Review - Stan and Ollie
By midlandsmovies, May 26 2019 03:39PM
Stan & Ollie (2019) Dir. Jon S. Baird
Beginning in 1937, a tremendously long one-take shot pulls us into the Hollywood world of one of comedy’s most iconic duos where Stan Laurel and Oliver Hardy move through a studio backlot to a film set during their heyday. However, as Stan is on a different contract to Ollie, a rift is borne which continues to 1953 where the more mature duo embark on a gruelling UK-wide tour as part of a planned comeback.
Composed of Englishman Stan Laurel & American Oliver Hardy, their slapstick comedy was a hit with war-time audiences and they went on to star in over 100 films together. John C. Reilly is covered in prosthetics to play the portly Oliver Hardy, whilst comedian Steve Coogan is a spitting image for the “confused” persona of Stan Laurel. However, despite Stan and Ollie's well-known on-screen traits, the creative partnership begin to struggle with a music hall tour of the UK in the hopes of getting another film made.
Checking-in to rough hotels and playing to a run of empty theatres, Reilly and Coogan give magnetic performances as the two elderly men coming to terms with some of their glamour slipping away. Coogan especially, whose legendary Alan Partridge alter-ego I am a huge fan of, finally (for me) ditches Alan’s mannerisms and this films contains probably Coogan’s best movie screen performance to date.
As the duo begin to fill up more theatres owing to a string of publicity events, their past catches up to them and whilst their wives come to visit from Los Angeles (another fantastic double act from Shirley Henderson as Lucille Hardy and Nina Arianda as Ida Kitaeva Laurel), the tension boils over into a public spat.
Filmed right here in the Midlands, some scenes were shot in Dudley as well as The Old Rep theatre in Birmingham and also along the Great Central Railway in Leicestershire. We get old-fashioned and charming set-ups in a loving homage to both the duo and their trade. Baird’s direction is unfussy and straightforward, which allows the actors to shine. But it’s delightfulness of tone does sometimes push the film towards being a tad artless and plain.
As their past feelings of reciprocated betrayal are revealed, the film's amiable drama does moves into a slightly more interesting take on resentment, creativity and mutual respect.
When Ollie has a heart-attack, it marks the beginning of a reconciliation and the pleasantness is re-established. And the film shows great fondness and respect for the two great men and reveals a little about their motivations and inspirations.
However, as humble as it is, the film at times slips into mawkishness and some of the curious simplicity results in some underdeveloped sequences. That said, the movie made me want to watch many more of the duo’s finest celluloid moments and the two leads pull off more than just a great imitation. Although at times a bit wishy-washy, Stan and Ollie is a humble and uncomplicated look at two mesmerising legends in a quaint tribute piece.