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By midlandsmovies, Oct 4 2018 09:02AM



Student filmmaker tackles dark drama in new short film Terminal


Ben Evans is a student filmmaker studying in Derby who has created a new short film project called ’Terminal’ which he has written and also directed in 2018.


Starring Sophie Bloor from BBC One's 'In the Dark', the film is a short drama about the mental health of a young character towards the end of her life.


A tough uncompromising look at illness, ‘Terminal’ tells the story of Ellie (Sophie Bloor) who is diagnosed with pulmonary fibrosis at the age of eight. With her father soon walking out on her, the story is picked up eleven years later. And he returns to find Ellie on her deathbed hoping to be part of her life again.


Joining Sophie will be Alix Ashurst as Helen, David Castleford as Mark, Tom Hendryk as the doctor and actress Ellie Jackson as a young Ellie.


Crew wise Ben is excited to have Jon Altham from SoundWave Studios on board to compose music on 'Terminal' and has just released the official poster for the film to the public (see above).


And with the filmmaker currently deep in post-production, Ben has high hopes for his short and is already looking at entering the film onto the festival circuit later in 2019.


Check out the full information about the film over on IMDB here:

https://www.imdb.com/title/tt8570308/?ref_=rvi_tt


And for regular updates follow the film’s social media at Facebook:

https://www.facebook.com/Terminal-Short-Film-1513325858777724





By midlandsmovies, Sep 24 2018 06:08PM



Derby QUAD celebrates 10-Year Anniversary


On Wednesday 26th September 2018, Derby QUAD will be turning 10 years old and we take a look back over the past decade of some of its highlights and why it plays a pivotal role in the region’s film community.


QUAD is a long-established creative hub that connects people and businesses to art and film and creates opportunities for entertainment, education and participation.


Originally Metro Cinema was Derby's only independent cinema with screenings at the Playhouse theatre until the cinema opened on Green Lane in January 1981, at the original site of the Derby Central School of Art.


Metro then moved at the end of 2006 to a temporary home in The Heap Lecture Theatre at the University of Derby on Kedleston Road before the projection equipment was then removed and prepared for installation in QUAD.


And QUAD has been booming ever since. As a registered independent charity, it also receives funding from a variety of sources including Derby City Council and Arts Council England to help create and support exhibitions and outreach work. And also provides creative opportunities for thousands of people every year.



A notable highlight at QUAD of course is the annual Derby Film Festival which we have covered a number of times since its inception. With amazing guests & fantastic film previews, the Derby Film Festival (DFF) has been running in QUAD since 2010. The festival’s prestigious patrons are actor David Morrissey and Anwen Hurt and it has seen many famous film faces arrive as guests over the years.


These include actor Simon Callow, actress Julie Peasgood, Sir Ben Kingsley, actor Jenny Agutter, directors Peter Sasdy and Jake West, director Mark Herman and historical consultant Dr. Jacqueline Riding, Puppeteer Marcus Clarke, directors John Hough, Waris Hussein and Michael Armstrong, actor Sir John Hurt, Monty Python’s Terry Jones, Brian Blessed and Paddy Considine.

https://derbyfilmfestival.co.uk/festival-history


In addition to that is QUAD’s Fright Club where a mix of brand new terrors from home and abroad are enjoyed alongside the pick of the archive classics. Every month, Cult Film Historian Darrell Buxton introduces some of the best horror films around for Midlands horror afficianados. Read more by clicking here.



There’s also 5 Lamps Film screenings which run every two months and showcase aspiring local filmmakers. As well as those regular events they also host their annual 24 hour film-making challenge at the end of the Derby Film Festival. It sees participants of any experience produce a short film of three minutes over the course of 24 hours before they are screened to the public with awards given to 1st, 2nd and 3rd place. Click here for more




There’s also the Summer Nights outdoor film calendar to thank QUAD for as well. Starting in Derby but now spreading to stately homes and grand venues throughout the UK, they have given the chance for audiences to enjoy the great outdoors for a unique cinematic experience. Read our thoughts on The Forces Awakens screening in the Midlands here.




