By midlandsmovies, May 23 2018 06:58PM
Downsizing (2018) Dir. Alexander Payne
This high-concept sci-fi drama seems to live in the same strange world as Ricky Gervais’ The Invention of Lying. By that, it’s set in a normal world yet with one very odd conceit – in this film it’s the ability to shrink people.
Yes, that's right, just like Honey I Shrunk the Kids! Unfortunately, like Gervais’ “clever” attempt, Downsizing’s tone is all over the place and the director appears to be delivering a sermon on poverty issues when the set-up is pure Ben Stiller territory.
The film was a box office bomb and it’s easy to see why. Story-wise, the earth’s resources are becoming increasingly limited and a scientist discovers a way of shrinking humans in order to make the most of what is left. People who go ahead with the procedure end up increasing the value of their money, so one particular couple, Matt Damon and Kristen Wiig, decide to take the plunge. However, she drops out at the last minute and we see Damon reflecting on his ‘big’ decision on his own.
Here we get the first mismatch as the film jumps from sequence to sequence in scenes that are a total tonal mismatch. These range from set-ups that play out like Willy Wonka’s Mike TV to a story that unfolds amongst poverty and health issues. Matt Damon (as always) is the likeable everyman whilst Jason Sudeikis (as always) is the self-centred “friend” and before long we find that the gap between rich and poor still exist as Damon visits impoverished slums.
Hong Chau plays a Vietnamese political prisoner who is shrunk against her will and does well with the awkward tone. Yet she is so wasted in the film in many respects. Damon’s unhappy American is far less interesting than Chau’s activist whose background sounds so much more intriguing.
As the film begins to explore themes of environmentalism through gorgeous shots of Norway, the film’s lightweight tone gives way to headier concepts and is all the worse because of it.
An incredibly strange film, almost nothing in Downsizing works together but individual scenes highlight the story that could/should have been told. Neither funny or satirical enough, it takes itself far too seriously and ends up being an honourable curio at best.
Midlands Movies Mike