icons-02 icons-01 MM Logo kickstarter-support

blog

Movie news, reviews, features and more thoughts coming soon...

By midlandsmovies, Jan 3 2018 09:13AM

Midlands Movies Writers Top Films of 2017


There's been so many good films out in 2017 that it was difficult for me (Midlands Movies Mike) to choose just 20 for a list of my favourite films of the last 12 months.


Well, we've also got some of our writers' favourite films who had an equally difficult choice to make.


First up is Robb Sheppard who said "it was tough" but amazingly got it down to just 5 excellent films


Robb's Top Films 2017


5. Thor: Ragnarok

4. Get Out

3. Personal Shopper

2. Logan

1. Blade Runner 2049





Check out and follow Robb's further film updates at https://twitter.com/RedBezzle


Up next is Kira Comerford who had honourable mentions to Gerald’s Game, To The Bone and Hidden Figures but slimmed down her choices to the 10 fantastic movies below.


Kira's Top Films 2017


10. Moonlight

9. Jackie

8. Mother!

7. Guardians Of The Galaxy Vol. 2

6. Wonder Woman

5. Manchester By The Sea

4. The Disaster Artist

3. It

2. Baby Driver

1. Dunkirk




Follow Kira at https://twitter.com/FilmAndTV101


Finally , Guy Russell chooses his best from 2017....


9. The Greatest Showman

I can’t remember the last time I saw a musical so feel-good in the cinemas. Hugh Jackman was born to sing, act and dance. A true story if a little manipulated, The Greatest Showman tells the story of P.T Barnum, a hopeless visionary whose dream to entertain and create gave birth to what we now know as the circus. A brilliant and catchy soundtrack, along with the old Hollywood sets, costumes makes this my guilty pleasure of 2017.


8. Guardians of the Galaxy Vol.2

The Guardians return in the craziest series within the Marvel universe. Whilst I’m not the biggest superhero fan, there is something unique about these two films that gets me to revisit them again and again. This time The Guardians help their leader Peter Quill (Chris Pratt) uncover the truth behind his biological father. Just like the first entry, James Gunn writes and directs a crazy and witty blockbuster that sets itself apart from the other Marvel entries.


7. Hacksaw Ridge

Another war film but this time from director Mel Gibson who tells the story of soldier Desmond Doss (Andrew Garfield) a conscientious objector who served during WW2 in Japan. Refusing to kill the opposition he faces adversity from his peers and fellow soldiers, even more so when the troop find themselves in midst of war whilst on Hacksaw Ridge. A visceral war film by Gibson however he focuses on faith, courage and patriotism like many of his other films. This one will stand the test of time.


6. It

A band of mistreated kids group together when the mysterious Pennywise the Clown (Bill Skarsgard) begins hunting the towns children. Not having seen the original 80s miniseries I went into this film with fresh eyes, not knowing what to expect, I came out with a firm belief that the horror genre is alive and well thanks to director Andy Muschietti who blends comedy with the macabre excellently. If you like Stranger Things or Stand by Me then this film is a must.


5. Dunkirk

Not my favourite Christopher Nolan film by a long shot, however Dunkirk is still an impressive bit of filmmaking. A dramatic account of the evacuation of Dunkirk during WW2, Nolan concentrates on three aspects of the evacuation, land, sea and air. Expertly giving equal time to each service, showing exactly how frantic and grave the situation was. Dunkirk doesn’t spend time on character development or background into the war, aspects I wasn’t a fan of when first viewed however I think a second viewing will prepare me better.


4. War for the Planet of the Apes

You could be forgiven for thinking this instalment of the Apes franchise was a WW2 film. Gun wielding maniacs on horses. However this is the third and supposedly final instalment of the Apes trilogy directed by Matt Reeves. This film honours the films before it as well as rounding up the trilogy in a satisfying manner. Another knock out performance by Andy Serkis as Caesar, the leader who leads a team of apes to retrieve his son from The Colonel (Woody Harrelson).


