icons-02 icons-01 MM Logo Instagram kickstarter-support FILM FREEWAY LOGO

blog

Movie news, reviews, features and more thoughts coming soon...

By midlandsmovies, Jul 15 2018 06:29PM



Gringo (2018) Dir. Nash Edgerton


After businessman Harold Soyinka (David Oyelowo) phones his head office bosses (Joel Edgerton as the obnoxious Richard and Charlize Theron as the unpleasant but seductive Elaine) to explain he has been kidnapped, Gringo kicks off an international farce of blue-collar crime, gangsters and hostage taking in this film from debut director Nash Edgerton.


With Harold’s lack of money, a wife seeking love elsewhere and his boss’ secret plans to let him go owing to a very shady company merger, he takes it upon himself to use a meeting in Mexico to collect a ransom on himself. When a drug cartel gets involved, the tables are spun and as Harold gets unwittingly involved in a case of mistaken identity, a mercenary played by a theatrical Sharlto Copley (doing what he does best) is dispatched to clear up the mess.


The film’s criss-crossing narrative is at first its triumph but then sadly its downfall however. What starts as a fun farce of down-at-luck mockery and silly, but passable, characters soon descends into a complicated commotion where misunderstanding is replaced with daft coincidences and broad caricatures.


I could however watch Theron’s callous and ruthless Elaine until the end of time with her dry wit and appalling yet hilarious behaviour. But the one-note idea of a put-upon office worker getting his own back on his bosses becomes increasingly muddled with so-so dialogue, too few belly laughs and a story that spirals into slapstick mayhem.


With a better script, some cinematic flair and subtler approach I could see the outline of the plot making a very good Coen brothers film (The Big Lebowski/Hail Caesar aren’t a million miles away anyways) but Gringo has more in common with a very average 1980s comedy flick.


Kudos goes to everyone giving it their all but aside from one or two clever jokes and Edgerton and Theron wallowing in their impressive ‘horrible bosses’ roles, the film is run-of-the-mill entertainment at best.


6.5/10


Midlands Movies Mike

By midlandsmovies, Dec 1 2017 01:16PM



Atomic Blonde (2017) Dir. David Leitch


This action thriller film stars Charlize Theron as a spy uncovering double agents in Europe during the downfall of the Berlin Wall in 1989.


Rather unoriginally, the film begins as a KGB agent steals a sensitive list of active-agents hidden in a wristwatch before cutting to a bruised and hurt Lorraine Broughton (Theron) as she proceeds to explain what happened in Berlin to her handlers. This flashback frames the story as the sarcastic agent recalls the events to the CIA (John Goodman) and her MI6 superior (Toby Jones) and what unfolds is her experience to recover the list and uncover the identity of a double agent within the ranks.


All of this sets up a series of amazingly-filmed action sequences and the comparisons to this year’s John Wick: Chapter 2 are easy to see – no less obvious as director Leitch is also a producer on that film. With Mad Max: Fury Road, Theron showed she could handle punches, kicks and bone crushing fights and we get even more here with her central performance is key to the film’s charm.


Theron’s natural allure helps the audience get behind her mission but it’s the long one-take action scenes that are the film’s selling point. From bashing battles to bullets banging, the film mixes fantastic fight choreography with running, explosions and vehicle chases in a variety of exciting sequences that will keep you entertained, even though the clichéd story line hits familiar plot points.


The Berlin background is a nice change to the usual bland American cityscapes, but it is the 80s soundtrack and extreme lighting that really gives the film a different feel to its contemporaries. Like an action-filled Neon Demon, the colours pop from the screen whilst musical hits (and covers of hits) from Bowie, George Michael, The Clash and more help establish the historical context but also give the movie a soundtrack coolness not seen since the Guardians of the Galaxy films.


Support comes from a slightly bland and broad James McAvoy as an agent who is all, well, James McAvoy-like, whilst Sofia Boutella as Delphine plays an undercover French agent who is also Lorraine's lover. It’s great the film pays no attention to this seemingly edgy choice for a lead character's sexuality in a major release which is not only honourable, but fits well into the film’s narrative perfectly.


But in the end, like John Wick (with which there’s talk of possible a cross-over film), the movie is held together by the central show from Theron herself. She gives this exciting film a much-needed bout of sultriness, strength and poise alongside expertly handling the violent and bloody punch-ups.


7.5/10


Midlands Movies Mike



RSS Feed twitter