Midlands Review - I ll Be Here After the Factory Is Gone
By midlandsmovies, Sep 7 2018 03:41PM
Midlands Review - I'll Be Here After the Factory Is Gone
Directed by Luke Radford
Them Pesky Kids
This new film is the latest short from filmmaker Luke Radford which features a soundtrack from Nottingham band The Ruffs but contains far more narrative than you would expect from your average local music video.
The inspiration behind the short is Saturday Night and Sunday Morning, the 1960 British drama film directed by Karel Reisz. That itself is an adaptation of the 1958 novel of the same name by Alan Sillitoe, who also wrote the movie’s screenplay.
And like the book and the film, Radford has featured a young man drinking and partying whilst maintaining affairs and relationships that cause him more than his fair share of trouble.
We open with a young man (Aaron Lodge as Arthur Seaton) who types away at a keyboard in an office that could be any in Britain. However, Radford scores this sequence with the hard clanking of machinery which contradicts the formal office location we see on screen but is a fantastic nod to the Raleigh factory in Nottingham which provided this setting in the 1960 film.
As spreadsheets are discussed, coffee is drunk and staff chat on mobile phones, we are quickly shown the demoralising nature of a desk job that drains your soul. Much like in Fight Club (1999) or Wanted (2008) we get a young male protagonist sick of this grind and itching for the thrills of real life.
Radford speedily edits to upbeat music once Arthur leaves work and the quick cuts capture the excitement of a weekend. As the evening goes on, the rock n roll song is the perfect soundtrack for a night on the beers where pool is played and laughs are had. The inherent machismo is clear to see as Arthur heads to a club and the excellent neon and strobe lighting shows fantastic cinematography skill.
After chatting to a woman, we are then shown the couple waiting for that elusive post-clubbing kebab before cutting to the next morning where she wakes up to find him getting ready to leave. And his problems begin as the lady (Kelly Jaggers as Ruby) has a picture of her family next to the bed. This being a music video, there is no dialogue so Radford expertly creates meaning and plot through small details like this photograph. As Arthur consumes a traditional British breakfast, he returns home to his mum as Ruby’s husband returns to her.
The next sequence shows Arthur again on the town and this time takes a shine to another lady – slightly more his own age – and as the beers flow we see him cosy up to Anne (played by Esmee Matthews) back in another nightclub.
The film pauses briefly here and as the book itself is in two parts (the Saturday night and Sunday morning obviously) this short also establishes its own break as a secondary – more melancholic song – begins.
Arthur spends time with this new girl at an arcade and at a bowling alley (echoes of the amusement ride from the original film here too) but Ruby and her family are also here. The film then pulls no punches as Arthur enters a city underpass and a violent retribution is enacted by her husband and his friends.
There are consequences to his hedonism after all but does he deserve this? Well, the film doesn’t answer this question and like the book it’s inspired by, we see that as time passes his wounds slowly heal yet one final encounter with Ruby suggests he still has mixed feelings of settling down.
Radford’s film is a great adaptation of a classic British kitchen-sink drama and although he brings the story into the 21st century he does not let the core messages and themes get overshadowed by his update. With no dialogue the actors do well to convey their characters and Radford allows the images to direct the audience to the important plot developments. With love, violence, relationships and more all covered in its short 8-minute run time, Radford has admirably condensed a large cinematic tale into a succinct adaptation without losing any of its power.
I’ll Be Here After the Factory Is Gone is screening before the original film on the 23rd September 2018 at 1pm at the Broadway Cinema in Nottingham
More details here: http://www.broadway.org.uk/events/film-saturday-night-and-sunday-morning1