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By midlandsmovies, Apr 10 2018 05:23PM



Midlands Movies Interview - Going Behind the Lens with Jordan Dean


Local filmmaker Jordan Dean came to Leicester’s De Montfort University from Hull at the age of 22 and grew up like so many did with Spielberg and Star Wars as his first foray into film. We speak to this exciting new local filmmaker about his influences, film music and the uncomfortableness of watching audition tapes.


Midlands Movies: Hi Jordan. Glad you could join today. You mention you got into film via Spielberg?

Jordan Dean: Yes I did, but as a kid I was always asking how they managed to create these fantastical worlds!


MM: And getting older how did you end up in your current position?

JD: Well my love for film as a youngster developed into working for Bizarre Culture where I was their film and media editor. I wrote articles and reviews before studying film at DMU in Leicester. It was a very academic weighted degree but at a very highly regarded film university.


MM: And what did you learn during those years?

JD: Well, I made some terrible and awful stuff in my first year [laughs]. But by my third year I had learnt a lot so chose to make a film rather than do a written dissertation. By doing that I tried to prove to myself I could handle a larger production. I actually had 27 cast and crew for a 7-minute short. This included costume designers, extras, fashion models and the like. It really helped me learn different skills, got me a first in my degree and then played at 5 festivals winning a cinematography award at one of them. That was when I thought - I can do this!


MM: I went to the same University funnily enough from 1998-2001 and we only had video in year 1! It moved very quickly to digital.

JD: Ha ha. I would love to shoot on film but producers say think about the money!


MM: So where are you now in your career?

JD: Well now I am undertaking an MA in Film Production with DMU and Pinewood Studios which is exciting. I get to work every week with Terry Bamber (first assistant director on films such as Gulliver’s Travels and World War Z), Chris Kenny and Iain Smith, producer of Mad Max: Fury Road. It’s a real high calibre of people to learn from.


MM: Sounds very rewarding. What projects have you made?

JD: I worked on Not Alone which was actually a film to test equipment but has recently won a short film award at the Direct Short Online Film Festival. In addition I’ve been working with Rhys Davies on his upcoming feature Acid Daemons (click here for info on that film).



MM: You also made Behind the Lens which was nominated for a Midlands Movies Award in 2018 for best score for Peter Flint (click here). What were your influences for that film?

JD: Both of us were influenced by Drive and Neon Demon composer Cliff Martinez. I also love John Carpenter and got great feedback from Terry (Bamber) that Not Alone was Carpenter-esque which was fantastic to hear.


MM: It’s great to have recognition from someone who has been in the industry for a long time. I have seen in the Midlands that those connections and recommendations can really help (and inspire) local independent filmmakers move forward in their work.

JD: Yes and also give you the feeling that you do know what you’re doing. I’m not the best at networking and its great to be at Pinewood to meet people but also at the Midlands Movies film awards where I met likeminded filmmakers from the region.


MM: With local filmmakers like Gareth Edwards, who jumped from editing Monsters in his home to Godzilla and then to Star Wars, is he an example of how low budget can spiral to the big time no matter how unlikely? Does that help motivate you?

JD: It’s really inspiring to see those journeys, of course. I also love sci-fi. E.T. is one of my all -time favourite films. I’d love to make a film in that genre but I feel I would need the resources to do justice to the ideas I would want to convey. My main focus right now is horror. I’m obsessed with scary films since seeing The Texas Chainsaw Massacre when I was younger.


MM: I definitely noticed a Neon Demon influence in Behind the Lens

JD: My biggest influence right now actually is Nicholas Winding Refn. I know he’s not for everyone but I love his films. Over the last few years I’ve also enjoyed a variety of horrors such as The Babadook and It Follows. I’m not a fan of the current jump-scare style movies though.




MM: I found the recent version of IT a surprise success for Hollywood horror but its musical stings were warnings which gave away the approaching scares. Do you like foreign horrors though?

