born pianist already enjoys several credits to his name including a portfolio of clients - from his music appearing on O2 adverts to scoring several other low budget films.




Also on board is a talented cast with many coming from the Midlands who also have a whole host of successful credits on shows such as Hollyoaks, EastEnders, Law and Order UK, Silk, Happy Valley, Doctors, Emmerdale and Shameless to name just a few.


Despite its micro-budget indie origins the film is hoping to tackle changing issues within the film industry from raising the profile of marginalised groups as well as improving female cast and crew figures.


For more information about the production check out the ongoing updates at the official website: www.asthesunrisesfilm.co.uk


Midlands Movies Mike



By midlandsmovies, Aug 27 2017 04:47PM

The Short Cinema 2017 - Part 2


For Part 1 of The Short Cinema showcase 2017 please click here:

http://www.midlandsmovies.com/blog/4558436876/The-Short-Cinema-2017---Part-1/11214523


After a much needed beer break, I headed back into the main screening room for the second part of the excellent Short Cinema 2017 to discover even more great films from the region’s talent...




Ultrasound – Kon-Tiki by Andrew Rutter

This successful music video (and ultimately eventual winner of The Short Cinema 2017 Main Competition) is directed by Andrew Rutter using a track by the group Ultrasound to launch a whirlwind coming of age story mixing surreal visuals with the band’s catchy melodies. Tackling serious subjects of inner conflict – the young protagonist begins on a bike yet behind closed doors dresses in high heels and nail varnish – the film does so in an entertaining way without ever poking fun at the teenager. With a healthy dose of nostalgia, the film’s most successful images are the most strange and dreamlike ones from an “astro” love-making session to personal reflections on a lake. In the end, Rutter has high ambition and more than achieves his aims throughout the video which itself ends on an explosive climax.

Watch the full video here: https://vimeo.com/192961828



A Broken Appointment by Kaleb D’Aguilar

A 3-minute short about same-sex relationships, A Broken Appointment showcases the complicated issues of closeting and hiding feelings in the gay community. Mixing tender and violent emotions, the film condenses a lot into its short run time from the first touching of hands to the complexities faced by a mixed-race gay couple. Dark yet offering a glimpse of optimism, the film’s sensitive narrative is a dramatic slice-of-life exploring marginalised groups in a responsible and delicate manner.

Find out more information here: http://caribbeantalesfestival.com/project/a-broken-appointment/



Girl A by Jess O’Brien

Reviewed by Midlands Movies earlier this year, Girl A still packs a metaphorical and physical punch on a third watch as young filmmaker Jess O’Brien doesn’t flinch from her story of a bully from a broken home. Using strong language and flashes of violence, the solid story and great performances from a teen cast help infuse the film with believability, as we see a troubled pupil lash out at school owing to problems at home. With some great tracking shots and an open ended finale the film is a local success from a strong young filmmaking voice.

Read our full review here: http://www.midlandsmovies.com/blog/4558436876/Feature-Review---Girl-A/11098121



Vandella Day by John McCourt

Actor Kieron Attwood reappears on our list in this darkly comic short from Leicester filmmaker John McCourt. Alongside Lois Cowley, Attwood plays one of two people holed up in a confined space where we find there is just one bullet left in their gun as they think the unthinkable. With the noise of attackers approaching and with no apparent way out, the gun is raised to their heads but malfunctions at the most inopportune time. The intense 1-minute short sets up its characters, cramped location and desperate motivations in mere seconds and filmmaker McCourt turns the tables when an accident with the firearm leads to less than pleasant consequences. A brief but forceful short, Vandella Day’s in-your-face extremities will hit you like a bullet in the head.

Find out more about Vandella Day here: http://www.imdb.com/title/tt6483644/fullcredits/



Betty by Jordan Handford

Another film reviewed by us earlier in 2017 is this drama from Jordan Handford about the effects of dementia. Set on a park bench the film slowly pans around Betty’s distant face before she is joined by a man who regales her with a story from his past that connects to her own. A subtle film on a sensitive subject, the story had personal connections to me after my own mother lost her battle against dementia in May of this year. “Betty” tackles the issues with a finely tuned script that is masterly delivered by John Ghent as Eric, who uses the well-written dialogue to capture the spirit and memories of the past whilst acknowledging the difficulties of the present.

