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By midlandsmovies, Sep 15 2018 04:28PM



Midlands Review - The Night They Crashed Here


Directed by Jack Veasey


“It was just another normal day” proclaims a voice at the start of new sci-fi drama The Night They Crashed Here, but this new short from Jack Veasey moves very quickly away from any sense of “normal” to much more sinister themes.


Filmed in early 2018 around Coventry and from the director of Tony, George Wills stars as Paul Jones who introduces himself via a Bogart-like voiceover. However his interviews are the product of his press reporter credentials rather than those of a private detective. The film is entirely shot in black and white and along with the voiceover, the noir influences can be seen from the start including the brick wall motifs and the low-key lighting.


As Jones exits his vehicle after a particularly strong storm, he stands against a cloudy sky and as great tension building noise reaches a crescendo he witnesses strange lightning which bolts to the earth. This eerie phenomenon is excellently realised and the filmmaker’s insistence on holding on the shot an agonisingly long time was just perfect to keep the viewer on edge.


The inventive and creative special effects compliment the very well-lit locations and the film echoes Sin City at times - but here the director has achieved his look without green screen. And the stark contrasting lighting lets the shadows do a lot of the work to create a sense of mystery and intrigue. As Jones arrives at the landing site, he spies a mysterious pod in the rubble and removes a strange device which appears to infect him when the deceased alien arm originally holding it shocks it back into life.


About half way through the music changes to a slightly odd glockenspiel style ditty which although evoked the Raymond Chandler-based flicks of the 40s seemed at odds with the sci-fi direction of the plot. Although no doubt intentional this clash between the old and new became a bit of a concern throughout.


The voice from Jones is sadly a little monotone too and could have used a bit more energy or verve in the delivery of the dialogue. The importance of one line is no different to any other which was unfortunately a little bland. Very soon after, a couple of fellow reporters arrive (Andre Pierre as Smith and Becki Lloyd as Williams) and they discuss the dead body. With the possibility of a high-paying scoop about an extra-terrestrial, they plan to claim the discovery as their own. Which will be to the detriment of Jones who they need out the way.


When Jones is approached from behind by Smith, he lashes out in surprise and we start to get hints that he may be succumbing to an alien infection as his ears bleed and his emotions drain. The tale twists again as another morally ambiguous deal is suggested between Smith and Jones to get rid of Williams. And whilst Smith plays a con on both sides to cover his intentions, Jones is hiding a lot more from them both.


The music changes once more at the film’s end – echoing a melodramatic silent film score of sorts – and the short again hints to its retro influences. Like a good noir, there are double crosses and dark realisations that materialise towards it conclusion. And on a technical level, the film uses noir traits like unbalanced compositions, dramatic shadows and skewed shots as well as, literally, an ‘alienated’ protagonist.


In conclusion, looking back with its music and style but forward with its fantastic effects and sci-fi approach, The Night They Crashed Here is an interesting experiment to mix two unlikely genres. And whilst not always delivering the cohesion needed to blend old and new influences, has enough going for it to make it an inventive hardboiled slice of noir and science fiction.


Mike Sales


By midlandsmovies, Oct 30 2017 04:48PM


Graycon (2017) Dir. Duaine Carma Roberts


A young couple who attempt to care for their virus infected daughter opens this brand new sci-fi drama from West Midlands filmmaker Duaine Carma Roberts.


After the young girl’s bloody cough turns worse, not even a pill administered by her father Joe (Andre Pierre) can save the poor child’s life, despite being convinced he has found a possible cure. The couple subsequently play the blame game before the background of the pill becomes a point of contention and although the mother attempts to move on with life, the father still questions why the cure failed.


In a parallel story, we are then introduced to the murky background of the virus and medication and are told that Joe’s friend Jordan (April Nerissa Hudson) is also attempting to save someone she loves. However, Jordan has betrayed murky businessman Ryan (James Edge) in her attempts to save her infected brother and the consequences of her decisions could be fatal to all involved.


