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By midlandsmovies, Nov 12 2018 07:12PM

MIdlands Feature - Cinematic Crusade - The Best Robin Hood movies


With Robin Hood, not since Sherlock Holmes has an iconic British legend been turned into so many movie adaptations over the years.


A report from the NME earlier this year says there are 7 Robin Hood films in the works. However, having just reviewed Robin Hood: The Rebellion I think they’ve missed at least one. Well, 7 or 8 is still a huge number for the same brand recognition but one thing is for sure – it’s a legend ripe for the reimagining!


With so many iterations over the years – from 1908’s "Robin Hood and his Merry Men" which marks the first appearance of the outlaw on screen to porn parody “Virgins of Sherwood Forest” – there hasn’t been a genre that the Robin mythos hasn’t been adapted into. But which of the many versions are the best? Well, with ours and Robin’s Midlands origins we attempt to look at 10 of the best Robin Hood films from cinematic folklore. Please read on...





10. Robin Hood (1991) Directed by John Irvin

The first of two 1991 Robin Hood films on our list – take a wild guess at the other – sees Patrick Bergin embody the outlaw whilst an up-and-coming actress by the name of Uma Thurman stars as Maid Marian. Directed by John “Raw Deal” Irvin and produced by John “Die Hard” McTiernan, sadly don’t expect too much in the way of solid action but owing to Kevin Costner’s huge film later in the year, this film has been regularly overlooked and certainly underappreciated. Fighting nobility, the plot uses the same set up as the 1938 film where a war between Normans and Saxons gets things moving but the movie sadly, and unwisely, jettisons the Sheriff of Nottingham (why?) for some new villains. Filmed on location at Peckforton Castle in Cheshire – a non-Nottingham theme we’ll be seeing more of later – the 19-year age gap between Begin and Thurman is a bit icky but it’s well worth checking out as a bit of a curio in the history of Hood on film.


Hood Fact: The use of "Your Majesty" wasn’t used until almost 200 years later, the word “thugs” derives from the Thuggee which Brits wouldn’t encounter for another five centuries, the bloodhound was not a favoured dog breed until the 1500s and when Friar Tuck says he can afford swan's breast in Madeira, the country wasn't actually discovered until 1419 so he would have had difficulty! To be fair, many of the other films on this list commit worse crimes than these nit-picks.



9. Sword of Sherwood Forest (1960) Directed by Terence Fisher

Tagline: “The NEW and Greatest Adventures of Robin Hood... The World's Most Renowned Swordsman!" Sword? Surely bow and arrow? Anyways, a little-seen version, Sword of Sherwood Forest is a Hammer Film Production (them of ‘horror’ fame) and stars Richard Greene – who reprises the role he played in The Adventures of Robin Hood TV series from 1955 to 1959. Hammer stalwart Peter Cushing takes on the part of the Sheriff of Nottingham who has nefarious plans to confiscate a rich estate and, as always, is thwarted by Hood acting on the side of good. Several clumsy sword fights can be forgiven owing to a genuine love for the material and acting heavyweight Oliver Reed appears, but is re-dubbed, as Lord Melton. Unlike a few hammy Hammer sets, the film looks glorious filmed as it was on location in County Wicklow, Ireland – but again not in Nottingham sadly.


Hood Fact: From 1954 to 1967 Hammer Film Productions released three different movies starring the famous outlaw – as well as this there was The Men of Sherwood Forest (1954) and A Challenge for Robin Hood (1967).



8. Robin Hood (2010) Directed by Ridley Scott

Well, it’s not perfect. And then some. Seminal director Ridley Scott – a man known for his visual prowess and epic scale – takes the legend and sadly removes any fun despite a film filled with great actors and impressive locations. Here, Australian Russell Crowe is cast as Robin and is not the first, and no doubt won’t be the last, person to struggle with an English accent. His infamous BBC radio interview had him hopping mad – then walking out – when its authenticity was questioned (click here). Alongside Crowe is one of the best casts in the business, which includes Cate Blanchett, William Hurt, Mark Strong, Mark Addy, Oscar Isaac, Danny Huston, Eileen Atkins, and Max von Sydow. Yet it was the stodgy story and dour delivery that had people turning their noses up. Where’s Robin’s sense of mischief? Where is the adventure? Where is the film’s joy? For all its flaws though, you can still appreciate the fantastic Scott set pieces. Although, when seeing this film for the first time at the cinema I can still remember laughing out loud at the slow-motion sequence of Crowe popping out the sea (sea? In the legendary land-locked Nottingham?) in a shot of such ludicrous “epic-ness” there’s a perverse enjoyment of a film that takes a jaunty tale so seriously. You have been warned.


