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Midlands Review - Sat-Nav

By midlandsmovies, Aug 11 2019 04:24PM



Sat-Nav


Directed by Lianne Moonraven


2019


Sat-Nav is a new short film which comes courtesy of Liane Moonraven, a West Midlands based director who tackles a problem that seemingly we’ve all have had with our Sat-Nav but there’s much more than bad directions in this dark drama.


Originally from America, Lianne has made the Midlands her home and apparently the short was brought back from the brink owing to complications in the production.


However, you wouldn’t notice it as the ominous music and digitised font of the title sets up excellently this mysterious short. Vicky Moloney plays Erica Bridges who grabs a coffee on the go whilst explaining to a friend on the phone how she’s not ready to date just yet after a failed relationship.


Entering her car she types in her friend’s Post Code into the Sat-Nav and heads off in her vehicle. More of the scary score accompanies her drive as the male voice on the Sat-Nav calmly gives her directions to her destination.


The technical aspects are more than solid whilst the sound is particularly well mixed and put-together given the various conversations, phone-calls and driving sounds as well as the recorded voice coming from the unit.


Functional without being flashy, Sat-Nav works best in its storytelling. After a phone call from her mum warning her of her ex-boyfriend, the film ratchets up tension as Erica tries to get the unit to recalculate but she gets lost and ends up far from where she thought.


As we continue the drive with her, her ex calls and finally she arrives at a deserted piece of land. The film’s denouement wasn’t too much of a surprise but all the threads that were set up pay off and the unanswered ringing telephone at the end was an eerie final calling card.


Sat-Nav therefore ends up being a laid-back but well executed short and is far superior to the director’s first film Assassins (review here). With a few rough edges to smooth off and if Moonraven can add a dash of cinematic sheen to the mix, then I’m excited for the filmmaker’s next short as unlike our protagonist in Sat-Nav, she’s more than headed in the right direction.


Michael Sales


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