And to celebrate the last 10 years, QUAD also has two exciting events coming up before the end of 2018.


First up is a free outdoor screening of ‘The Greatest Showman’ at Derby Market Place starting at 8:15pm on 26th September 2018 and will include subtitles for those who are D/deaf or hard of hearing. Attenders are advised to bring their own camping-style chairs to sit on!


If the outside isn’t your cup of tea, then QUAD’s “The Best of 10” ten-film season includes ten titles chosen from each year that the venue has been open and takes place between August and December 2018. Alongside the ten films, QUAD asked the public to vote for their favourite film shown at the venue, which will be shown as the final, eleventh choice.


But we haven’t even mentioned the film clubs, education and quiz nights so please go to https://www.derbyquad.co.uk to get involved in many more creative events.


So Happy Birthday QUAD! With a comprehensive cinematic schedule running throughout the year with events catering for all tastes, ages and backgrounds, we wish all the staff, crew, films and filmmakers all the best for another decade of fantastic film feasts.


Mike Sales



By midlandsmovies, Aug 25 2018 12:24PM



Fright Club in Derby screens cult classics in September


Fright Club is Derby QUAD's mix of brand new terrors from home and abroad and the pick of the archives which has a reputation of dragging audiences kicking and screaming towards the midnight hour!


Every month, Cult Film Historian Darrell Buxton introduces some of the best horror films around and in September they have a whole host of chillers coming to the cinemtaic screen.


Fright Club are screening (to much controversy it seems - see BBC coverage here) British horror classics Don't Look Now and The Wicker Man at Derby Cathedral on September 7th and 8th.


At QUAD, there are screenings of local horror comedy Crispy's Curse with a Q&A with director John Williams on September 28th.


And during the following month on October 11th, there will be a preview screening of British zombie epic Redcon-1 with a Q&A involving director Chee Keong Cheung, executive producer and actor Carlos Gallardo (El Mariachi, Desperado, Once Upon A Time in Mexico), and actor, producer and fight co-ordinator Mark Strange (Batman Begins).



For more information and to purchase tickets for each screening check out the links below:


Don't Look Now (15)

September 7th 2018

Derby Cathedral

Click here


The Wicker Man (15)

September 8th 2018

Derby Cathedral

Click here


Crispy's Curse (18)

September 28th

QUAD

Click here


Redcon-1 (18)

October 11th 2018

QUAD

Click here





By midlandsmovies, Aug 25 2018 08:59AM



Midlands Interview - Joe Roguszka


20th Century Tribe is an upcoming short film nostalgically looking at the 90s youth and rave culture in the UK and Midlands Movies Editor Mike Sales catches up with the progress of this exciting new Midlands film by speaking to the film's director Joe Roguszka.


Midlands Movies: Morning Joe. Can you tell our readers how your new film came about?

Joe Roguszka: I have fond memories of the 1990s from the perspective of a child. I feel it’s a time period that was vibrant and exciting atmospherically, stylistically and sociologically. For several years I have had a curious interest in the ‘90s rave scene, which has gradually grown over time until in the last twelve months it has become a fully-fledged obsession.


MM: And what inspired 20th Century Tribe?

JR: Well, I have an immense fascination and love for 90s rave music, the visual aesthetics, and for the feeling of non-judgemental unity that appears to have been significant in the ‘90s rave scene. As someone who loves to get lost in the trance of good techno music, loves to dance to that kind of music, I have a degree of admiration for the nightclub scene at that time, whereas to be brutally honest I feel that today’s nightclub scene is comparatively vapid and quite disappointing.


MM: And are you from the Midlands yourself?

JR: Yes. I was born in Derbyshire in the very early 1990s and have lived here my whole life. Since a very young age I have had a passionate love for cinema, for the amazing power it has to allow the viewer to temporarily escape their present situation, to become immersed in a world and a story completely separate from their own. Today I consider myself an avid lover of cinema, and an aspiring writer/director. I have a particularly keen interest in developing as a screenwriter and having recently graduated from Derby University with a degree in Film Production.


MM: What have the struggles of getting the production to completion so far?

