By midlandsmovies, Apr 1 2018 01:41PM
You, Me and Him (2018) Dir. Daisy Aitkens
You, Me and Him is a brand new comedy drama from writer/director Daisy Aitkens and follows the story of lesbian couple Olivia (Lucy Punch from Bad Teacher & Hot Fuzz) and Alex (Faye Marsay from Game of Thrones & Pride) and the trials of their complicated relationship.
They bond over mocking the idiotic hedonism of their recently divorced next-door neighbour John (a bearded David Tennant) but before long, their age-gap leads to the awkward question of pregnancy. Nearing 40, Olivia secretly becomes pregnant via artificial insemination and when Alex finds out, she drowns her sorrows at John’s divorce party and wakes up in his arms. And despite her regrets Alex too becomes pregnant owing to this one-night liaison.
Thus the film sets in motion a clash of situations none particularly planned for. You, Me and Him is set in the Midlands around Stratford-Upon-Avon which gives it a local flavour and with a strong cast of film and TV stars, the movie gets off to a likeable start from the outset. Punch’s Olivia is all hilarious noise and sniffly tears whilst Marsay brings a sensitivity to her more eclectic boho cynic.
Marsay is particularly effective as what could be an annoying hippie stereotype is given much more depth by her compassionate take on the role. Tennant too is having huge fun with his debauched Casanova. His support for a chauvinist “Manimist” help-group later makes way for a sympathetic character who is struggling to deal with expectant-father difficulties.
In support, Sarah Parish as Mrs. Jones throws in an OTT performance which is equal parts prejudice combined with a number of sharp-barbed insults. And Smack the Pony’s Sally Phillips is hilarious as an Australian antenatal class teacher bouncing around on fitness balls.
Although the actors are all top notch, the film slightly lacked a cinematic presence and the performers weren’t flattered by the TV lighting. But this was a minor flaw and disappeared when the well edited jokes were pushed to the forefront.
As the narrative develops, Tennant’s flamboyant father-to-be clashes with Olivia’s emotional (and flatulent) mother-to-be for the attention of Alex whose previous life of drink and drugs is calmed by her newly glowing predicament. The comedy (and the drama) almost solely come from this triumvirate. And their dialogue – some of which seemed brilliantly improvised – is slick, well-written and had me chuckling throughout.
You, Me and Him therefore aims for comedy in the main. With sight gags, cutaways, slapstick and plenty of body and adult humour all thrown in, it was surprising then to find that the film’s highlight is a tonal swing in the third act. A shift from the previous broad comedy to an incredibly sincere sequence is both thoughtful, honest and exceptionally moving. The pratfalls and hilarity make way for heart-breaking moments that are all the more powerful with the removal of dialogue. The trio of main actors will make you weep as their pain, caring and tender embraces emote from the screen without so much as a word.
But there’s hope amongst all this anguish and director Aitkens more than handles the complex balance of Richard Curtis-style droll laughs mixed with poignant compassion. The film is overall lightweight but takes a meaningful look at the serious issues of LGBT love (not a “large sandwich” as the film jokes) and the multifaceted intricacies of modern relationships. With three wonderful showings from Punch, Marsay and Tennant, the film is an enjoyable romp with plenty of laughs without forgetting the affectionate support needed for mothers, fathers and partners.
Midlands Movies Mike