By midlandsmovies, Jul 22 2019 09:58AM
Us (2019) Dir. Jordan Peele
After the amazing success of 2017 horror Get Out (our review here) director Jordan Peele returns with another fright flick that goes deep below the surface of American society. We open on Santa Cruz beach front where a young girl, Adelaide Thomas, enters a hall of mirror funhouse and discovers her doppelganger before returning to her family unable to speak.
Long since recovered we catch up with the adult Adelaide (Lupita Nyong'o) and her husband Gabe (Winston Duke) and their children Zora (Shahadi Wright Joseph) and Zora (Evan Alex). Despite her worries the family heads back to the beach where she encounters their rich friends and becomes scared after her son briefly disappears.
Returning home that night, a family of four in red overalls break in and the family realise these intruders are in fact doppelgängers called the Tethered. Director Peele throws in some solid character building at the beginning, filling his film with mysteries and concepts to be ‘untethered’ before the explosive home-invasion sequences kick in. Is it scary? Not really. For me, Get Out is the superior “horror” film, making me feel unease and dread whilst here the first-half jump scares and silly scissor slashing was more reminiscent of 80s video nasties that have never really done much for me.
However, Lupita Nyong'o is brilliant as a protective parent, the paranoid mother AND as a vulnerable victim dealing with her dual past and present. And duality is a strong theme throughout as is the notion of “class”. The literal ‘lower’ class below ground become a danger to the happy lives above and Peele uses dialogue, props, symbolism and thematic sequences to delve into the deeper and darker side of “America” today.
A great use of Luniz’s “5 on It” becomes slower and more orchestral (and therefore creepier) as the movie progresses and the cast excel in their physical portrayal of their ‘other’ selves. Mixing slasher and home-invasion tropes with a Twilight Zone episode, Us is another frightful look at the current politics and issues facing the United States/U.S./‘Us’.
And Peele’s masterful handling of a wide range of deeper meanings, along with a love for horror staples, sees Us continuing his spectacular cinema successes.