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Midlands Review - Bare

By midlandsmovies, Aug 19 2018 07:30AM



Midlands Review - Bare


Recently released from prison is Steven Arnold’s Bill who in flashback is revealed to have been violent to his partner in a new drama film called BARE from Staffordshire director Ash Morris.


Bill initially seems withdrawn and somewhat forlorn as he makes his way back to his neighbourhood with his brother Ryan (Rob Haythorn of TV series Waterloo Road). Returning to his mum’s home, the narrative is interspersed with scenes of chaotic frenzy as we see Bob in his prison cell on the night of his arrest.


“A real man wouldn’t hit his woman", his mother screams at him at breakfast and the reality of his new position contrasts starkly with Ash Morris’ directorial use of flashbacks, which are a dreamy haze of blood and fierceness. A female victim, who is also pregnant, is seen drenched in blood staring at her reflection in a mirror seemingly contemplating the events that have just occurred.


Some smoky slow-motion shadow boxing and a Rocky-esque run in park with grey tracksuit shows Bill’s roots in violence before the film guides us to the shocking event itself.


Without scrimping on the graphic nature of the attack, we are then whisked back to present where William in joined by Bruce Jones (of Coronation Street) – an old friend who makes disturbingly light conversation of Will’s drink and violent past. And perhaps future.


Strangely, as although the violence isn’t condoned in Bare, the minor suggestion that alcohol or a woman’s taunting provokes the outrage is somewhat problematic. As someone who has been trained on the Freedom Programme, it is well established that whilst a lowering of inhibitions is without question through drink, the dominator shouldn’t be excused from choices made. Here in Bare, the character’s inherent violent nature could have been made more overt aside from the obvious boxing analogy.


That said, the film provides no easy answers and a great shot of blood-soaked water in a bath is a strikingly memorable image. Again, Bare doesn’t shy away from the harshness with a grotesque shot of his pregnant partner discharging blood shocking the audience in its deliberate portrayal.



Nottingham writer, and award-winning novelist, Nicola Monaghan says a lot with a little dialogue and the story’s non-linear structure gives us a glimpse into the past and future which was edited with great dexterity and form. Sound mixer Rick Smith, also from Nottingham, has worked on the This is England TV show and the brutal fist crunching, screaming matches and music are edited together brilliantly to give the film an aural jolt.


As we come to the film’s conclusion, a slide into the world of illegal underground fighting leaves hints, albeit small ones, of a touch of redemption and remorse as the reality of the consequences of the decisions he has made becoming hauntingly prescient.


A harsh uncompromising drama, Bare never lets up with its violence, darkness and serious tone which may be too much for sensitive viewers. However, it lays bare some horrible truths about domestic violence and the nature of its perpetrators, condemning and contemplating the various aspects of such situations. With technical flair and high production values, Bare is a fantastic Midlands film drama with strong performances from the whole cast and themes that will plague you long after watching.


Mike Sales




Watch the Bare teaser trailer below:






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