Review - The Hitmans Bodyguard
By midlandsmovies, Aug 29 2017 08:57AM
The Hitman’s Bodyguard (2017) Dir. Patrick Hughes
The very vocal Ryan “quips and quirks” Reynolds and Samuel “mother*cker” L. Jackson star in this action film, which tells the story of a disgraced bodyguard making amends by bringing a witness to a war crimes trial. Gary Oldman hams it up as the Russian gangster the authorities are attempting to bring to justice and the film mixes an 80s buddy-comedy tone with the old-school explosions of a Die Hard or Con Air.
It’s nowhere near as good as those influences however, as both actors deliver dialogue in their usual fast-paced style but ideally you need a straight man rather than two similar personalities. One huge flaw is the amount of unnecessary and endless swearing though. I’m not offended by it, quite the opposite given my love for Scorsese and Tarantino’s back catalogue, but it seems so lazy here. At times it feels as much as 50% of sentences!
In addition, the jump from the seriousness of the trial and the film's themes of loss are tonally mis-matched and the music is truly awful moving from Mr. Bean comedy jingles to cheesy rock via Goldeneye-era Bond strings. Clamouring out for the nods and winks of The Nice Guys or even The Other Guys, the film does get better as it goes along with two fantastically filmed vehicle chase sequences as they head around the tight streets of Amsterdam. Cars, bikes, boats and trams combine with real-life action stunts to provide a few much-needed thrills in the picturesque city. Sadly the boring antics around the UK countryside and lazy-ass CGI backgrounds of the conversation car sequences are again another disappointment.
It also has echoes of R.I.P.D. which saw Reynolds team up with Jeff Bridges – another award-winning older actor – and although it’s nowhere near as bad as that truly awful film, The Hitman’s Bodyguard similarly cannot use these actors’ great charisma to overcome the poor material. Salma Hayek gives a refreshing and funny turn as Jackson’s incarcerated girlfriend but who is sadly burdened, like the leads, with a huge amount of expletives in place of clever dialogue.
Overall, it’s a peculiar mix with some superb action highs and some very strange expletive-laden lows. The film could have used Gary Oldman’s penchant for over-the-top bad-guy performances as a more traditional baddie and avoided the war crimes aspect of his character. If you’ve got Oldman at least give him some scenery to chew. Shaving 20 minutes off the run-time wouldn’t have gone amiss either but the final impression is that this is a film which despite its interesting parts, gets the balance just wrong enough to turn an entertaining romp into a disappointing slog. If you're still interested then I'd advise you watch with friends and a LOT of beer.
Midlands Movies Mike