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By midlandsmovies, Jul 16 2019 04:15PM

Review - Movie catch up blog 2019 - Part 3


Here's another set of our shorter reviews for films we've caught up with in 2019 featuring A Vigiilante, The Curse of La Llorona, Alita: Battle Angel....


Scroll down to see what we thought of each of them...




A Vigilante (2019) Dir. Sarah Dagger-Nickson

A Vigilante is the debut of writer and director Sarah Dagger-Nickson and sees an abused woman (Olivia Wilde as Sadie) assisting other women victims who have had a similar experiences. The film’s explosive opening sees smartly-dressed Wilde enter a home of a woman suffering an injury – hinted to be from her spouse – and when he returns, Sadie inflicts punishment that will sees him reluctantly leaving and handing over half his savings to his wife. Surprisingly, but very powerfully, the director actually minimises the on-screen violence itself (this is definitely not in the realm of action-flicks like Atomic Blonde) but this has the effect of heightening the victim’s plight. With an audience’s projection of what violent acts may have occurred, we therefore imagine the worst – both in the perpetrators acts and the subsequent retribution of justice inflicted back. Great cinematography from Alan McIntyre Smith helps focus the story on a stellar performance from Wilde, who plays both a hard-nosed enactor of violence and, in a flashback explaining her backstory, a sensitive and emotional victim-turned-avenger. As we discover that she too was once a victim, losing a child to her ex-husband (a disgustingly dark turn by the excellent Morgan Spector), the film propels to a unshakeable climatic conclusion that sees her finally track down and face the hideous partner from her past. A Vigilante therefore has a smart and timely premise and is a quality movie tackling the issues surrounding domestic abuse. Olivia Wilde gives a career-best performance too as the woman fighting this head on, and this exciting debut is a successful revenge film that delivers more insight into the topic than similar movies of this kind. ★★★★




The Curse of La Llorona (2019) Dir. Michael Chaves

Produced by James Wan, The Curse of La Llorona is another (dull) entry into The Conjuring universe and is based on Mexican folklore where a supernatural entity attempts to steal children from their families. In echoes of Case 39 (2009), our lead Linda Cardellini is social worker Anna Tate-Garcia who investigates an abusive family situation that spirals out of control. Mixing silly superstitions with godawful jump scares, the film’s woman in a white dress begins hunting down Anna’s own two children. Filled to the brim with obvious 'quiet-then-loud' jump scares, La Lorona is the kind of PG-13 horror that is over-done and has been seen dozens of times before. A car-based stalking sequence was the one standout innovation but this was not developed at all and we’re soon back to the bland back-story involving stock priest and detective characters. I’m also sick of the clichéd dropped-mouthed white-skinned monster bride trope as well, which again, is now far too familiar to shock. But what did general audiences think? Well, with a budget of just $9 million (and boy can you tell), the film took $121.6 million (!) at the box office so prepare yourself for the inevitable slew of sequels or side-quels or whatever future dross they’ll end up knocking out. For the rest of us with higher standards, set your expectation level to “underwhelmed” and then still prepare yourself for a bit of a knock. ★★


Alita: Battle Angel (2019) Dir. Robert Rodriguez

The uncanny valley is ‘when humanoid objects appear almost, but not exactly, like real human beings and elicit uncanny feelings of eeriness and revulsion in observers’. I know friends who can’t even watch Pixar films owing the “rubbery” features of the human-like characters. I’ve never really experienced it myself. Until now. Forever in development hell with James Cameron, he serves as producer here, in an adaption of the 90’s manga series where a female cyborg is recreated by Dr. Dyson (Christoph Waltz) with no memory of her mysterious past. She learns to skate and take part in future-sport Motorball and later engages in brawls and visually ugly and confusing CGI fights which create absolutely zero intrigue. With a stellar support cast including Jennifer Connelly, Mahershala Ali and Jackie Earle, the weird thing is, it’s not essentially the CGI that sticks out. There’s so much of it that the human characters inserted in the film feel almost unneeded and a distraction in themselves. But it's Alita's facial construction, whose eyes and face are computer-generated beyond all recognition which actually turned me off from the screen regularly. Somehow grossing over $405 million worldwide, with possible sequels now in the works, the film may have been better delivered as an animation as it’s already 90% there. And therefore sadly, as Alita is found amongst a big pile of junk and hastily put together, the film mirrors this in its themes, tone and dull execution. ★★


Michael Sales

By midlandsmovies, Jan 30 2019 08:22PM



Ghost the Musical at Curve Leicester


Based upon the 1990 American romantic fantasy thriller film Ghost, this new musical version of the massive box office success heads to Curve Leicester as it starts a UK-wide run.