Hood Fact: The film's budget ballooned from $155 million to $200 million. Scott robbing from the rich film companies to deliver a poor film.



7. Robin and the 7 Hoods (1964) Directed by Gordon Douglas

A 60s musical set in Chicago during the Prohibition where two rival gangs compete for control of the city's rackets seems an unlikely interpretation but with so many films of Robin Hood appearing over the years, it’s these new takes that can standout amongst such a busy marketplace. Written by David R. Schwartz and produced by (and starring) Frank Sinatra, the film sees new mob boss Guy Gisborne (Peter Falk) ordering other gangsters in town to pay him protection whilst “Robbo” (Sinatra) gets together a band of merry men including pool hustler Little John (Dean Martin) and Will (Sammy Davis Jr.). Before long, the gangster ends up robbing from the rich and giving to a poor city orphanage. In a twist however, Barbara Rush as Marian Stevens (Maid Marian) is as duplicitous as they come, playing off both sides and looking out only for herself and stealing tainted money. Mostly a spoof, the film features the rat-pack stars belting out a variety of slick speakeasy hits including "My Kind of Town" which is the centrepiece number and was nominated for the 1964 Academy Award for Best Original Song. A quirky oddity, there’s enough swinging style to give Robin an updated unravelling by jumping into the seedy gangster genre.


Hood Fact: For a legend often containing imprisonments, ransoms and money exchanges, a scene depicting a kidnapping was filmed for Robin and the 7 Hoods but was quickly cut when star Frank Sinatra's son was kidnapped in real life. The 19-year old was released soon after after Sinatra paid the $240,000 demanded.



6. Robin and Marian (1976) Directed by Richard Lester

Before tackling his own American icon in Superman II, director Richard Lester went back to the past heroes of the UK with this period romantic adventure starring Sean Connery and Audrey Hepburn. Strangely including comedian Ronnie Barker as Friar Tuck, the film was mostly shot in sunny old Eng—actually in Zamora, Artajona and Orgi in Spain – standing in for France rather than the Midlands at times too. With this suspect geographical anomaly (a Robin Hood film tradition you will see as we continue to go through the list), the movie had big names, a score composed by John “007” Barry and came off the back of Lester’s take on another classic swashbuckler The Three Musketeers (1973). It moves away from the traditional narrative where we get an aging Robin Hood fighting abroad before his return to Nottingham but [SHOCK HORROR SPOILER WARNING] he actually dies at the end. An interesting look at age, legends, love and wisdom, Robin and Marian may be one of the most complex, and interesting, versions of the nostalgic tale to date.


Hood Fact: Connery seems inexplicably linked to the Hood fable from his appearance here to his cameo as King Richard the Lionheart in Prince of Thieves (1991). He also appeared in Time Bandits (1981) which featured John Cleese’s comical Robin Hood. And it doesn’t stop there as his own son Jason Connery would later play Robin Hood in Robin of Sherwood (1984)!



5. Robin Hood: Men in Tights (1993) Directed by Mel Brooks

Parodying the Robin Hood myth – but more specifically the 1938 and 1991 film versions – Mel Brooks undoes some of the legend’s classicism and replaces it with the pratfalls, visual jokes and verbal gags seen in Brook’s previous comedies. Cary Ewes plays a solid Robin holding together the chaotic narrative stemming from the eclectic support cast and bit-players which includes Dave Chappelle (in his first film role and clearly inspired by Morgan Freeman’s Moor), Isaac Hayes, Tracey Ullman, Patrick Stewart and even Dom DeLuise. A point-of-view shot following an arrow’s impossible journey around a forest (in the trailer only no less) is another direct reference to Prince of Thieves and whilst it pokes fun, it respects the story’s heart and never feels like a direct dig at the tale. Favourite line? “Unlike other Robin Hoods, I can speak with an English accent”. With this and some actors interacting with the crew on screen, Men in Tights takes a swipe at a number of past performances whilst warmly acknowledging the history of Hood on film into the bargain.