JR: This is a challenging question, as the production has been so ambitious that there have been numerous difficulties. I think finding and securing suitable locations is always very challenging, and working at such a micro-budget level I have often had to make the best of locations with issues such as noise pollution or a likelihood of interference from members of the public. With this project being set in the 1990s as well, even some of the interior locations have been challenging. Usually interior locations allow more control, but we did have to be very eagle eyed for anything in the frame which was too new for the early 1990s period. Recruiting extras for the rave scenes was particularly difficult, especially considering the location was a drive away so we had to arrange transport as well. Securing permission to use licensed 1980s and 1990s rave music has been tremendously difficult. Ultimately however I think all these difficulties are the result of working with such a small budget, so as has always been the case with films I’ve worked on I believe the most difficult aspect has been securing financial backing and being able to work with the budget we have.



MM: So can you tell us a bit about the main characters?

JR: The protagonist is an eighteen-year-old girl named Heather, played by Becki Jones. She has just finished sixth form and is in a position of dilemma between rushing into university despite being unsure what she wants to do, or taking a gap year to learn more about herself and what she wants out of life. She’s quite a socially awkward person, and at the beginning of the film is still quite new to the rave scene, having only recently been befriended by the supporting characters. Katie is played by Charlotte King. She’s protective and sociable, having taken Heather under her wing so to speak and introduced her to the rave scene, simply due to an enthusiasm for meeting new people and making new friends. Dean Morris plays Hud, a boyish, high energy character who similar to Katie is very sociable and loves to make friends. Danny Patrick plays Brett, a morally ambiguous character whose energy is somewhat averse to that of the rave scene, in that he can be quite hostile to new people. Spence, played by Instinct Elkanah, is sort of Brett’s wingman although he’s much more good natured and is perhaps quite naive with regards to some of Brett’s concerning traits. Finally, Justine Moore plays Brett’s girlfriend Amber. She’s in a situation where she’s in a relationship with a guy who doesn’t treat her particularly well, but she stays with him due to low self-esteem and for the principle of being seen with an older guy.


MM: How did you come to cast the actors in these roles? What were you looking for?

JR: To be honest I did have a few actors in mind when I was writing the script, actors that I had worked with before who I felt worked well and that I felt I worked well with. There was one actor who I met by chance while I was writing the script, and I had an amazing experience where it felt like I had met my character, in that the actor was almost exactly as I had imagined the character from the way they spoke, to mannerisms, physical appearance and personality. I cast this actor in the proof of concept short which we shot in February/March, the idea being that this would serve as an audition for the role in the film itself. They were great in that, so I kept them in the role for the film. We held open auditions for all the other roles, and there were definitely cases where actors were not what I had initially envisioned when writing the role, but fit the role surprisingly well in the audition so that I was happy to cast them.


MM: And how much of your own experiences are in 20th Century Tribe?

JR: I had a sort of realisation at the beginning of this year, that certain characters I have written tend to be manifestations of different parts of myself. This is particularly true of the short film Collision that I wrote and directed last year and is too for 20th Century Tribe. In particular, I feel like the protagonist Heather is a manifestation of my shy, introvert self, and that Hud is a manifestation of my high energy, extrovert self which doesn’t come out very often. I think the place that Heather is in is a reflection of how I have felt for perhaps a few years now; unsure of what I’m really doing with my life, what I’m working towards, where I belong and with whom I belong, essentially looking for a sense of belonging. Meanwhile Hud is myself on the rare occasions that I’m carefree and comfortable in my surroundings. There are certain other characters where I’ve drawn influence from real people I have known, perhaps a little cheekily in some cases. Sometimes I make a point of remembering amazing dialogue, or incidents, that I witness or am a part of in real life, with the clear intention to use it in something I write. So there are moments in the film, whether dialogue or something else, which I have witnessed in real life.



MM: What are your favourite films?

JR: My favourite genres are actually dystopia and western, each of which I have a huge interest in and a huge appreciation for. Dystopia in particular I am kind of obsessed with so much that most of my written assessed work at university was on dystopian cinema. I like dystopias that explore the sociological consequences of disaster, or social or economic failure, The Warriors, A Clockwork Orange, Mad Max being my favourites, although I recently discovered and immensely loved the Aussie film Dead End Drive-In. I keep telling people about it hoping someone will watch it and love it as much as me


MM: Any music films?