JD: I think you feel more vulnerable watching a foreign horror giving the investment you have to make. I am a huge fan of Asian extreme horror and my next film is heavily influenced by Park Chan-Wook’s The Handmaiden.


MM: Are there any other genres you would like to dip your toe into?

JD: I don’t want to be a genre filmmaker as such. As a fan of Refn, if you showed Neon Demon to someone they may not consider it a horror. I would like to do similar and mix genres up but I was also exhausted by the end of The Witch as it built up tension without giving the audience a release. I wouldn’t mind trying a straight-up drama and tell a simpler story as well.


MM: Where do you get your ideas from?

JD: Behind the Lens is very much influenced by the photographer character from the Neon Demon and realised I had alos met those type of creepy, really intense characters.

MM: Voyeuristic?

JD: Very much so. I can get uncomfortable myself looking at audition tapes that I get sent given the nature of it.


MM: And where next for you?

JD: The next film is The Nail That Sticks Out whose title is taken from a Japanese proverb. It’s the first film I’m directing that I haven’t written. Rebecca Whelan has written a great script and I was instantly attracted to it as it has a tone and themes I can relate to myself.


MM: And what’s the story of the film without giving too much away?

JD: It’s about a Japanese artist living in England and her girlfriend is a failing English actress. It’s about culture clashes and how far different people are willing to go to produce their art. The two characters go in very different directions.


MM: And how far into production are you?

JD: We're making the crowdfunding promo this week and it’s the most ambitious project I’ve ever been involved in. We’re shooting at the end of July in the Midlands at Scene Studios in Nottingham and location shooting at DMU as well. It also has an all Midlands based crew and we're looking to raise an £8000 budget which feels ominous but we’re hoping for success once we launch.


MM: And what’s changed for you on all of these projects?

JD: It’s a scary thing to undertake these different films. Especially when you can’t always pay people when you are starting out and there are very difficult thing to manage on small productions. Now we’ve got a group of people involved – including a producer – there’s a move away from checking the sound and lighting etc yourself. There’s people you can trust in all the roles within the crew. And Peter Flint will be again working with me on the score so we’re discussing that right now.


MM: That must be a relief?

JD: To an extent. My first real production (Acid Daemons) I was working with others and I took the advice that if I had a full understanding of how film works – not just your own role – then you understand the departments and their processes. By having a little bit of knowledge about each department you can respect their craft.


MM: Thanks Jordan. Any final thoughts or help for other local filmmakers?

JD: Don’t be scared of feedback. I have a weird thing as I think I encourage criticism as it’s the only way you learn. Friends and parents will go “it’s great” but you can’t ride that for long otherwise you won’t get anywhere.


Follow Jordan Dean for updates on all his projects on his Twitter feed here: https://twitter.com/Jordandeanfilm






By midlandsmovies, Jan 23 2018 05:56PM



Midlands Spotlight - A Fistful of Fivers


Midlands Movies Mike finds out about a new low budget project from fellow Midlands film organisation the Outward Film Network.


With an aim to connect no/low budget filmmakers across the Midlands and London, the Outward Film Network promotes down to earth and regional filmmaking of both shorts and features.


The filmmaking organisation has been promoting zero budget films for a number of years now with a goal to lose some of the taboos around the practice. They often set challenges to writers,directors, cast and crew to shoot zero budget scripts and then subsequently screen the films to appreciative audiences.


Their latest endeavour is the exciting 'Fistful of Fivers' project where they are asking local filmmakers if they can make a film for five pounds?



With money so often being a barrier to making a film, the Outward Film Network (OFN) aim to remove that barrier and promote creativity in short films.


To that end, they’ve launched ‘A Fistful of Fivers’ and are asking that if you have a film that you want to make for £5 then send over your script to them.


If a script is one of the best five judged by OFN, they will send the filmmakers £5 to make it as well as provide support during the production and distribute it on their website and social media platforms.