Hood Fact: As mentioned several times already, the geography of Great Britain is again suspect here – maybe intentionally so given the film’s parodic nature – but at the end of the movie when the camera is zooming out the castle is shown to be around Milton Keynes. Tut Tut.



4. Robin Hood (1973) Directed by Wolfgang Reitherman

Can humanoid cartoon animals portray historical characters better than Russell Crowe? You bet your ass they can! Disney’s box office success found fans owing to its excellent voice cast, fun animation and catchy tunes and although it may have aged a little worse than its initial box office suggested, the movie’s biggest draw is its entertaining and light-hearted take on the hero. Languishing in development hell since the mouse house’s Snow White (1937) the tale is inspired by Reynard the Fox – a medieval fable featuring a trickster red fox character. This version’s Little John shares eerie similarities with Baloo from The Jungle Book (1967) who was also a bear that had been voiced by Phil Harris and classic sequences are incorporated from the traditional Robin Hood narrative. One such take is the cordial tree-crossing in which Robin Hood and Little John wander over a fallen tree which bridges a river – this twists their usual legendary fight at the same location.


Hood Fact: The famous gap on Terry-Thomas' teeth was incorporated into the design of the character he voices, Sir Hiss (a snake) – and it makes a handy opening for his forked tongue to dart out from.



3. Robin Hood (1922) Directed by Allan Dwan

As the first film ever to have a Hollywood premiere, held at the now legendary Grauman’s Egyptian Theatre, Robin Hood was also one of the most expensive films of the 20s with a one-million-dollar budget. Douglas Fairbanks stars in this black and white silent movie as Earl of Huntingdon/Robin Hood and with sword fights, castles, horse chases and a feather in his hat, this much-lauded classic help set up many of the tropes we know from the films today. A massive film for its time, its use of over 1200 extras can be seen in spectacular battle scenes in huge Hollywood scale with some of its impressive sets being designed by architect Lloyd “Hollywood Bowl” Wright.


Hood Fact: Alan Hale, Sr. made such an impression as Little John in this film that he reprised the role sixteen years later in The Adventures of Robin Hood (1938) opposite Errol Flynn. Then he played the character again in Rogues of Sherwood Forest in 1950, 28 years after his initial performance in this original.



2. The Adventures of Robin Hood (1938) Directed by Michael Curtiz

Considered by many to be the definitive Robin Hood interpretation, the film is most known for Errol Flynn’s magnetic performance of Robin but director Curtiz (of Casablanca and Mildred Pierce fame no less) should be equally lauded for helming this legendary production. As well as Flynn, superstar Olivia de Havilland stars as Lady Marian Fitzwalter (Maid Marian) whilst Basil Rathbone takes the role of Guy of Gisbourne. Melville Cooper’s take on the High Sheriff of Nottingham is underrated and once again a film company (this time Warner Bros.) made their most expensive film ever with its budget being a richly $2 million. With its adventure spirit, a host of dramatic yet charismatic performances and fantastic fights, this film is rightly held as the pinnacle of chivalric swashbuckling on film and won Academy Awards for Art Direction, Editing and Original Score from celebrated composer Erich Wolfgang Korngold.


Hood Fact: James Cagney (of Curtiz’s earlier film Angels with Dirty Faces) was originally cast as Robin but walked out on his Warner Bros. contract and the filming was postponed three years, as a result – but paved the way for the role to go to Flynn.