As the antagonist Ryan, James Edge channels Tom Hiddleston-levels of evilness in an OTT performance that’s a joy to watch as he threatens more repercussions on the two scientists. Dressed in a trench-coat wardrobe, he delivers a fun role of ticks, stares and menacing hand gestures that balances the more serious dramatic turns from the talented Pierre and Hudson.


Soon a steam-punk time travel “device” called Graycon is introduced that Joe hopes can save his daughter in the past but both he and Jordan are increasingly troubled with the issues in the present. As Ryan tries to track them down he not only wants to get his hands on the device but to halt further development and make himself a rich man from any cure.


On the technical side, a simple piano score is effective and compliments the drama whilst also allowing a suitable level of tension to rise with its repeated musical motifs. If there was just one criticism it would be that the sound mix had a few volume “jumps” and the fighting, although well choreographed, could have utilised some stronger ‘punch’ noise-effects to go along with the brutal visuals – but both these are minor points in a top notch short.


The handheld camerawork maintained a sense of unease and moved in for close-ups when the drama’s intensity exploded into raised voices and fist fights yet it is the strong performances that are the film’s main draw throughout.


Both leads are first rate with Andre Pierre’s intensity as a father searching to correct past mistakes helping to centre the film and April Nerissa Hudson is given emotional scenes as a vulnerable sister trying to do right by her brother. Her poignant style is sensitive and strong and outstanding support also comes in the form of Adaya Henry, Romayah McCalla, Ackeem Gibbs and Nisaro Karim.


Overall, Roberts has provided a tight script with lashings of drama and action to help create an effective time-travel journey. The obligatory bouts of exposition – as are the norm in such sci-fi fare – are kept to a minimum but when they are required, Roberts uses exciting scenes, excellent performances and quirky dialogue delivery to keep things moving when information is being passed on.


A suitable open-to-interpretation ending is the perfect note to conclude the short with, and Graycon confirms that the best stories are ones where an audience can identify with well-rounded characters. And it hugely helps that Roberts has secured such high-quality actors to inhabit these roles. So with all the right elements in place, Graycon is a solid success which consistently delivers a satisfying drama and captures the imagination one moment at a time.


Midlands Movies Mike

By midlandsmovies, Sep 19 2017 10:07AM



Midlands Professional - Birmingham actor Andre Pierre


Our Professional series continues as Midlands Movies chats to Andre Pierre – an actor form the region who shares his background and experience in the industry.


Mike finds out more about his past projects as well as his new major 2018 film “15 Minutes of War” directed by Fred Grivois.


The Midlands

Andre Pierre is a professional actor from Birmingham (West Midlands) and is represented by IPM (Imperial Personal Management). With over 7 years of acting experience, including workshops at The Crescent Theatre and Millennium Point, he took his experience to the Birmingham Theatre School before moving into short and feature films, TV and theatre.


“I have a variety of upcoming films coming up including sci-Fi drama “Graycon” directed by Duaine Carma Roberts, superhero TV pilot “Lucid The Dreamwalker”, an action thriller feature film “TONY” and an urban drama feature film called “Blitz In The Bitz” which are all premiering in October”.



Acting beginnings

“My foundation for acting in general started when I was 13. My first role into films was an educational short film called “My Life My Choice” and it was the first time I auditioned for any kind of film project. At the time I had no clue to how big and how much attention this film was going to receive”.


The trailer to the film went viral which was closely followed by a premiere at Star City in Birmingham. Andre Pierre continues, “Being part of this made me realise the power a film can have on people and was the turning point for me to become a professional actor. Since then I’ve had numerous leading and supporting roles”.


