REVIEW - Score - A Film Music Documentary
By midlandsmovies, Mar 16 2018 04:19PM
Score: A Film Music Documentary (2016) Dir. Matt Schrader
If music be the food of love play on! This fantastic documentary has a who’s who roster of infamous film music composers and the sheer range of the talent on offer is worth a watch even to a passing fan of the medium.
But if you enjoy film then you must certainly be a fan. Hans Zimmer, Danny Elfman, John Williams, Trent Reznor, Tom Holkenborg, Randy Newman, Alexandre Desplat are just some of the stars interviewed in the amazing story of movie music.
Throughout, every aspect of the process is covered, as well as the historical context, and some of the pure joy is simply listening to the interviewees talking about their influences and contemporaries.
From James Cameron explaining a spotting session (where a director and composer get together to decide where music is going to be) to Hans Zimmer talking about the fear of the first meeting (“I think you better phone John Williams, I have no idea how to do this”) the trials of composing and the enjoyment of the challenges comes across in each talking-head segment.
The documentary shows Rachel Portman working on the film RACE with a screen next to her piano which a fantastic insight into her particular process whilst the film discusses motifs (such as those in Close Encounters & Lord of the Rings) and other music theory in simple but passionate terms.
Historically we see Alex North’s A Streetcar Named Desire revolutionary music as well as John Barry’s swinging big band scores (James Bond). Giving further context, current Bond composer David Arnold adds no spy film would feel like one without similar style which is the same for Morricone’s iconic sounds of Spaghetti Westerns.
From the toy piano in the intro music to the TV show Rugrats to orchestral pieces, no style is left uncovered and there’s fun to be had as the composers run through their strangest instruments in a montage of the weird and wonderful.
We are told “There’s no such thing as the wrong way to do something” as the diversity of music styles and the iconic films they are from are interrogated. Drums of Mad Max: Fury Road give way to segments about the science behind music. One of the most interesting parts describes the physiological response within the brain, followed by Moby’s “air molecules” analogy.
As Randy Newman fawns over Gerry Goldsmith we get the arrival of John Williams and his incredible splash of Star Wars and Jaws in the 70s. His rediscovery of classic orchestral scores (e.g. Superman, Indiana Jones) saw a revival of the medium leading all the way to his Duel of the Fates choir at Abbey Road.
If there was one flaw it would be that we only briefly get a piece of the history/composer before we move on to the next. Many of the explorations of genres, individual composers, music history and instrumentation go by so quickly, it can be a little frustrating. Each one alone could have entire documentaries of their own dedicated to their part but it’s a small gripe in a mostly fascinating piece.
Taking us from the need for music to cover up noisy projectors at the turn of the 20th century to Trent Reznor’s experimentations in his Oscar-winning The Social Network sound design, SCORE is a comprehensive documentary covering all the major players in over 100 years of movie music. Although brief at times, it barely misses a beat and if you’re not reaching for your LPs, CD shelf or Spotify account after watching this then I’m not sure you have any right to call yourself a film fan.
Midlands Movies Mike