They will even pay for one festival submission! To prove it can be done, here is their own £5 short…that was actually shot for just £1.50! (See YouTube clip below).


For more information on how you can enter, visit: http://outwardfilmnetwork.com/fistful-of-fivers/ and use the hashtag #FistfulofFivers over on Twitter.


Twitter: @OutwardFn

Facebook: www.facebook.com/OutwardFilm

Youtube Channel - click here









By midlandsmovies, Jan 14 2018 06:49PM



Midlands Movies Mike finds out more about the Bottle Smoke 2018 Film Festival due to take place later this year.


Celebrating filmmakers from all budgets the upcoming Bottle Smoke Film Festival will be featuring two days of movie industry talks as well as a short film award ceremony.


Located in Staffordshire, the first day will end with a feature film with a follow up Q&A and day two ends with the award ceremony which will feature prizes for best cinematography, best director and best overall film.


Taking place on the weekend of 8th and 9th September the headline film will be Kaleidoscope Man from director Simon Cox and submissions to the film competition costs just £10.


The judges for Bottle Smoke 2018 include Peter Rudge who has more than 25 years experience in the film industry and was co-founder of Grand Independent – a film production and distribution company based in Staffordshire.


Another is Ray Johnson MBE, professor of film heritage and documentary at Staffordshire University. He is a Director of the Staffordshire Film Archive, the Mitchell Arts Centre Trust and the Media Archive for Central England as well as an independent film-maker, actor, and writer.





The final judge is Simon Cox who has worked in the UK TV and film industry for over 20 years for the BBC, Channel Four and Five as well as directing a feature film of his own.


Also of note is the festival’s charitable partner, Grand Order of Water Rats, who will receive 15% of the event’s profits. The organisation has helped with donations and supplied equipment to Guy's Hospital, Roy Castle's Cause for Hope, International Spinal Research, Macmillan Cancer Fund and Moorfields Eye Hospital amongst others.


For those interested, the event will be hosted at the prestigious Stoke Film Theatre and tickets can be bought via Eventbrite by clicking here


For submission application forms and much more information please visit the official website at: http://kemper5.wixsite.com/cm-productions/bottle-smoke






By midlandsmovies, Dec 2 2017 09:46AM



Random Acts and Rural Media - Part 2


We take another look at a selection of young filmmakers from across the East and West Midlands who have been involved in the Random Acts/Rural Media programme in the region. Please check out the talented filmmakers and their films below.


To read more about other filmmakers from the programme please check out Part 1 of our showcase here.





The Legend of Rawry (Herefordshire)

A fantasy drawing animation based on the Michael Bailon’s own drawings, this short focuses on dragons and more. Introduced by Michael himself who has autism, the filmmaker is a young artist who is from the ASD community. AT just 17 years old Michael’s inspiration includes Pixar, Manga, Marvel and of course himself.





Dancer of the Future (Herefordshire)

Made by Anna Campbell her film focuses on pole-dancing which only recently has become a fitness phenomenon which celebrates the aspects of women which have historically been repressed: strength and sexuality. Anna says that “Pole represents a shift in how women view their bodies: from the aesthetic to the functional. The extent to which women will cripple themselves in order to exaggerate feminine beauty can be seen in footwear. Pole dancers now are barefoot, as utility becomes more important than image; pole is about what the body can do, not how it looks”. Anna Campbell is a creative writing student with a passion for filmmaking and pole-dancing.



Impact (Worcestershire)

"Post Traumatic Stress Disorder (PTSD) is most commonly associated with veterans of war, however, many diagnosed with PTSD are affected through other traumas. This short drama by Eleanor Smart explores the stigma surrounding PTSD. Elle is a graduate from University of Worcester and has a degree in Digital Film Production & Screen Writing.



Super Citrus Force (Leicestershire)

Filmmaker Laurence Maybury creates a crime-fighting duo who have to stop an evil villain from objectifying women... LITERALLY! The film is a combination of British surrealist comedy and Japanese special effects from the 24 year-old filmmaker who has a degree in media production and has been making short films since he was just 16.



