By midlandsmovies, Jul 29 2018 06:43PM
Sicario 2: Soldado (2018) Dir. Stefano Sollima
As a fan of Denis Villeneuve’s 2015 film Sicario (review here), I described his cross-border drama as a “taut thriller with fantastic performances…with a tight and efficient script and a strong central showing from [Emily] Blunt”. With excellent Roger Deakins’ photography, it has to be said that the film wasn’t screaming out for any kind of sequel but here we are and with the director, Deakins and Blunt all missing, the film has direct-to-Netflix written all over it.
However, with stars Josh Brolin and Benico Del Toro returning alongside a strong support cast including Catherine Keener, Mathew Modine, Elijah Rodriguez and Isabela Moner, the film is far better than anyone could have predicted. More of a spin-off than a true sequel we begin with a suicide bombing caused by Islamic extremists coming across the Mexican border. Brolin’s Matt Grave is tasked by the FBI to start a war between rival drug cartels to try and divert their attention. So he hires Del Toro’s black operative to stage a kidnapping of a warlord’s daughter (Isabela) to pin on their rivals.
Another cross-border vehicle chase is again the central highlight and the first 30 minutes have a mix of story setting and character development. However, the drama is slow, almost stopping at times, and the representation(s) of America’s enemies haven’t been this broad since the Art Malik’s Middle East caricature in True Lies.
Almost Robocop levels of fascism abounds at the start – yet without the satire – but the film’s positives help dilute some of the more problematic cultural themes and more nuanced questions are asked in the third act. Brolin and Del Toro provide amoral masculinity to the proceedings – Blunt is sorely missed as an antidote to this machismo – but their changing allegiances keep the narrative unpredictable and story threads involving.
[Slight spoiler] After its proved the bombings were nothing to do with the Mexico gangs, the FBI plans to erase all ties to their horrid plan. With the young Isabela being the pawn to sacrifice, Del Toro’s change of conscience is a thorn in the authority’s sides and figures he and Isabela themselves need to illegally cross back over the border to the USA.
With scenes of shocking violence and a side story about a boy being drawn into gangs developing into a major plot point towards the film’s end, Sicario 2 more than delivers as a hard-hitting slice of uncompromising cinema.
Without the holy trinity of Villeneuve, Deakins and Blunt – not to mention the tragic loss of the original’s composer Jóhann Jóhannsson – the film had huge sandy shoes it needed to fill. However, whilst a little rough around the edges, a strong script, a cast of dedicated performances and a moody score from Hildur Guðnadóttir, Sicario 2 shoves its problematic politics right in the audience’s face. Simply telling them to deal with it. The ruthless scenes are a stark reminder that audiences should be challenged to get them thinking whilst the film does this alongside some unforgiving excitement and entertainment.