1. Prince of Thieves (1991) Directed by Kevin Reynolds

As I have mentioned before on this site 1991 was a brilliant year for film which saw Terminator 2, Silence of the Lambs and JFK having huge critical and commercial success but it was Bryan Adams’ soundtrack song to Robin Hood: Prince of Thieves that takes me back to that infamous year. Spending what felt like 16 years atop the charts at number one (it was in fact a record-breaking 16 long WEEKS) the song’s cheesy love lyrics also earnt it an Academy Award but was the perfect accompaniment to a film that was (and still is to me) one of the guiltiest pleasures of the nineties. Costner’s intense and dodgy-accented New Orleans attorney in JFK from the same year was left behind for the dodgy-accented outlaw in a film which balanced both folk tale fun alongside serious issues of history, honour and guilt. Stealing the show of course is Alan Rickman’s BAFTA winning turn as the Sheriff which cemented his career playing legendary villains. It was also Rickman who brought in friend Ruby Wax to improve the Sheriff’s scripted dialogue. Also in on the act is a superb support cast including Morgan Freeman, Christian Slater and Mary Elizabeth Mastrantonio who all give a bit of a depth to the characters we’ve seen dozens of times before. The brilliant rousing music score was composed by Michael Kamen and was subsequently used on Walt Disney trailers and gives me chills each and every time I hear it. The movie contains a split arrow sequence that nods to Flynn’s 1938 archery contest scene, a Sean Connery cameo as King John (who else, huh?) and lots of laughs and action that entertains to this day. Having kept the VHS of this film – I think it was the first one I ever bought – I’ve always had a soft spot for it and although it’s so cheesy it should be served with crackers, the film’s tone is the perfect adventure mix of silly and serious.


Hood Fact: Everyone always dismisses the film’s geography – land in Dover, get to Hadrian’s Wall then enter Nottingham by nightfall on foot but…..if the cliff is just a cliff and the wall just a wall then you can land in Grimsby at 5am in Summer and get to Loxley near Sheffield in 62 miles which is just kinda possible. And that’s what I’m sticking to.


Michael Sales

By midlandsmovies, Aug 2 2016 05:30PM

Finding Dory (2016) Dir. Andrew Stanton


Everybody's favourite forgetful blue tang fish embarks on a journey to find her long lost parents with more than the occasional bump in the road.


One year on after helping Marlin (Albert Brooks) and Nemo (Hayden Rolence) out of their spot of difficulty, Dory (Ellen DeGeneres) requires the favour returning. Although she forgets most things, one thing she can remember is that she was separated from her parents as a child. With the help of her adoptive family, Dory embarks upon an epic journey to be reunited with her mother and father, which leads them to the Marine Life Institute.


Dory's quest to get inside the institute results in her separation from Marlin and Nemo, but leads her to old and new friends along the way, and ultimately achieves the results that everyone was initially hoping for.


Thirteen years after Finding Nemo, we are presented with Finding Dory, and just as we all feared, it wasn't really worth the wait. Don't get me wrong - it wasn't awful - you could quite contently Sint in the cinema and watch it once through, but it certainly didn't match its predecessor. Not by a long way...


Ellen DeGeneres did a wonderful job of making Dory such a loveable character with her voice acting, however, which is possibly why it wasn't too tasking to sit through one showing of the film. In fact, DeGeneres' characterisation here made it feel as though it was only yesterday that Finding Nemo was being enjoyed for the first time. There is a forever familiar ring to the voice that made the thirteen years between the two films vanish. It was this performance that was single-handedly the biggest highlight of the film.


One part I well and truly fangirled over for all the wrong reasons was the introduction of the two sea lions, Fluke and Rudder, played by Idris Elba and Dominic West respectively. Part of me rejoiced massively at the small reunion of the cast members of The Wire - it was good to see McNulty and Stringer Bell back in action one last time (freak out over).


My fears, along with those of many other I suspect, were met with the plot. It was frighteningly similar to that of Finding Nemo - even small details which I won't mention for those of you yet to see it were very noticeably being used for the second time. I'm all for sticking to what you know, but this took the biscuit slightly for me. Whilst it wasn't too bad, and perhaps marginally comical during the first time viewing, I would say that this lack of originality could get rather tiresome when it comes to seeing Finding Dory for the second or third time. It definitely won't go on to become the timeless piece that its predecessor has.


As over-familiar as the story felt, however, it has to be said that some very heartwarming messages about family were delivered throughout the course of the film. In particular the moment where Dory is reunited with her parents was one moment I personally found very touching, and think it is one that everyone can relate to on some level.


Overall, Finding Dory is yet another Pixar sequel that is very much hit or miss. It lacks all the originality of the first film, and feels as though it really wasn't worth reviving the story more than a decade later for. It just about stays a float, but will surely start to sink with multiple viewings.


