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Midlands Review - Knots Untie

By midlandsmovies, May 8 2018 07:50PM



Knots Untie (2018)


Directed by A-jay Hackett


Writer and director Ajay Hackett’s latest short film is something reminiscent of her childhood. Knots Untie is based around her relationship with her dad when she was little, and ultimately the film consists of some really touching moments as a result.


What I liked about the film is that it had the ability to take the viewer back to when they were a little kid.


There was one shot of our young widower David Stallard and his daughter Harriet Ling reading the day’s papers and that reminded me so much of how I used to copy my grandad when I was little. To be able to take a person back to moments like that is a majorly powerful quality for any film to have, but I have noticed that short films such as this one do very well when they include such scenes.


I think it’s because the films need to compensate for not having the freedom to tell a three hour long saga, because generally speaking, without a decent story to get your teeth into, it can sometimes be difficult to get fully into what you’re watching. By adding these personal touches that connect so strongly with viewers, you can avoid the need for a Lord Of The Rings scale story because you’ve reminded them of something that ultimately keeps their attention focused on the film.


I also thought it was nice that straightaway the film blows out of the water all ideas you might have about what exactly the story is going to be about. The title, along with the opening shot of a sympathy card with a photograph in the background points towards something that potentially could be quite a bleak tale.


However, what we actually get to witness is something quite the opposite. Whilst it’s easy to look at this film and think that it’s about the memories a father has of his daughter when she was growing up, it can also be taken that there is some sort of deeper meaning that we should spend more time being thankful for what we have as opposed to dwelling on what we don’t, which is what I found the contrast between the opening shot and the rest of the film to be very symbolic of.


In terms of how the film was put together, I liked the hazy glow that was given to the times being looked back on. When compared to the present day shots, it was clear that those memories were happy ones because of the editing that had taken place there. It’s something that I’ve seen on a few occasions and I think it’s something that always works well when used in the right way, which was very much the case here.


If you’re looking for a film to take you back to when you were younger, remind you of times gone by, then you could do worse than Knots Untie. Hackett’s story here is one that is clearly deeply personal to her, but it’s one that has a lot of touches that have the potential to reach out to anyone who takes the time out of their day to watch it, which is where I believe it’s greatest strengths lie.

Kira Comerford


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