Read our full review of Betty here: http://www.midlandsmovies.com/blog/4558436876/Midlands-Film-Review---Betty/11160736




The Last Drop by Sascha Zimmermann

Written by Nottingham-based screenwriter Tommy Draper, this new short had a true international flavour having been made in Germany. Der Letzte Tropfen (The Last Drop) concerns itself with a self-help group who are experiencing problems with drink dependency with some attendees less than pleased with being there. The group’s advisor tries to maintain some civility as each member explains (or doesn’t) the problems with their addiction. As a first-time stranger joins the group the film goes into overdrive as it switches genres right before our eyes in a spectacular but satisfying “rug-pull”. With a tremendous script and brilliant turns by the German cast, the film is a superb collaborative effort that audiences can get their teeth into.

Find out more here: http://www.midlandsmovies.com/blog/4558436876/Midlands-Spotlight---Nottingham-writer-Tommy-Draper-heads-to-Germany/11200733



The Inuring by James Hughes

With another tale this evening of childhood abuse, The Inuring looks at a teen who is a victim of bullying who confronts a sister about their past. An astonishing Emily Haigh plays troubled teen Aleish who has been bullied yet keeps many private thoughts to herself. Locking herself in a room, her sister (Sarine Sofair as Claudette) places herself on the other side of the door in an attempt to get her sibling to talk. Haigh’s performance shows the systematic breakdown of a put-upon victim and during their awkward interactions, dark secrets of the past are revealed which raises the stakes in their important conversations. With a bleak and gloomy tone and great cinematography the film is not for the faint of heart but winning performances make this short a satisfying drama of angst, regret and childhood ruin.

For more info click here: http://www.theinuring.com




Retrograde by Eve Wills-Wilson

This 10 minute experimental film uses varying film stock and images to cover issues of the past, present and future as well as celestial bodies and the movement of the oceans. The archive sound drones in the background as an abstract series of repeating motifs are shown. Not to my personal tastes – the backwards clock being a cliché crime – the film nonetheless has its roots in contemporary art and would suit an installation in a modern gallery where its ethereal imagery could be studied and discussed. With lots of random footage and film speeds, I would liken the short to a visual version of The Beatles’ “Revolution No. 9” – i.e. some will consider it a disorganised collage whilst others will see intellectual gifts within. Take your pick.

Watch the short here: https://vimeo.com/200670585




Bless You by Daryl Grizzle

Three videogame-playing friends sit in a front room in this short from Daryl Grizzle who uses the situation to discuss the history of one of the most used phrases of all time. As one of the pals does a particularly large sneeze, his friend gives him a courteous “bless you” before each of them in turn explains their version of the origins of the custom. From the plague and saving angels to keeping the devil at bay, the trio of chums lull the audience into a false sense of security with their banter before a jump-scare filled conclusion. Moving from a lightweight discussion to a darker ending the short is an off-kilter blessing in disguise.

Find out more info here: http://www.imdb.com/title/tt6867424/




Loyal to War by Parang Khezri

Made by award-winning Iranian filmmaker Parang Khezri, Loyal to War was one of the shortest and strangest films of the night. With middle-eastern imagery and a boy looking into a mirror (actually cleverly played by two actors through a frame), the film is a surreal look at nature and life. With some filming shot backwards and the images of petals and mirrors, the short asked the audience to reflect on its ideas but provides very little context as to meaning. An intriguing visual statement, the film is baffling in many ways but portrays a very mysterious aura and an enigmatic puzzle to study long after it ended.

Catch Parang’s previous 2010 short TABU: https://www.youtube.com/watch?v=zke-4oogD60




Upgrade by Mike Doxford

The final film of the night is another Random Acts funded project called Upgrade, where we are shown a night watchman who heads into a building to see a number of random youths hooked up to different technology. This tech seems forbidden, hence the security, but we notice they are listening to old headphones and playing old handheld video-games. The guard then presses play on an vintage tape recorder which plays some funky brass-filled salsa music. After a bit of head nodding the guard (played well by James Bartholomew) gets “into the groove” and begins dancing around the building. Linking the physical dance with the analogue tape player – the film presents a tangible world which stands in stark opposition to the passivity of modern day digital technology.

Find out more here: http://www.imdb.com/title/tt6394702/


In conclusion, with 22 varied films from different genres this year seemed more than just a showcase of film but acknowledged the huge work done by the community. In these films’ reflection and representation of different stories and narratives, the emphasis was on art and in the face of funding issues throughout the industry it was even more impressive to see the quality on show at the festival.


For more info on the Short Cinema please click here and a big thank you to all the organisers including the magnificent Alexzandra Jackson for such a tremendous 4-day event.


Midlands Movies Mike


Below are some photos from the evening.




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