By midlandsmovies, Dec 1 2017 01:16PM
Atomic Blonde (2017) Dir. David Leitch
This action thriller film stars Charlize Theron as a spy uncovering double agents in Europe during the downfall of the Berlin Wall in 1989.
Rather unoriginally, the film begins as a KGB agent steals a sensitive list of active-agents hidden in a wristwatch before cutting to a bruised and hurt Lorraine Broughton (Theron) as she proceeds to explain what happened in Berlin to her handlers. This flashback frames the story as the sarcastic agent recalls the events to the CIA (John Goodman) and her MI6 superior (Toby Jones) and what unfolds is her experience to recover the list and uncover the identity of a double agent within the ranks.
All of this sets up a series of amazingly-filmed action sequences and the comparisons to this year’s John Wick: Chapter 2 are easy to see – no less obvious as director Leitch is also a producer on that film. With Mad Max: Fury Road, Theron showed she could handle punches, kicks and bone crushing fights and we get even more here with her central performance is key to the film’s charm.
Theron’s natural allure helps the audience get behind her mission but it’s the long one-take action scenes that are the film’s selling point. From bashing battles to bullets banging, the film mixes fantastic fight choreography with running, explosions and vehicle chases in a variety of exciting sequences that will keep you entertained, even though the clichéd story line hits familiar plot points.
The Berlin background is a nice change to the usual bland American cityscapes, but it is the 80s soundtrack and extreme lighting that really gives the film a different feel to its contemporaries. Like an action-filled Neon Demon, the colours pop from the screen whilst musical hits (and covers of hits) from Bowie, George Michael, The Clash and more help establish the historical context but also give the movie a soundtrack coolness not seen since the Guardians of the Galaxy films.
Support comes from a slightly bland and broad James McAvoy as an agent who is all, well, James McAvoy-like, whilst Sofia Boutella as Delphine plays an undercover French agent who is also Lorraine's lover. It’s great the film pays no attention to this seemingly edgy choice for a lead character's sexuality in a major release which is not only honourable, but fits well into the film’s narrative perfectly.
But in the end, like John Wick (with which there’s talk of possible a cross-over film), the movie is held together by the central show from Theron herself. She gives this exciting film a much-needed bout of sultriness, strength and poise alongside expertly handling the violent and bloody punch-ups.
Midlands Movies Mike