Review - I Kill Giants
By midlandsmovies, Apr 2 2018 08:08PM
I Kill Giants (2018) Dir. Anders Walter
Based upon the graphic novel I Kill Giants by Joe Kelly (writer) and Ken Niimura (artist), I Kill Giants was written in 2008 before A Monster Calls but has unfortunately been released as a movie a year after. This results in the tale having some familiarity but, for me, it didn’t harm the film one little bit given the quality on show.
In this film, a fantastic Madison Wolfe plays disturbed young girl Barbara Thorson who is a dungeons and dragons playing loner who escapes the troubles of her life by retreating into a world of fantasy. Sound familiar? Maybe so, but the film explores a great deal about growing up in an intelligent way through the eyes of children. Passionate for fantasy board games with multi-sided dice, Barbara lives with her disinterested video-game obsessed brother. Together they are both looked after by their put-upon sister Karen, in which Imogen Poots plays the stressed older sibling brilliantly.
Barbara is shown to be intelligent and witty but also boisterous and looks down on her family (and teachers) with scorn. This ensures she is friendless and spends most of her time creating homemade spells and potions out of random finds, which are then used to lure huge monsters. Wolfe is so convincing that from great character introductions at the start, I was unsure whether her creative world was in fact real or not. Her feisty Barbara is only ever seen alone with the monsters and although the question is rapidly cleared up, the film explores childhood creativity and frustrations in a way that patronises neither children nor the adults who have relationships with them.
Warnings and markings are scrawled by Barbara at home, on the beach and at school to protect herself and others from (an imagined?) harm but this brings her to the attention to Zoe Saldana’s school counsellor. Finding it hard to break into Barbara’s world, the sassy youngster equally infuriates and intrigues Saldana as she relentlessly keeps her guard up. Back home, Barbara meets an English girl Sophia (Sydney Wade) who is new to the area and slowly they form a bond. Barbara begins to trust her enough to show her a private sanctuary she has created as well as share details of the different types of giant she is aware of.
Far from a fantasy, the depiction of youngsters sharing secrets, having their own protective space and also passing paper messages between each other were entirely relatable aspects of growing up. Barbara creates her own “medicine” from unique items to stop the monsters she feels are going to attack her loved ones but the film ensures the relationships feel less fantastical and more authentic. And her strong smart exterior is used as protection against real bullies, teachers and the “giant” issues she faces.
The film’s tone had an ‘Amblin’ flavour at times which was no bad thing either. The music and bike-riding definitely had the young charm of The Goonies whilst the chirpy piano score felt more than reminiscent of 1980’s Spielberg and JJ Abrams’ Super 8 (2011). And finding out it was produced by Christopher Columbus was therefore of no surprise either. The CGI forest giants and the ominous presence of a Treebeard-esque shadow monster upstairs in Barbara’s home were well-rendered but, like last year’s Colossal, the little explored “women-against-giant-monsters” sub-genre is again much more than meets the eye.
Without spoiling the film, the giants represent far more than can be imagined and although this is explicitly stated, there always seemed to be a mystery until the final third of the movie. It’s a fantastic look at childhood fun, trauma and life-learning from blood oaths to the frustration of P.E. lessons and all this is done with the right balance of fun and seriousness.
A slightly predictable parable – although it gives far less away than the A Monster Calls trailer – I Kill Giants is a brilliant and inspired coming-of-age comedy drama that sits in the same space as that film. A strong cast of performers are led by Madison Wolfe who is front and centre, and deservedly so, from the start. Dealing with difficult issues and seen from the viewpoint of a bright but troubled young girl, the final twist in the tale tackles much heartbreak within its skilful narrative. But, as we are moved on this poignant journey, I Kill Giants becomes one fictional world you won’t want to escape from.
Midlands Movies Mike