6.5/10


Kira Comerford

By midlandsmovies, Sep 29 2015 04:25PM

Tomorrowland (2015) Dir. Brad Bird


Tomorrowland aims to be a family-friendly adventure film from Disney who have created a(nother) movie world based upon an attraction found at one their theme parks.


It stars George Clooney as Frank Walker, who as a boy is whisked off to a magical land where a utopia of inventions and technology come together for the benefit of mankind. Beginning with a voiceover setting the scene, the movie then jumps to the modern day as we get narration from Casey Newton (Britt Robertson) who is some kind of techy-anarchist. I think.


I didn’t really follow how this young girl could do what she did (breaking into NASA no less) given her circumstances but she ends up in trouble with the authorities and then is the recipient of a magic button/pin badge – eh? By holding this totem she gets visions of Tomorrowland and seeks to find out more about this strange dimension.


Spiralling off into a confusing mess the narrative subsequently jumps to sentient robots tracking Casey down, an animatronic droid helper, a save-the-world story and a heavy handed sermon on utopias – all of which never sit easy with each other.


I was going to say it was too childish for adults and too boring for kids but in many ways it’s the other way around. I can’t imagine kids getting much fun from the seen-it-all-before/dull-as-dishwater action scenes (heavily laced as these things are in CGI) whilst the heavy handed eco-messages were turgid and full of exposition for wise adults.


CGI cityscapes – which haven’t been exciting since The Phantom Menace – are soon replaced with messy scenes involving teleportation machines, bath tub explosions, explanations of Nikola Tesla’s Plus Ultra Group (??) and tachyon machines. All topics clearly designed for children.


It certainly doesn’t dumb down these ideas but with so many of them the audience is constantly playing catch up. The film even needs to fit in exposition dialogue during the action scenes to get all the information across in order to explain itself. Simply it’s too much of everything and eventually falls under the weight of its own ambitions. A bit like Tomorrowland.


Its positive message is to be admired but did this film need to cost close to £200 million? Under-performing at the box office, anyone could have told you that the idea was a huge risk. The loss of the mid-budget film means that Disney now throws around £200 million like peanuts on any “franchise-builder” it can – as it did with the Lone Ranger & John Carter. A cool idea like this should be half that budget and star a younger actor (Clooney is good but are children going to be drawn to him – they want a Star Lord or Katniss) in order to test its new ideas within something smaller in scale.


Theme park rides/board games are now legitimate sources for film fodder but Pirates of the Caribbean (probably where this all started) had a simple story of treasure hunting, an iconic (supporting) performance by Jonny Depp and an action genre that hadn’t been attempted in 2 decades. This film doesn’t pander to the clichés but in doing so, doesn’t really pander to anyone.


I can only recommend this as a Sunday afternoon DVD watch with the family who may want to enjoy the visuals and the general inoffensiveness of it all. For the rest of us, the impenetrable plot and messy final product will whisk you away to boredom land.


A small world indeed.


5/10


Midlands Movies Mike

By midlandsmovies, Feb 15 2015 01:37PM

Big Hero 6 (2015) Dir. Don Hall & Chris Williams

Inspired by a Marvel superhero team, Disney’s partnership (owners) with the comic giants has led to a more formal creative crossover in this new computer-animated feature. Mixing comedy and action, the story follows the young Hiro Hamanda who is a boy genius that builds his own “minibots” to get into a science school his brother currently attends.


After a deadly accident that destroys his invention, he gives up his dream but is comforted by an inflatable medical robot his brother made called Baymax. As he secludes himself from his friends, Baymax attempts to support him out of his depression but together they form a bond after tracking one of his minibots to a factory run by a masked villain who is using the previously-thought-destroyed invention for nefarious means.


The film’s city location of San Fransokyo is a sumptuous mix of Western and Asian influences and the animation and voice work are solid if a little run-of-the-mill. As Hiro creates armour and suits for his 4 school chums, the group of 6 begin to fight, fly and battle with the unknown villain to find his true intentions. The film was enjoyable on the surface but one issue was that the second half action sequences were, for me, typical of the genre (and Marvel) and strangely less exciting than the character development and build up of the first half (more Disney-like).