Oblivion (Lincolnshire)

This animation from Sarah Worcester is a first person POV film that allows the viewer to feel like they are inside the trapped world of someone who is suffering with a mental illness. The young animator from Lincolnshire is influenced by Florence & the Machine and has found her Random Acts experience “artistically exciting and challenging”.












By midlandsmovies, Nov 27 2017 08:23PM



RANDOM ACTS & RURAL MEDIA (PART 1)


In a new 3-part series Midlands Movies will be showcasing a selection of films and filmmakers from the region who have been involved in the national Random Acts programme.


Random Acts is a collaboration between Arts Council England and Channel 4. The short films (from just 90 seconds to 3 minutes long) have been described as ‘bold expressions of creativity’ with each one being individually engaging, experimental and quirky.


For the last 3 years, local organisation Rural Media (click here) has been working with young artists and filmmakers right across the Midlands to create ‘First Acts’. And Midlands Movies will be focusing on a selection of these fantastic films created by local artists right here on the site.


This Movement is Silent (Birmingham)

This spoken word film is from Paul Stringer who has made a film covering the journey of an open mic performer from chair to stage through a crowded, passionate and engaged poetry audience. This is edited alongside a journey throughout Birmingham, past its great landmarks in a bid to show that the local poetry scene is not only the people performing the poetry, but the whole collective community as a whole. Watch his film below:





Re-Code (Birmingham)

Made by Sipho Dube, Re-Code is a dance film exploring themes of dyslexia and empowerment. Sipho is a spoken word artist and dancer and as someone who has both dyslexia and with a profound stutter, Sipho has overcome issues through the use of spoken word. Watch this thought-provoking film below:



One Rogue Santa (Kidderminster)

Another spoken word film, Steven Williams’ short is an account of a troubled home life that led to various stints in and out prison. Through stylised silhouetted sequences, Steve’s story explores the complexities of growing up without a support network and having to deal with the choices we make. Now aged 24, Steven has been homeless from the age of 18 and has been in out of prison 4 times. Yet now with two children he’s looking to become a better role model and is working towards becoming a social worker to help other young people avoid making the same mistakes. Watch Steven’s video here:



Meet Cute (Northamptonshire)

Chris Cosentino has created an animation/live-action crossover comedy where a conspiracy nut shares a "meet cute" with a nice girl but discovers he's actually a fictional character in a short film. View the short here:



Dirty Re-Birth (Derbyshire)

Joey Mottershead explores the part of the human condition where we are required to perpetually reinvent ourselves, to grow and evolve to new forms. “The reality is these moments happen in the darkest of places, where directions have no meaning and internal struggles amount to the psyche being ripped apart”. Joey is a live interdisciplinary performance artist based by in the East Midlands whose work explores gender politics, the human condition and the empowerment of the self. “I take inspiration from the beautiful aspects of the grotesque”, says Joey, “finding light in the shadows and portraying the particular strain of glory only found within sadness”. Watch the film here:









By midlandsmovies, Nov 27 2017 07:23PM



LEICESTER BASED FILMMAKERS ‘BANG AVERAGE FILMS’ ARE OUT OF THE GATE


‘Bang average’ is a term normally used in relation to something being pretty poor, but Leicester based filmmakers Lee Tomes and Daley Francis and decided to take the saying and give it a positive spin.


“I love the term ‘bang average’, especially in a Scouse accent,” says Francis, the screenwriter and producer of the group. “I can understand people might be scratching their heads when they hear that’s the name of our film group - especially when it’s a negative term - but there’s a reason for it".


The name Bang Average Films comes from the ethos of the filmmaking collective formed by Francis and Tomes - Low-to-no budget films that bring bang for their (lack of) buck.


