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Review - Justice League

By midlandsmovies, Nov 20 2017 02:00PM

Justice League (2017) Dir. Zack Snyder

With 4 films now under their belt, DC is still a studio confused as to what it wants to achieve from its flagship franchise characters as we get to a film that sees their previously covered legends Batman, Superman and Wonder Woman join the Flash, Aquaman and Cyborg to take on a planet destroying threat. After director Zack Snyder dropped out owing to a family tragedy, in stepped comic fan-boy Joss Whedon who has clearly added his own lightweight banter to a series steeped in muted colours and moody awfulness.


The plot is simple as Ben Affleck’s Bruce Wayne attempts to persuade other meta-humans to join his team in order to stop evil monster Steppenwolf and his army of Parademons. And that’s it. Batman vs. Superman’s awkward complexity is jettisoned for a simple story and a sub-2 hour runtime but even so, many scenes and characters make little sense – even the ones that have already had an entire film devoted to them.


As a huge fan of Snyder, Whedon and DC characters (see my 2013 favourite superhero films of all time blog), where a reported $300 million was spent is anyone’s guess? The bland CGI Steppenwolf is a boring Scorpion-King nothing and although it’s slightly more coherent than say Suicide Squad, I’ve never had the inclination to see Batman in Lord of the Rings as he battles hordes of fantasy-like winged orcs in Playstation-quality video game visuals.


The League (read Avengers) are formed to stop the coming together of 3 ‘power boxes’ (read Infinity Stones) as other-worldly civilisations like the Atlantians and Amazonians (read Asgardians) fight a CGI fantasy bad-guy (read Thanos) and his parademon army (read Chitauri). Unoriginal and desperate, the film uses Danny Elfman and John Williams’ classic scores in a poor attempt to add class to a very unclassy product.


It not only reminds you of other films, Flash’s slow-motion escapades echo Quicksilver in X-Men: Days of Future Past, but it also reminds you of how good those other films are in comparison. The added Whedon reshoots don’t stand out because nothing relates to any other scene at all anyway, so who would notice. And the obligatory orange and teal colour palette one hour in (a horrid design aesthetic seen in BvS and Wonder Woman already) appears with orange flames and cold blue characters, but one improvement is that they’ve avoided Snyder’s dull colour grading to let some bright images jump from the screen.


The actors are actually quite likeable but they’re not just fighting Steppenwolf, they’re fighting an uphill battle against an awful plot and dialogue. New characters like Cyborg have underdeveloped relationships and back-stories that are brushed over in single sentences of exposition like reading a summary on Wikipedia.


*SPOILER* As the gang attempt to harness the powers of Superman to help their cause, the film delves into one of its best aspects as a particular scene (still heavily drenched in CGI) shows the team battling with the Man of Steel who is confused as to his resurrection. It’s a fun, exciting and totally understandable scene with a clear goal and antagonist. It’s also one that could (should?) have been used as the basis of an entirely different film in an alternative DC timeline full of interesting themes and well established motivations.


Sadly, the film fails to build upon that single scene and the worst thing is that this is DC’s 5th film and in my opinion still worse than their first attempt. Snyder ultimately ends by replacing Joel Schumacher’s legendary bad Batman and Robin’s fake sets and outfits with legendary bad fake CGI and design. As the film fumbles its way into the end-zone final battle, it genuinely looks like everyone has given up. The actors, the computer generated visuals, the recycled scores and the dull boring action sequences simply summarise where their universe is at. If there was any justice in this world, DC would wipe the slate clean and chalk these films up as an admirable failure and resurrect their own franchise with the “hope” this film attempts to leave us with.


5.5/10


Midlands Movies Mike

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