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By midlandsmovies, Dec 11 2019 09:52PM

Midlands Movies Worst 10 Films of 2019





10) Alita: Battle Angel (2019) Dir. Robert Rodriguez

What we said: “There’s so much CGI that the human characters inserted in the film feel almost unneeded and a distraction in themselves. But it's Alita's facial construction, whose eyes and face are computer-generated beyond all recognition which actually turned me off from the screen regularly. Sadly, as the Alita android is found amongst a big pile of junk and hastily put together, the film mirrors this in its themes, tone and dull execution”.

Click here for full review



9) Godzilla: King of the Monsters

What we said: “Fans said they wanted more Godzilla in their Godzilla film, but unfortunately this was added at the expense of everything else. With an offensive colour palette making every shot look like cloudy vomit, it seems that at the end of the day if you make a film that looks terrible then people are going to assume it is one. It’s like walking into work wearing clown shoes. That CGI artist team talk in full – “whatever you do guys and gals, don’t put in more than 70% effort”. A monster mess”.




8) Killers Anonymous (2019) Dir. Martin Owen

What we said: “It could have worked as a more serious chamber piece but in the end it sticks to a bland unsatisfying middle-ground. How Oscar-winner Gary Oldman got involved in this is anyone's guess. In the end, what could have worked as a one-off ITV drama is not cinematic enough for the ideas it has. And sadly, this more than tiresome movie tries to be a big screen blockbuster but is much more of a lacklustre little screen disappointment”.

Click here for full review




7) The Curse of La Llorona (2019) Dir. Michael Chaves

What we said: “It’s another dull entry into The Conjuring universe and is based on Mexican folklore where a supernatural entity attempts to steal children from their families. Mixing silly superstitions with godawful jump scares, the film’s filled to the brim with obvious 'quiet-then-loud' sequences and is the kind of PG-13 horror that is over-done and has been seen dozens of times before. Set your expectation level to “underwhelmed” and then still prepare yourself for a bit of a knock”.

Click here for full review




6) Domino (2019) Dir. Brian De Palma

What we said: “At just 89 minutes this crime thriller feels twice as long and stars Game of Throners Nikolaj Coster-Waldau and Carice van Houten who are investigating the death of a Danish police officer. I don’t want to give away any spoilers about Domino but literally nothing happens. Combined with a troubled production and a star or two dropping out, this ramshackle made-for-TV level movie is lacklustre and dull. It seems the director’s strategy of not caring at all about his utterly useless movie hasn’t paid the handsome dividends he might have hoped for”.

Click here for full review




5) Triple Threat

What we said: “Wasting the talents of the excellent Iko Uwais (The Raid), Tony Jaa (Ong Bak) and Tiger Chen (Man of Tai Chi) for starters, the film is an incomprehensible and extremely boring set of action beats seen a billion times before. Choppy editing, absent characterisation and story and really naff fight sequences, this would be an embarrassment without the action legends present. With their involvement, the film is a far far worse crime".





4) Replicas (2019) Dir. Jeffrey Nachmanoff

What we said: “What is up with Keanu Reeves career making decisions? For every critical and commercial success he then opts to star in something so awful it beggars belief. A $30 million dollar failure, this film sees Reeves as William Foster, a scientist who breaks the law to clone his family members after they perish in a vehicle accident. Sadly the film contains every plot cliché you can imagine and, whether it’s the script (likely) or the direction, Alice Eve as his wife gives a simply atrocious performance. And despite its attempts to tackle deeper issues of loss, humanity and family, the film is mostly reminiscent of the bold boringness of Transcendence. Avoid”.

Click here for full review




3) Under the Silver Lake (2019) Dir. David Robert Mitchell

What we said: “The plot, if you can decipher it, involves Andrew Garfield investigating the sudden disappearance of his neighbour Riley Keough, but during his escapades uncovers a large and complicated conspiracy. Although it’s never really boring, it’s always awful. The only reason I watched right to the end of the credits was because I was hoping to get a fucking apology. I didn't”.