JR: With regards to films about youth, music and partying, this is definitely another kind of film which I very much enjoy. I like ‘slice of life’ films that tell a relatively simple story, I find them very relatable and endearing. In particular I’m a big admirer of the works of Shane Meadows, particularly Dead Man’s Shoes and This Is England (film and tv). I think Rumble Fish, Dazed and Confused and American Honey are great films about youth culture, and I love the lesser known The Way Way Back. I also have a high opinion of Fast Times at Ridgemont High, which is my personal favourite of that particular breed of 1980s youth fiim. I do enjoy many films where a particular dance or music scene plays a significant part. One of my all time favourites is Boogie Nights, which I think is great fun, highly entertaining but also at times brutally real, ultimately evocative and endearing. Meanwhile I think British films like Spike Island, Northern Soul and of course Human Traffic are enjoyable explorations of their respective music scenes.


MM: What filmmakers inspire you and did that influence any creative decisions?

JR: I certainly think I’ve drawn influence from the works of Shane Meadows and from Andrea Arnold’s American Honey. I’m a big advocate of allowing actors a great deal of creative freedom. I encourage them to play around with dialogue and body language, as I want them to be able to feel very natural and very comfortable in their role. It’s very rare that I ask an actor to say something exactly as written in the script, as I feel allowing the actor such freedom encourages a more natural performance. I like the way Terrence Malick allows the audience a brief glimpse into characters’ thoughts using voice-over dialogue, which may have influenced some ideas I am playing around with regarding the rave scenes. One filmmaker whose work I find particularly inspires me to want to write and direct films is Stanley Kubrick. I find his films to be very immersive, psychologically fascinating, atmospherically enthralling and often visually stunning both in use of camera as well as costume and sets. I would love to create something as completely enthralling and unnerving as The Shining, a huge ambition I hope to work towards.


MM: So where and when can people see the finished film 20th Century Tribe?

JR: Well the film is currently in the first phase of editing. We have a small team of editors currently working on the rough cut, however they will be working on their degree alongside this so we don’t expect the edit to be finished until spring/summer 2019. We also have a few little scenes to film in September, so I’m currently working on preparing for that. The intention will be to enter the film into festivals, so where it will be shown is yet to be seen. From there it depends how the film does in the festival circuit really.


MM: And what’s next on the horizon for you?

JR: I will begin a masters in writing for the screen in September, so at the moment I do intend to work on my ability as a writer. I would like to write screenplays ideally for television and feature films, I currently have numerous ideas I’m working on so I’m really waiting to see which will emerge as my next project.


MM: And finally, do you have any advice for any local filmmakers looking to start their own project - either in front of or behind the camera?

JR: People who have their own equipment, particularly camera, sound and lighting, are essential. If you are a student in film or media and have access to equipment from the equipment centre, utilise it. Be prepared to spend your own money on your film, as you probably will have to, and if the budget is looking tight then only spend money where you absolutely need to. Many locations can be used for free or a very low price if you are honest, polite and friendly with location owners. Make a project that people want to be involved in, be sociable, friendly, enthusiastic and be confident about what you want to make. You have to have love and excitement for your project, otherwise no one else will.


Thank you Joe.


Find out more about 20th Century Tribe on their social media pages below:

TWITTER: https://twitter.com/20th_Tribe

FACEBOOK: https://www.facebook.com/20thCenturyTribe


By midlandsmovies, May 27 2018 09:44AM



Midlands Spotlight - Summer Nights Film 2018


Summer Nights festival as it is now in its eighth year and returns to its Midlands origins (as well as many more new venues throughout the country) with another spectacular line-up of outdoor cinema events in luxurious and fun locations in the region.

Highlights include a screening of IT (2017) at Calke Abbey on August 4th and Wollaton Hall on August 24th as well as Wayne’s World at Wollaton Hall on August 23rd. Party on!

Tickets can be purchased at the early bird price of £12.50 until the 1st June when they will increase to £15.50.


