By midlandsmovies, Aug 26 2018 07:36AM
Revenge (2018) Dir. Coralie Fargeat
A rape-revenge action horror, Revenge is certainly not for the faint at heart. Director Coralie Fargeat has created a visceral show of bloody violence and dreamy imaginations as a young girl escapes into the wilderness to hide and stalk her tormentors.
Married man Richard (Kevin Janssens) flies out his secret lover Jen (Matilda Lutz) to a remote house in the desert for a saucy weekend together but are interrupted by the arrival of his hunting pals Stain (Vincent Colombe) and Dimitri (Guillaume Bouchède). After a night of partying, Stan rapes Jen in a vile act whilst Dimitri stands by. When Richard returns, the situation spirals out of hand and with a promise of paying her off and returning her home, he pushes her from a cliff where she is impaled on a tree.
Leaving her for dead, the film uses incredibly strong imagery throughout. As Jen pulls herself off the tree, her battered, bruised and bloodied body twists and contorts. Audiences will be fixated in the hope she survives but at the same time will struggle to watch as they turn away from the stark and graphic images on screen. And the film never lets up.
Jen’s thoughts turn to survival and with little dialogue Lutz does well with her role bringing depth to what is truly a b-movie concept. She is also both stalked and the stalker. Jen needs to simultaneously avoid the men yet needs the cars and guns they possess to escape from the harsh desert, which acts as its own villain in her survival plans. When her wounds begin to take hold a hallucinatory drug allows her to cauterize the wound but plays havoc with her version of reality.
After acquiring a gun and when Stan’s SUV runs out of petrol, Jen becomes sniper and in an exchange of shooting, the film’s most stomach-turning scene is “merely” a shard of glass through a bare foot. Removing it slowly, the sequence is simply shot and all the more revolting because of it. See similar French drama/realism in the fantastic Martyrs and Raw, both comparative nasty gallic pieces.
The film does play out much as you expect so doesn’t push many boundaries with its action-drama-violence. And although it’s been claimed it’s some sort of feminist revision, it’s no Love Witch for sure. I’d argue that whilst there are sprinkling of those themes throughout, they are a smokescreen for the usual revenge flick clichés and tropes.
But that’s no bad thing. The nasty violence should bring in the splatter fans, whilst the more discerning can enjoy a depth of character and ideas rarely seen in this brand of furious filmmaking. With intense scenes, Revenge is a non-mainstream cinematic coup that explores slightly deeper themes than your average personal payback piece to provide exploitation pleasures and explosive sequences.