Taking its cue from the movie’s plot, this stage adaptation again centres on a young woman, Molly, who ends up in peril after her partner, Sam, is killed in a supposed mugging gone wrong.


As Sam’s ghost gets stuck between worlds he contacts a psychic who reluctantly agrees to help him to discover the dark secrets surrounding his death and to protect Molly from the dangers she’s facing.


Molly is played by Rebekah Lowlings and Sam by Niall Sheehy, and whilst they are no Demi Moore and Patrick Swayze, their voices more than make up for a little lack of chemistry at times. Note perfect renditions of big stage tunes, group harmonies and sad solos were certainly delivered impeccably.


The film is stolen by Whoopi Goldberg’s Oscar-winning turn as Oda Mae Brown and the same happens here as Jacqui Dubois channels a similar performance but gives it her own twist as the oddball psychic. However, although Goldberg didn’t provide any singing Dubois’ fantastic Aretha Franklin style soul vocals added amazing flavour to the proceedings.


In fact, the show suffers slightly from showtune fatigue where the earnest but slightly bland moody melodies between the lonely protagonists, whilst pitch-perfect, were shown up by the edgier songs interspersed throughout.


In order to help Molly, Sam meets a ghost on a subway train and Lovonne Richards tribal drum rapping was a welcome addition as was Oda Mae’s gospel infused “Are You A Believer?” with excellent support from Jochebel Ohene MacCarthy and Sadie-Jean Shirley.


Also of note was the jazzy “You Gotta Let Go Now” from James Earl Adair and of course, we can’t not mention the legendary tune Unchained Melody. Aspects of the song are littered throughout – from the background score to an impromptu jaunty acoustic version – but the leads did themselves proud late on in the show when they delivered the full rendition.


And at that point the coughing began. A touch of flu in the crowd perhaps? Definitely not. The lumps in the throat were clearly growing and by the show’s poignant goodbye conclusion, there were certainly some sobs from the crowd.


A great rendition of a classic movie, the film’s main beats are recreated using good choreography and Mark Bailey’s superb stage design along with solid performances across the board. Although a few tracks fell flat, stick around to enjoy the quirkier songs and plenty of funny moments during a show which delivers plenty of spirit.


Michael Sales


By midlandsmovies, Jan 23 2019 02:22PM



90s classic GHOST resurrects at CURVE Leicester


A new touring theatre production comes to Leicester’s CURVE this month as the successful 90s movie Ghost gets a re-imagining for the stage.


Ghost is a 1990 American romantic fantasy thriller film directed by Jerry Zucker and stars Patrick Swayze and Demi Moore as a couple who suffer tragedy . Their lovers in limbo tale is complimented by an Oscar-winning performance from Whoopi Goldberg as a psychic.


The new stage show will feature the familiar story as the couple walk back to their apartment late one night and a tragic encounter sees Sam murdered and his beloved girlfriend Molly alone.


But with the help of a phoney psychic, Sam – trapped between this world and the next – tries to communicate with Molly in the hope of saving her from grave danger.


The movie Ghost has proven to be one of cinema’s biggest all-time hits. The film grossed over $505.7 million at the box office on a budget of just $22 million.


Goldberg received acclaim from critics for her performance as Oda Mae Brown and Ghost was nominated for five Academy Awards, including Best Picture, Best Score and Best Film Editing.


It won the awards for Best Supporting Actress for Goldberg and Best Original Screenplay for Bruce Joel Rubin whilst Swayze and Moore both received Golden Globe Award nominations for their performances.


The movie and the musical features The Righteous Brothers’ Unchained Melody – made famous by the well-known pottery scene – and will be featured alongside many more terrific songs co-written by Eurythmics’ Dave Stewart.


This production contains gunshots, smoke, loud bangs and strobe lighting so is suitable for over 12s and tickets range from £45–£10 with discounts available.


Performance times:


Tue 29 Jan 7:30pm

Wed 30 Jan 2:15pm

Wed 30 Jan 7:30pm

Thu 31 Jan 2:15pm

Thu 31 Jan 7:30pm

Fri 1 Feb 7:30pm

Sat 2 Feb 2:15pm

Sat 2 Feb 7:30pm


Book Tickets via the box office here:

https://www.curveonline.co.uk/whats-on/shows/ghost-the-musical/






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