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By midlandsmovies, Nov 27 2017 09:31AM



Clone (2017)


Lightbeam Productions


Director: David Hastings

Director of Photography: Joshua LA Baggott

1st AD: Suki Sandhar

2nd Camera: Kaushy Patel


From director David Hastings (The House of Screaming Death) comes Clone; in which a Professor working alone late at night in his home is visited by a mysterious stranger who causes the Professor to doubt his lifetime's work.


It is tricky to provide a detailed review of this film without giving away at least one spoiler, albeit one that is revealed quite early however it is fair to say that writer and lead actor Charles O’Neil (The House of Screaming Death) is the focal point of this movie which prioritises discussion and philosophical ethical musing over any visual action.


Paradoxically it is this focus that is both the film's strength, at times the discussion channels the composition of some philosophical writings of antiquity, for example Dionysius, and also its weakness as O’Neil’s writing (this is his second credited piece) borders at times on the mundane and the inconsequential - which in a film where the dialogue is paramount in holding the viewers attention is crucial to how it will be received.


I have no doubt that Clone will find an audience out there but for me it appeared to be a piece still in progress.


The camerawork and shot framing need a little improving, even as a secondary aspect this was noticeable, while the main crux of the film, the discussion, was slightly vague in its concepts despite its obvious importance. And as a result it was sadly hard to believe, or necessarily care at times, in the critical implications of the decision.


Perhaps the problem I faced was that the concept was definitely strong, echoes of Logan’s Run amongst several other sci-films can be found, but the execution was not quite there on this occasion but I would still look out for the writer's next project given their emphasis on a host of interesting themes.


Marek Zacharkiw

@CosiPerversa


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