Click here for full review




2) Angel Has Fallen (2019) Dir. Ric Roman Waugh

What we said: “A frankly out-of-shape Gerard Butler returns in this third instalment in the Fallen film series following Olympus Has Fallen (the number 10 entry of our worst films of 2013) and London Has Fallen (the number ONE entry in our worst films of 2016) again playing secret service agent Mike Banning. What we have then is an unexciting, monotonous and dreary “action” film whose 2-hour runtime feels like 2 weeks. Fans may find something in this that I didn’t get out of it, but for general audiences, the franchise should fall into retirement as soon as possible”.

Click here for full review




1) Backtrace (2018) Dir. Brian A. Miller

What we said: “How does Stallone even get involved in films this bad? Sure, Nic Cage has made a ton of straight-to-VOD pish but at least they look like films. So, a January film already laying claim to the worst of 2019? Well, one positive is that maybe Stallone can better himself by improving on his third place position for Escape Plan 2 on our least favourite films of 2018 list and claim the top spot this year instead. Good luck. But, with 12 months to go, this film is so bad that Stallone is in with a VERY good chance of being the best of the worst”. Editor - And he was!

Click here for full review



Michael Sales



By midlandsmovies, May 31 2019 07:40AM



Godzilla: King of the Monsters (2019) Directed by Michael Dougherty


OH NO! THERE GOES TOKYO, GO GO GODZILLA!


When the 2014 Godzilla came out, audiences had two big criticisms: firstly, that Godzilla was chunkier than expected, and secondly that he wasn’t on-screen nearly long enough.


With this year’s Godzilla: King of Monsters, director Michael Doherty certainly can’t be accused of holding him back – there’s plenty of the big green guy on show as he smashes his way through buildings and throws down to show the roster of revived kaiju who’s boss. He’s also no less hench this time around, as his neck seems to have disappeared completely. I’m not body-shaming, he looks great!


Set five years after Godzilla duked it out with the MUTOs in San Francisco, the film follows estranged couple Emma (Vera Farmiga) and Mark (Kyle Chandler) along with their daughter Madison (Millie Bobby Brown). Emma is a scientist at Monarch, the global organisation introduced in the first film as the people charged with finding and researching Godzilla and the other Titans.


Mark left the organisation and retired after their son died at the hands (or feet) of Godzilla, but when a group of eco-terrorists (led by the always-great Charles Dance) kidnap Emma and Madison and threaten to unleash the Titans upon the world, he’s out of retirement to rescue them faster than you can say ‘that trope is so old it’s got false teeth in’.


Ken Watanabe and Sally Hawkins reprise their roles from the first film, but are relegated to side-kicks and exposition providers; one of the film’s most awkward moments has Chandler explaining Godzilla’s motives and how to handle him to Watanabe, who’s been established as having been researching and hunting for Godzilla for decades. Having the American man school the Japanese man on Godzilla of all things makes for uncomfortable viewing!


The actors all put in terrific performances, especially Farmiga and Brown, though I could have done with more Charles Dance because I love him very much. The film really hits it stride when all hell breaks loose and the Titans clash as the trailer promised that they would. The plot may have had some structural weaknesses, but it’s clear that this part of the film is what the filmmakers wanted to focus on; big monsters knocking the crap out of each other.


The effects are superb, as you would expect, with Godzilla and Rodan especially characterful. It’s easy to see these creatures as individuals with personalities rather than just dumb beasts with a penchant for stepping on people. I watched this in the IMAX and the film really makes use of that, especially in the battle scenes; make sure you see this on the biggest screen possible. The 3D feels tacked-on and unnecessary, though, as it was barely utilised at all; in fact it often set the actors apart from the action in a way that made me unconsciously aware of how the actors are acting against a green screen.


The film is far from perfect; certain characters deserved better treatment, the plot is hokey an predictable at times and there’s an alarming dynamic of White Heroes and Sidekicks of Colour (all the people of colour in the film are subordinate to the main heroes), but if you disengage your brain and go in expecting a fun spectacle where big monsters smash things up then you won’t leave disappointed. Plus it sets up next year’s Godzilla vs Kong quite neatly.


★★★½


Sam Kurd

Twitter @splend


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