For the full line-up please see dates, films and venues below:


East Midlands


Kedleston Hall, Derbyshire – Fri 20th DUNKIRK & Sat 21st July MOULIN ROUGE


Bradgate Park, Leicester – new venue! Fri 20th THE GREATEST SHOWMAN & Sat 21st July DIRTY DANCING


Calke Abbey, Derbyshire – Thu 2nd PRETTY WOMAN & Fri 3rd THE GREATEST SHOWMAN & Sat 4th IT Sun 5th August THE GREATEST SHOWMAN


Hardwick Hall, Derbyshire – Fri 17th THE GREATEST SHOWMAN & Sat 18th August DIRTY DANCING


Wollaton Hall, Nottingham – Thu 23rd WAYNES WORLD Fri 24th IT Sat 25th THE GREATEST SHOWMAN Sun 26th THE DARK KNIGHT RISES - Mon 27th August BEAUTY & THE BEAST


Belton House, Lincolnshire – Fri 7th THE GREATEST SHOWMAN & Sat 8th September GHOSTBUSTERS



West Midlands:


Baddesley Clinton, Warwickshire – Thu 26th BEAUTY & THE BEAST Fri 27th TOP GUN & Sat 28th July FOOTLOOSE


Attingham Park, Shropshire – Fri 31st August DIRTY DANCING & Sat 1st September DUNKIRK


There are further dates and venues throughout England includng Surrey, Yorkshire and Cheshire


More information about these screenings and the festival can be found online here: www.summernightsfilm.co.uk





By midlandsmovies, May 25 2018 08:03AM



Derby Film Festival 2018


Midlands Movies writer Guy Russell takes a look at one of the premiere film festivals in the region as he checks out the best of the fest!


************


Now in its 5th year, Derby Film Festival is showing no signs of slowing down. Last week I had the pleasure of attending the festival again hosted by QUAD, this year it kicked off on the 4th May followed by ten days of screenings, talks, short films and competitions.


Similar to last year’s sub-festival Fantastiq, the first four days of the festival were dedicated to Paracinema, a celebration of films and genres outside the mainstream including new releases and cult classics. Here are a few of new and cult classics screened during the festival:


Attack of the Adult Babies



Amongst the various films shown during the Paracinema arm of the festival was Attack of the Adult Babies, the latest offering from filmmaker Dominic Brunt. Brunt has built up quite the resume in recent years, his great work within the horror genre alone has gained him the reputation as a director you should definitely look out for when any of his projects hit the shelves.


An ordinary family are forced to break into a country manor to steal top secret information, what they find however are powerful, obese, middle aged men dressed in nappies being tendered to and waited upon by overly sexualised nurses in PVC uniforms. This is not your typical horror film!


The humour comes as quick and thick as the gore which will please both horror and comedy fans. Lines such as “We’re gonna need a bigger nappy” and “I’m going to cut you worse than a state pension” prove how much of an aware, modern film Attack of the Adult Babies is.


Shot on location at Broughton Hall in West Yorkshire, Attack of the Adult Babies joins Brunt’s CV of making socially aware Northern genre films, something not many can boast of. Since the release of The Purge series and last year’s Get Out there has been a revived interest in social-political horror films and after having watched this film I’m of the opinion this deserves a place in the conversation too.


Beneath the absurdity and the gore is an expose of how lazy powerful and greedy men can become, their reliance on others to wash, clean and cook for them here is shown by a regression to infancy.


If you’re after a horror-comedy film with gore and gags in equal measure, then check out this bonkers and brilliant effort. Attack of the Adult Babies is destined to be a cult British film, whether it be this decade or the next.


Attack of the Adult Babies is out on Blu-Ray and DVD on June 11th.


Charismata



Again as part of the Paracinema part of the festival is Charismata, a psychological horror from filmmaking duo Andy Collier and Toor Mian.


Rebecca Faraway (Sarah Beck Mather) is a murder detective working on a series of gruesome killings. As she becomes more involved with the investigation she begins to experience haunting visions which lead her to question her own sanity and state of mind.


