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Midlands Review - The Cold Caller

By midlandsmovies, Aug 16 2019 06:59AM



Midlands Review - The Cold Caller


Directed by Lee Charlish


2019


Korky Films


Made for under £500, The Cold Caller is a new horror short from prolific local filmmaker Lee Charlish of Korky Films


The director says it pays homage to 70s and 80s schlock which can be seen in the opening sequence where we find a with a woman tied to a chair in what looks like a killer’s scary basement.


Bound by the wrists and legs, the eerie location is filled with battered dolls, candlesticks and other paraphernalia that look straight out of Buffalo Bill’s home.


The blonde victim awakes to her predicament and spies a silhouetted person with a cleaver behind some plastic sheeting - the kind you see in an abattoir. The man is also masked in a homemade head covering which nods to similar fare seen in The Texas Chainsaw Massacre crossed with more recent horror Apostle.


The extensive production design has been clearly well-made and each item in the basement seems to nod to a movie in the genre. The director however appears to want to focus on this and so the shots seem a little gratuitous in displaying the hard production work rather than serve the story too much, certainly at the beginning.


However, with a clear love for slashers of the past some later shots certainly hint upon a nasty history in this place – a map with photos of girls pinned on the wall, a disgusting tea set on the table and jars of “who knows what” on a shelf.


Charlish does do a great job with the show-don’t-tell rule though. Tension builds from our own recollection of what these objects could signify from their place in horror cinema. And other than the cleaver on the chopping board and some heavy breathing as the girl begins to realise her plight, a freaky string-infused score is almost the sole sound of the short.


That is before the masked captor is shown creating some food whilst listening to an old-timey record as he possibly prepares a “last meal” for the kidnapped girl.


The film then turns on its head with a big dose of comedy but then quickly turns to a surprising grisly conclusion. The double-hander of the last two revelations are placed so closely in opposition to each other that it could jolt the viewer too quickly from one emotion to another - sadly not allowing either one to hit fully. I suspect that is the intention though and it’s better to be astonished by too much than indifferent with too little.


The Cold Caller then lovingly (can you call it that?) acknowledges the slashers of the past with a sympathetic young adult tortured by a deranged predator. The twist helps give the 3-minute short a bombshell ending and its mixing of tones recognises the roots of classic horror-comedies. So check out the short if you can, as you may just get a satisfying buzz from the tropes which will keep you on the hook from the start.


Michael Sales

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