“These days technology, information and guidance is easily accessible and you can reach millions of people in an instant,” said Lee, the man behind the camera and behind the editing desk. “There are no reasons - or excuses - for filmmakers to not be making films anymore. You can make a film on an iPhone. It might not be cinema ready, but if you’ve got talent it’ll shine through".


The term ‘bang average’ also applies to the ideal that not every film has to be on a level with Kubrick or Nolan. Filmmaking can (and should) be fun and achievable. If it’s not Hollywood standard, who really cares? At the end of the day it’s all about great ideas and great storytelling”.



Lee and Daley have made various short films together in the past, including the boxing mockumentary Rocky Road and the anti-bullying drama Common Ground.


Both films went to festivals and have been well-received, but then came a four year hiatus before Bang Average was formed, with Francis venturing into self-publishing and releasing four novels, and Tomes running Orange Fox Studios, a visual storytelling agency based in Leicester that specialises in making online ads and virals.


“We’ve both continued to tell stories, just in different forms,” Francis explains. “But we’ve always kept in touch and knocked ideas around. We work well together and that shows with our new film Careering".


After deciding that Bang Average Films will focus on 3-8 minute comedy and drama shorts, Francis scripted Careering, a tale about a crazed Careers Advisor who tries to convince college students to abandon their dreams. All in the name of (questionable) fun.


“Careering is a statement of intent, for sure,” said Tomes. “We want to be prolific, we want to have fun and keep the momentum going. But most of all, we want to move people: tears, anger and laughter are all welcome. I can’t wait to work on our next project!”


You can read our review of Careering as well as watch the trailer CLICK HERE


Bang Average official website https://bangaveragefilms.com/


Midlands Movies Mike




By midlandsmovies, Nov 6 2017 02:28PM



Forget Me Not – The inspiration behind a short-film on depression


Screenplay writer, Stacey Duah, gives an insight to Fahima Khatun on what inspired her short-film on depression and her fight on the stigma attached to depression.


Over a period of 12 months, ten film makers and 6 actors/actresses came together, starting May 2016- May 2017, to create a short-film ‘Forget Me Not’, which was shared on YouTube on 2nd October 2017 and had generated over 600 views in two weeks.


It tells the harrowing story of a teenage girl, Sephora, whose suffering from depression, while her best friend Cain – consumed by a life of his own, doesn’t spot the early signs of her depression. Fearful of the stigma attached to mental health, Sephora hides her condition. Isolated and withdrawn from those closest to her, she’s left with only a few options: keep on fighting, alone? Seek help or, find another way out?


The screenplay was written, co-produced and starred by Stacey Duah. Her passion from reading and writing her own stories from a young age grew when moving to study in Birmingham, mixed with the connections she made while at the BFI Academy in 2013 she started making independent films continuously working on and developing her craft.

The film was originally a story the 20-year-old had written at school, during her creative writing class, while googling different kinds of flowers. “I stumbled on the Forget Me Not flower and I was instantly intrigued by its significance and its meaning – it’s a flower of remembrance. I wrote a story about two star-crossed lovers almost like a modern-day Romeo and Juliet adaptation but in my story, only one of them dies – the girl.”


Five years later, after a conversation with her best friend and younger sister, she explored the idea of writing her own screenplay encapsulating depression and mental health, from her own personal experiences and from others she knows.


The screenplay writer who studies at University of Birmingham was facing her own mental health issues while studying. “My first year at university (in Birmingham) was one of the most challenging moments of my entire life. When you go to university you’re on your own – especially if it’s in a city completely different to where you were born and brought up in prior. I no longer had the distraction of family and friends (while at university) – I sort of came face to face with my “demons” and there weren’t really many people to talk to besides my best friend over the phone who studies in the opposite end of the country. Although, I faced many challenges during my first year of university, I also discovered myself.


Despite the film being set and filmed in London, it was a culmination of her Birmingham experiences that inspired and drove the film.