3. Get Out

Directed by comedy maestro Jordan Peele, his first feature film Get Out impressed critics and audiences alike. Chris is invited by his girlfriend Rose to spend the weekend at her parents’ house, introducing him to them for the first time. Embarrassingly the family make Chris’s skin colour an issue albeit a well-meaning though ludicrous issue. Peele’s debut spoke volumes to the masses in the midst of a vocal topic in America. Race. This is a popular movie that mattered.


2. Manchester by the Sea

An apartment handyman (Casey Affleck) becomes the legal guardian of his nephew when his brother passes away suddenly. I have never seen grief depicted in such an unflinching way before on film, director and writer Kenneth Lonergan handles the subject matter with a gentle hand allowing the audience to connect with the characters instead of just pitying them.


1. Star Wars: The Last Jedi

Loved by critics, hated by (a lot) of fans. I was one of the few fans of the Star Wars saga who was glued to their seat for the entirety of the films run time. Excellent action sequences, a complex villain, brilliant score and fantastic vision by Rian Johnson make Last Jedi the best cinema experience of 2017.



By midlandsmovies, Oct 5 2017 11:22PM



Blade Runner 2049 (2017) Dir. Denis Villeneuve


Let’s cut to the chase but I’ve never been a huge fan of Ridley Scott’s 1982 sci-fi noir original – even going so far to include it in my top 10 overrated films of all time back in 2012 – so I approached this film with some trepidation. I come at all films with an open mind however, and with such highlights as Sicario, Prisoners and the lauded Arrival in his catalogue of successes, director Denis Villeneuve certainly has the sci-fi and visual chops to take on the belated sequel.


Ryan Gosling (K) is now the LAPD blade runner who hunts down older artificial humans known as “replicants”. He soon stumbles upon the discovery of a skeleton which appears to be that of a replicant woman who died during childbirth, a situation until then thought impossible. Linking the bones to the missing Deckard, K is ordered to destroy the evidence by his superior Joshi (a superb Robin Wright) but soon a set of clues leads him to question his own “implanted” memories and his reality.


Blade Runner 2049 takes the themes of the first – humanity, memory, one’s purpose in life – and adds the dazzling cinematography of 13-time Oscar nominee Roger Deakins who not only recreates the look of the original rain-soaked streets, but expands the digital noir influences ten-fold. Shadows lurk everywhere as Villeneuve and Deakins work together to create phenomenal shots, with some of the best of them composed simply in pure silhouette, keeping the characters (and us) ominously in the dark.


Ana de Armas provides great support as K’s artificial partner Joi – a hologram who ironically infuses Gosling’s character with the only emotional attachment and is a great addition to the Blade Runner mythos. Yet, the lack of emotional connection between the audience and the film is one of its sad flaws. To me the original had a sense of detachment but it is practically nihilistic in tone here – the future is death – to humans, to children, to androids and even to holograms.


In spite of that, Harrison Ford gives a great performance when he eventually returns as Detective Rick Deckard but don’t expect to see him in the first 2 hours. However, Sylvia Hoeks as Luv provides a feisty antagonist, much more so than Jared Leto whose Tyrell replacement Niander Wallace is underused and missing from half the movie.


An amazing first hour which sets up the tone, the vision and the look of the world works brilliantly alongside an amazing synthesiser score from Hans Zimmer and Benjamin Wallfisch which is fantastic and truly groundbreaking. This beginning also provides us with a set of interesting characters (at first) and Gosling even throws in a joke – confirming a balance of components that works so well.


But like a malfunctioning android, the film begins to fall apart at times and although its style never falters once, it often fails to cover the cold tone and the incredibly slow pacing. At its best, its perfect visionary sci-fi yet at its worst it harks to Only God Forgives with repeatedly boring shots of a moody Ryan Gosling moping around a neon city at night in a drama-vacuum. The film makes sluggish progress and its script’s heavy-handed links to creation and A.I. are a result of further hackneyed garbage from Michael Green, the scribe of the awful Alien: Covenant.


In many ways it’s the perfect sequel – if you enjoyed the original I guarantee you’ll find the expansion and nods to it more than satisfying and for those who feel the original had flaws then this film clones them to a fault. Blade Runner 2049 therefore ends up being a truly technical tour-de-force but as cold as a glacier and moves about as fast.


7/10


Midlands Movies Mike

RSS Feed twitter