I normally enter any independent horror production with an open mind, some can be quite hokey whilst others can surprise you with what they can do with so little. Luckily Charismata falls within the latter category, the cinematography by Fernando Ruiz and the score by Chris Roe give the film a polished and carefully constructed vibe, almost as if millions were spent in producing the picture.


Similar to Attack of the Adult Babies, Charismata feels very socially aware, whether intentional or not. Rebecca lives in a very masculine environment and is constantly under siege with sexist comments and a chauvinistic attitude towards her career as she is the only female on her team.


Acting isn’t usually lauded within the genre however Sarah Beck Mather as Rebecca was sensational. An intriguing portrayal, Mather plays Rebecca as quite a cold person however the character feels pretty well balanced considering the enormous pressure she endures throughout the film.


Whilst the “gore” level is by no means ignored, it is the carefully planned build-up of tension that brings the chills to the audience. I’m unsure when this will be screened again or released widely on home media however I urge any horror fan to seek this one out as Charismata was one of the best surprises of this year’s festival.


Escape from New York



Whilst the festival primarily celebrates fresh talent and brilliant new films, there is always space in the schedule to revel in classic films from yesteryear. This year, the one to catch for me was John Carpenter's science-fiction flick Escape from New York, a quintessential 80’s actioner starring Kurt Russell.


1997, Manhattan, New York has been abandoned and transformed into the perfect maximum security prison but unfortunately, whilst routinely flying over, Air Force One crashes onto the island leaving the President of the United States alive albeit in grave danger from unpredictable and dangerous inmates.


A deal is struck between the Warden and convicted bank robber Snake Plissken (Kurt Russell), to save the president and he will have earned his right to freedom.


Having only seen this film once before it was great to revisit this on the big screen. On the surface you might mistake this as a simple film but a great escapist movie, however knowing Carpenter's work and his love for using genre movies to explore certain themes you can see why critics are of the opinion that Escape from New York uses its dystopic environment to explore class and race issues.


Last year I caught the screening of Billy Wilder’s Ace in the Hole, a film I had never heard of until I watched it. It is now one of my favourite films of its period. I hope this Escape from New York showing had the same effect on someone and long may the festival continue presenting classics.


Overall it has been another successful year for the Derby Film Festival and QUAD as they continue to show a vast range of films across all genres, languages and budgets. I can’t wait to see what the 6th Annual Derby Film Festival holds in 2019. See you there.


Thanks to Peter Munford & Kathy Frain


Guy Russell


Twitter @BudGuyer


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Take a read of Guy's thoughts of the 2018 Derby Film Festival's other events including local documentary Spondon: Portrait of a Village and Five Lamps 24 hour Film Challenge



By midlandsmovies, May 23 2018 03:12PM



Midlands Review - Spondon: Portrait of a Village


Directed by Mark Rivers


I didn’t know what to expect walking into the documentary Spondon: Portrait of a Village. I was anticipating a love letter to Spondon, that much I knew, but what could possibly be said about a village in Derby in 120 minutes of running time.


My experience and knowledge of Spondon is limited to the local ASDA and a visit to The Malt Shovel once for a poker tournament. What I didn’t know was that Spondon is a small village and a tight knit community built up of small businesses and passionate local residents who are keen to keep the village alive.


Screened to a sold out audience on a sunny Saturday afternoon, director Mark Rivers presents a warm portrait of Spondon making certain to include residents from all walks of life, ensuring every voice from every corner is heard.


Local business owners, natives old and young, parents, the unemployed and the retired all have something to say about the current condition Spondon is in, whether it be positive or negative. A fair portion of the film is spent examining the community’s participation and reaction to the referendum to leave the European Union which proves to be interesting viewing.


As I mentioned earlier, I was anticipating Spondon: Portrait of a Village to be a love letter of sorts, with nothing too vast and deep within the narrative. However, River’s takes the smooth with the rough, the blissful outlook on village life is combined with the worrying awareness that the village is constantly at risk of declining as big corporate chains and cultural shifts threaten their way of life.