“Birmingham is one of the greenest cities I have been in, and whenever I felt like things were getting too much I’d take frequent walks in the parks nearby just to vent and clear my head. On one occasion, I was going through serious writers’ block for Forget Me Not and decided to take a walk in a nearby park (in Selly Oak). A few strides into the park I came across a patch of flowers – I’m not sure what they’re called but they were a bluish-purplish colour and they reminded me of Forget Me Nots and I was instantly filled with all these different ideas of where I could take the story. For that reason, I’d say that Birmingham – particularly my university experience, was definitely my muse.”

And the film had a main purpose to lessen the stigma attached to mental health. “The films’ purpose was to help tackle mental health amongst young people and try to decrease the stigma, as well as inform my peers about the issue as a whole."


With the help of her producer Tia Philips, production designer Conor Powell and director Riad Ahmed, she finished her script in three months, but it was The Noughts and Crosses trilogy by Malorie Blackman that was the backbone of the portrayal of two protagonists in the film – Sephora and Cain. “Sephora (Stacey Duah) – the main character in Forget Me Not represents the plight of the voiceless in society and for those people who feel as though their voices don’t matter or that they’re all alone.


Cain (Ishmel Bridgeman) and Jenk (Janel Ince) – I talk of the two collectively because they’re sort of a microcosm for society’s ignorance and disbelief when it comes to matters regarding mental health, a lot of the time. We live in a fast-pace world and everyone is so busy doing things that we often miss vital signs, especially when it comes to people in need such as our loved ones. I definitely wanted Cain and Jenk to sort of represent and reflect society’s absent-mindedness regarding mental health and the stigma surrounding it.


Samantha (Molly Wilsher) – one of the nicer girls on Sephora’s doorstep (a later scene in the film), represents hope because there are actually people in society who are advocates for tackling the stigmatization of mental health. Some people do actually care, and I think that Samantha reflects this balance really well.”




With it being a small-scale production Duah took on three different roles, having to face challenges with each role. “Writer – essentially if there’s no writer then there’s no script, and if there’s no script then there’s really no film. So, I felt a huge lot of responsibility on my shoulders, people were counting on me to sit down and write the script and deliver the story in an authentic way".


"As an actress, well, the acting part for me wasn’t too stressful, as I use to act before I got into filmmaking. The most challenging part for me was probably trying to separate my own life and experiences from that of Sephora – the character I was playing. Although Forget Me Not was partly inspired by my own experiences, my goal was to make sure that it wasn’t a replica of my life – because it’s not my life, it is Sephora’s life and her story and she’s a character in her own right".

 

"And finally I’m quite an organised person, so I feel as though producing is something I’m quite good at. I mostly produced in pre-production and post-production (alongside my producer of course) but then I had to stop producing completely, as the director wanted me to focus on getting into character. One of the hardest things was being on set and acting in a scene, seeing something – technical wise and feeling the urge to say something as a “co-producer”, but then remembering that I’m now the actor and that I need to trust my producer and the rest of my team to handle the situation".


Currently in her final year of university, the young screenplay writer has more ideas developing but is now co-writing an extended short film/screenplay called “I’m Fine” with Sanchez Roberts. Another film on mental health but from a different angle and will be much longer – with more “fleshed out” characters and room for character development and exploration.


To see more of her upcoming work follow her on Twitter https://twitter.com/dramastacee or on Instagram @staceyduah



Fahima Khatun

Twitter: @screen_shock


By midlandsmovies, Oct 6 2017 10:06AM



Lee Charlish is a filmmaker producing shorts under the Korky Films banner in Coventry and Midlands Movies uncovers more about his local take on all things animation.


From spending many a Saturday afternoon watching old VHS tapes of ‘video nasties’, Lee Charlish says that long forgotten B-Movies were his baptism into movies but got into animation because he became disillusioned with ‘live’ action filmmaking in the early noughties.


