icons-02 icons-01 MM Logo Instagram kickstarter-support FILM FREEWAY LOGO

blog

Movie news, reviews, features and more thoughts coming soon...

By midlandsmovies, Sep 13 2019 10:21AM



Midlands Spotlight - All That You Love Will Be Carried Away


The premiere of “All That You Love Will Be Carried Away”, which is produced by Harms Way Studios, will be on Sunday 22nd September at the Odeon Worcester.


The film stars Jack Frank, Gabriella Leonardi, Christian Vaccaro, Leona Clarke, Christian Dapp, Carys Jones, Zoe Doughty and James Kay in the lead roles. Writer/Director Hendrik Harms adapted the popular Stephen King story in a unique way with pumping synth, neon hues and noir tones. And the film has a blistering score by Elliot Hardman and visuals from cinematographer Elliot Wallis.




Based on the short story by Stephen King. All That You Love Will Be Carried Away tells the story of Alfie Zimmer, a travelling salesman, who collects interesting graffiti. Every time he finds a new piece he writes it in his book. These scribblings are his “friends”. However, there are darker truths hidden in these words, and it will take all of Alfie’s strength to face what he’s been running from and keep his head above water as his life collapses around him.


Shot predominantly in Worcester at the Whitehouse Hotel and in Birmingham at the bar Subside, this is a film that is all about keeping it local.




Witer-director Hendrik Harms explains, “When making this film we were overwhelmed with the support from the community. We had catering provided by Ma Bakers, Boston Tea Party, Waitrose and Tesco, as well as some delicious home cooked meals. The Whitehouse Hotel could not have been more accommodating too. It really showed us how much Worcester has to offer for filmmakers and why it was so important to screen our premiere here in the city centre".


"This project is the culmination of so much generosity and passion from so many people that I can’t wait for them to see it on the big screen", adds Hendrik.



Director Hendrik Harms
Director Hendrik Harms

The film is part of Stephen King’s Dollar Baby scheme, which gives filmmakers the rights to adapt one of his short stories for just a single dollar. When it’s completed a DVD of the film will be sent to him, prior to its international tour of film festivals.


“We actually shot the film in 5 days, which is a massive undertaking for the script that we had, but thanks to every single person in the cast and crew being on top form, everything was incredibly smooth. It was an electric experience.”


For more information please check out the film's official pages below:


www.facebook.com/harmswaystudios

www.instagram.com/harmswaystudios

www.harmswaystudios.com



By midlandsmovies, Apr 2 2019 05:33PM



Midlands Review - The Music Box


2018


Directed by Hendrik Harms


The predominant feeling that I was left with after viewing of The Music Box was unfortunately one of sad disappointment. The undeniably well executed moments of the film only add to the frustration of what this film could’ve been, as there are too many falters to mar what had the potential to be a fantastic horror short.


Most features of The Music Box have lots of potential; the majority of scenes are effectively lit and composed, however there is a lack of attention to detail in the framing of scenes and the steadiness of the camera is often jarring. Making improvements to these somewhat basic problems would allow the audience to fully appreciate not only the cinematography of the film, but would allow the audience to become fully immersed in the narrative.


Although The Music Box has some shortcomings, the compelling performance given by lead Penny Ashmore is reason enough alone to watch the film. Ashmore carries the film through her role as Marcy, a musically gifted young woman who must struggle to survive a night of psychological torment at the hands of a mysterious music box.


Occasionally Ashmore’s performance is somewhat stifled by some poor dialogue, which is starkly contrasted by her performance in silent moments of the film – her incredibly hypnotic portrayal of emotion slowly builds with the tension of the film, eventually reaching a beautifully painful climax.


Despite the aforementioned sparse dialogue, this is by and large the worst feature of the film. The few dialogue-driven scenes are overflowing with uncomfortable character interactions and horror monologues, predominantly delivered by the slightly wooden Hendrik Harms (Jeremy).


Jeremy’s character simultaneously overloads the audience with heavy-handed exposition with little-to-no information; each scene in which he’s featured drags and unfortunately pulls the viewer out of narrative flow and deflates the tension that is so painstakingly built throughout.


This being said, the plot of the film is beautifully written – there is a painstaking amount of attention to detail given to subtle foreshadowing, which I find can only be fully appreciated after a second viewing.


This use of foreshadowing not only leaves interesting breadcrumbs for viewers to follow throughout, but also ties into the themes of time and perception, giving the plot a cohesion that is lost on most other aspects of the film. Unfortunately, the precision focused on the thematic and narrative elements of The Music Box may be the reason the dialogue is poor, as could have been deemed unimportant in comparison and therefore was neglected.


Perhaps some of The Music Box’s shortcomings are symptomatic of an over-arching issue: the over-involvement and, by extension, over-reaching of Hendrik Harms. Harms is credited as the writer, producer, director and co-star of the short; by tasking himself with such a large number of crucial production roles instead of finding others to fill them, Harms maybe was likely unable to apply the amount of focus that each of these roles require and therefore allowed the film to fall short.


However, I would recommend watching The Music Box because the highlights of the film are incredibly enjoyable and deserve attention, but also as a warning of the detrimental effects of involving yourself in too many aspects of the filmmaking process.


Beth Hawkes



RSS Feed twitter