Exclusive Shot From Short Film “Last Night In Freedom” Directed By Click Jones Coming Soon
Exclusive Shot From Short Film “Last Night In Freedom” Directed By Click Jones Coming Soon

Overcoming Hurdles

“Staying committed regardless of how many no’s you receive sounds like a cliché but it’s very true in this industry. You have to have thick skin because part of your job is dealing with criticism from your audience, critics, directors, casting directors etc. You are going to judged by everyone and it’s something you cannot get past so you have to whole heartedly believe in yourself, believe in your talent and believe in your work ethic to reach the goals you set out for yourself”.




Superhero TV Pilot "Lucid The Dreamwalker" Directed By The Johnson Bros Coming Soon


Acting methods

“I always analyse the script and talk with the director first and foremost to make sure what direction they want the character to go in. But I always bring honesty and authenticity to my performances so want to make sure that you see the truth in the characters I’m playing. This needs to be related to the story so you are invested in them along their journey. I always try to see how my character moves and talks, how does he react in various situations etc so a lot of research in one or another. I always want my characters to be relatable, interesting and as grounded as possible to give the best performances”.


Challenges faced by actors on local films

“There are so many challenges it varies but it could be from noise being too loud on the location, actors dropping out at the last minute and filming days going on longer than expected. I would say, for actors, just prepare yourself for anything on an independent or short film because it’s all training grounds for the bigger platforms and it only helps you to get better at your craft when you go through these experiences”.

Andre Pierre Playing James From Feature Film “TONY” Directed By Jack Veasey
Andre Pierre Playing James From Feature Film “TONY” Directed By Jack Veasey

Acting experiences

“I think my best acting experience was filming in Morocco for the feature film “15 Minutes Of War” (15 Minutes De Guerre). It has been my first role filming abroad but also my first big role on a film on this scale with so much action, working with a Hollywood actress and rising movie stars as well as a critically acclaimed director. It’s been like nothing I’ve ever done before. I was developing the character, learning the language and filming the first week in Casablanca before shooting the rest of the film in Marrakech in the desert which was challenging within itself but also a pure joy I will never forget. The worst experience was not being fully prepared for an audition when I was starting out. It was so horrible [laughs] but it was also a learning curve for me to always to be ready and give yourself enough time to prepare for auditions in the future. I made sure that never happened again”.


Advice for beginners

“The best advice I can pass on is to try and get some form of training whether it’s in drama or theatre school, performing arts courses or acting workshops. This training gives you the foundation and tools to become the best performer possible. Using Star Now or Mandy (Casting Call Pro) are good for getting started to find some form of work as well. Another alternative route is to find friends that are making films and get involved - or even just create your own films”.


Best advice from others

“I was told to ‘risk everything’ and what I take from that is you have to risk looking like an idiot at times to bring out the best performance. There’s been many times where either the director or I had to push myself even further to bring out my full potential and sometimes you might think that’s not normal or you might be self conscious. That is the very thing what pushes it from good to great so I would always say push past your comfort zone. Now, when I’m usually fearful of something I haven’t done before, it only encourages me to do better and discover new skills about myself I thought I didn’t have”.


A Shot From Short Film “The Glove Game: Beginning” Directed By Josh Bliss
A Shot From Short Film “The Glove Game: Beginning” Directed By Josh Bliss

Future plans

“The future is looking very bright for next year and beyond. I’ll be in a lot more feature films and TV shows. My work is already opening up more opportunities than I ever imagined so I will be in fewer short films than before. The journey has been full of many surprises and I feel very blessed and thankful to be in this position right now”.


Final words

“I would say that you have to believe in yourself first and foremost and love the craft because this journey won’t be easy. It’s not going to happen overnight so enjoy the process, enjoy the journey and learn as much as you can from other creatives. Don’t wait on that big opportunity to come to you work towards it now whether it’s being part of theatre or short and independent films but get yourself out there and make your career happen!”.


Check out more from Andre Pierre on his Spotlight page here: https://www.spotlight.com/interactive/cv/0811-3493-3372


A Shot From Horror Short Film “Bless You” Directed By Daryl Grizzle



Midlands Movies Mike

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