“I’d say I’m a bit of a frustrated director who just saw animation as more accessible way to produce the ‘vision’ I had for some projects”, explains Lee. “Animation appealed to me because I didn’t need to rely on anybody else. I was forever being let down on projects, which obviously happens when you’re creating films with no to low-budget and any wild and wonderful locations I required suddenly became possible by simply drawing it”.


Having such a wild imagination, Lee came to the conclusion his ideas couldn’t be fully realised with the limitations of budget and available resources and locations, so animation was the route he took to get his ideas onto the screen. However, despite his initial plans Lee says he was a bit naïve in his original thoughts. “It isn’t easier at all! It provides a whole different set of frustrations and headaches, but it’s strangely enjoyable and I’m still obsessed with filmmaking. If I’m not doing it, I’m thinking about it and I love watching films, of all genres, from all over the world. I think I live by the Charles Bukowski quote, ‘Find something you love and let it kill you’”.


After switching from ‘live’ filmmaking in 2004, Lee returned to it in 2014 by producing the satirical animation Snow which won the inaugural Macoproject Online Film festival accolade of Best Animation.




Lee goes on to say, “I’ve had no formal animation training and, to be honest, it probably shows; I’m not a purist by any stretch and the rudimentary animation is hopefully saved by strong stories and style. I take a lot of time manipulating photographic elements in Photoshop, compositing in After Effects and working in various animation software packages”.


“I think it’s a steep learning curve and is quite literally visible with my latest offerings, such as Trigger Happy Birthday which has just been completed and is currently being touted to festivals and Mother which is in the final stages of production”.



Lee’s film Pig Dream did very well and was picked up by festivals as well as being awarded the British Special Mention Award at the Encounters Short Film and Animation Festival in Bristol in 2016. And Lee feels it was a good springboard and is still very proud of his work.


However, ninetofive is Lee’s latest and is a 17-minute animation so fraught with problems that he nearly gave up on several times. “Thankfully, the hard work has paid off and I learnt so much during the production. My advice to any animator and/or filmmaker is to persevere and to ensure you improve and learn from mistakes and criticism. Most negatives can usually be turned into a positive if your approach and attitude is right. The film is now enjoying worldwide screenings and it had a great local premiere and Q and A in Leicester as part of The Short Cinema film festival".




"I doubt I’ll make another animation that long though. It’s also harder to programme at festivals because of the length too, so again, it’s reassuring to see it shown at so many when the curators could easily have shown two or three other films instead”.


Whilst training as an actor at drama college, Lee says a firm piece of advice he follows was ‘If it can happen, it will,’ which he says was dispensed more as a cautionary observation to live by, rather than some positive, motivational mantra. “I use it to ensure that all possible things which can go wrong are sorted or signposted before production starts, so the workflow is as seamless as possible”


“The plus side is that the ‘magic happens’ during any production, kind of organically and I think the advice is keep all the technical things tethered and tight, so the creativity can wield its wonderful tentacles and go anywhere it pleases”.


Lee says he’s influenced by music and as a child he enjoyed traditional cartoons like Scooby Doo, He-Man and Warner Bros stuff. Whilst being less interested in 3D he cites Spielberg, Lynch, Polanski, Wes Anderson and horror favourites like John Carpenter, Wes Craven and Tobe Hooper as his film influences.


And with such a busy slate, past and present, Lee explains there’s much more to come from Korky Films. Lee plans to produce a ‘Making of’ for Mother so people can see the processes he goes through go and he hopes for the same with Return from the Moon - another high-concept piece.


“I am never short of ideas and often, while I’m working on a project I’ll get another idea and I’ll be making feverish notes and honing scripts or outlines. It’s not uncommon for me to work on more than one film at a time. I have just finished Trigger Happy Birthday, which was inspired from a Facebook meme I saw and I’m finishing Mother, which has a story which was devised and conceived in little more than an hour one Friday evening”


Check out further information from Lee Charlish and Korky Films on the official site below:


http://www.korkyfilms.com/







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