A local butcher is losing business to the supermarkets, British Celanese has all but shut down due to the sourcing of its materials overseas. River’s shows us what we would be losing if we don’t support local business - a way of life. Professionally shot and edited, it was a pleasure to spend what didn’t feel like two hours at all due to the pacing of the film.


Clearly I wasn’t the only one who thought this as the film received a rapture of an applause at the end of the screening, to my surprise from the very people who featured in the documentary.


I hope further screenings of Spondon: Portrait of a Village are planned so as to give more people the opportunity to watch this treasure of a documentary.


Guy Russell


Twitter @budguyer


By midlandsmovies, May 23 2018 02:33PM



Five Lamps Films 24hr Film Challenge


Like previous years, closing the Derby Film Festival is the brilliant Five Lamps Films 24hr Film Challenge which sees participants of any experience produce a short film of three minutes over the course of 24 hours.


The following weekend all of the efforts which qualified are screened for the entrants and the public to enjoy, with awards given to 1st, 2nd and 3rd place. This year saw the introduction of the Spirit Award which was awarded to the team who most embodied the spirit of the challenge.


Before the films that were shown, short film Bella in the Wych Elm by Andrew Rutter was screened as it had won the Paracinema award for Best Short Film at this year’s festival. Shot and based in the West Midlands, this unnerving horror is based on a true story and worth checking out if you are a fan of conspiracy theories or ghost stories in general.


Again Five Lamps Films Sam Jordan and Carl Bryan were on hand to oversee the night, bringing in the laughs early on with their introduction to the competition. This was a taste of what was to come as comedies seemed to be the most popular genre this year.


Congratulations to all who have taken part in this year’s challenge, here are some of note from the evening's gala:


Siskamedia – The Right Swipe

This took third place on the night was a riot from start to finish. A funny, modern look at the world of dating and a satirical look at how technology now plays a huge part in the dating experience. Having taken first place last year with Clockworks, I look forward to see what Siskamedia do next.


Scarlett Light Media – Stranger in the Firelight

One of the more ambitious shorts of the night. A western complete with costumes, horses and pistols. A great premise with a great finale. I think this story has potential to expand into a bigger short film or even a feature.


Adam Morgan – E22

Interestingly Adam created this short by himself, taking on every role with confidence. When a man receives a phone call from another “Earth” he doesn’t quite believe it, the person on the other end resides on “Earth 22”, a desolate place where the nature we take for granted here on “Earth 1” is seen as paradise.


Tape Worms – Spoonful

A slow burning short on what is wrong with society...and with a very surprising ending! This is well worth checking out.


SuperFreakMedia – Alone

A post-apocalyptic short which wouldn’t have looked out of place premiering through Paracinema. Beautifully shot and designed realistically, the sound also plays a major role in ramping up the tension. Very John Carpenter-Esque. Follow Percy as he tried to decipher why he is alone in the now desolate world. Deservingly awarded first place.


Trash Arts – The Right Person

A darkly comic look at impressing your interviewer. The company the lady is interviewing for is a type of data analyst firm. Given the timely debate in regards to our data being shared online, this feels very socially aware. Unlucky to not get anything on the night as this had something important to say.


Body in the Box – Korma Karma

A great title and also a great short. If this was made into a longer short it would probably fall into the erotic thriller category. A man and a woman enjoy a first blind date, however the smouldering atmosphere soon turns to tension as it appears both are holding something back in regards to their true selves. Rightly awarded second place.


YFB Productions – Undercover Sex Cop

With another great title comes another great short which is a parody of 70’s action films and TV shows. Very funny and had the audience in tears and this won the Spirit Award for embodying what the challenge is all about.


Other comedies worth mentioning are Birdshite, Gavin and The Tinfoil Knights and the Quest for the Golden Spoon. All bonkers shorts that made everyone laugh.


Congratulations again to everyone who participated, like festival director Adam Marsh said in his opening speech. It’s important to always end the festival with a local event, and what better event to close the Derby Film Festival than the Five Lamps Film’s 24 Hour Film Challenge.


You can check out most of these films and other films from Five Lamps Films archives here.

http://fivelampsfilms.co.uk


Guy Russell


Twitter @Budguyer





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