Baymax is a brilliantly conceived inflatable robot mixing Short Circuit’s Johnny Five inquisitiveness with a Michelin Man/StayPuft crossover and his mentor/student relationship with Hiro (sometimes its him learning, sometimes teaching) that is the real key to the film. As the battles increase in action and the camera whizzed around, my interest waned and the narrative beats of the first half got lost in the endless explosions and bombastic flourishes. As the animation got closer to realism, I also began to wonder why a film like this couldn’t have been a live-action affair but that was probably just me.


That said however, the film is a quality product (not quite hitting the Wreck It Ralph successes for me) and combines Disney and Marvel tropes well for equal effect. The end result is a colourful mish-mash of standard genre moments combined with a great loveable character in Baymax but one that may satisfy kids at the cinema but not the adults who take them.


7/10

Midlands Movies Mike


By midlandsmovies, Jun 27 2014 04:00AM

Maleficent (2014) Dir. Robert Stromberg

This updated fantasy from the point of view of the evil witch Maleficent shows Angelina Jolie taking on the role of the iconic antagonist in this live action version of Disney’s “Sleeping Beauty”. Alongside Jack the Giant Slayer, Snow White and the Huntsmen and Hansel and Gretel, the film joins a long list of revisionist fairy tales but whilst I enjoyed the silliness of such fare like Sam Raimi’s “Oz” prequel, this movie takes on a much darker presence. Far and away not suitable for very young children (a scene involving Maleficent’s loss of her wings is as shocking as anything you can squeeze into a Disney film) but not moving far enough into the Twilight-teens genre, the movie confuses as it occupies a sort of no man’s land between the two. Jolie is clearly relishing every angular pose and Sharlto Copley is great as a despot King but all the other characters (and plenty of CGI nobodies) fade into the elaborately designed background. Speaking of which, whilst the film looks great, with director Stromberg cutting his teeth as special effects artist on Avatar, Alice in Wonderland and Oz (and it shows), the pretty visuals and one great performance can only take a movie so far. Even though it has a few highlights and some child-friendly silliness, the movie’s greatest sin is a rising sense of boredom throughout that not even a handsome prince can kiss you out of. Oh, and the prince looks like Donny Osmond. 6/10 Midlands Movies Mike

By midlandsmovies, Dec 1 2013 08:00AM

Saving Mr. Banks (2013) Dir. John Lee Hancock


This biopic retells the story of Mary Poppins author P. L. Travers (Emma Thompson) and her pursuit by Walt Disney (Tom Hanks) as he tries to get her to agree to a film version of her work. Based on their brief 1961 encounter, every attempt Walt has at sprinkling his fairy dust over the adaptation is poo-poo’d by Travers (should that be Pooh-Pooh given his link with A. A. Milne’s literature) as she attempts to maintain creative control over her personal work. As the jolly songs and rosy costumes come together, Travers resists every fantastic flourish as Walt tries to find what really drives this cold lady and her inner demons. Alongside this story is a series of flashbacks to Travers’ upbringing in Australia with a brilliant Colin Farrell as her alcoholic father which taints her decisions in the future – an action in which a cynical viewer would say Walt subsequently exploits. As a film it doesn’t quite capture the facts of the story (Travers loathed the film despite her softening on screen here) but Thompson provides a tour de force performance as the stiff-upper lipped woman with great support from Paul Giamatti as her American chauffeur and Bradley Whitford as the co-screenwriter of the movie in making.


The magic of the film is that I truly despised Thompson’s character for a long period of the film – her obnoxious rudeness is the true battle and only a loveable Hanks as Disney helped offset this difficult protagonist and the story perfectly captured what according to her grandchildren said was a life in which Travers "died loving no one and with no one loving her”. However as Thompson warms up her personality, we warm to her too and alongside the recreations of the film’s songs by the composers Sherman brothers (brilliantly played by Jason Schwartzman and B. J. Novak) the dreamy brilliance of Disney’s encouragement is clear to see. As explained earlier, certainly not an in depth Frost/Nixon character study (the film is also made by Disney) the movie however hits the right sentimental beats and enough enchanting events to win you over. Let’s go fly a kite!


7.5/10 Midlands Movies Mike

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