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By midlandsmovies, Nov 19 2018 12:40PM



Midlands Review - Teddy Bears Live Forever


Directed by Fabrizio Federico


Very rarely am I lost for words. I must admit that after watching Teddy Bears Live Forever, I experienced one of those occasions.


The film follows April, a young former ‘It’ girl who is effectively in exile after establishing multiple personality disorder, brought on following her time in Hollywood and as part of a UFO cult. As she embarks on a downwards spiral, April decides that is time for one of her six personalities to lose her virginity. In a solitary room, she starts to suffer bizarre flashbacks, sleepwalking, phoning rent boys, and listening to The Carpenters, whilst terrorizing her old guardian.


There is something very odd about every aspect of this film. The narrative, the structure, the look - all these things have been put together in such a way that is creates a massive disconnect between the film and its audience. For me personally, I was a little too detached from what was going on, and so found it quite difficult to stick with the film. However, I can see what the team behind it was going for with their approach. It felt like they tried to cause the viewer to experience some of the feelings that our lead character, April, was going through. She was isolated, and never really connected with anything that was going on around her. The story and the edit made it feel like this was a sensation they were aiming to create for the viewer as well, but like I said, I found it was a little too extreme and it missed me somewhat.


The film had a kind of found-footage/documentary feel to it, presumably to achieve the same effect that the writing hoped for. That was more of a hit for me. I couldn’t quite make sense of what was going on with the visuals, which I think worked well in bringing me closer to what April was experiencing herself.


It also gave the film an edgier appearance that certainly suited all its other aspects.


There were more than a few occasions where I found myself wondering what the hell had just happened. So much just doesn’t make sense. It is a very surreal film that seems to launch numerous relentless attacks on its viewer. I heard things that nearly made my eyes pop out of my head; I saw things that made me wish they had. As much as I tried to just go with the flow here, it just was not happening.


Teddy Bears Live Forever is just a very bizarre film. It’s almost like its main objective is to get its viewers talking about what they’ve just watched, which admittedly, seems to be a trend with some of the big Hollywood releases at the minute as well, so it definitely fits into the current bigger picture. It aims to create a visceral experience for its viewer, which on this occasion I have to say it didn’t quite hit the mark.


I think with a more open mind, a greater willingness to just go with it, and to resist questioning what is happening, more could be taken from it, however I don’t believe I can have the final say on that. It’s something that you can only experience for yourself in order to make your own mind up. I’m afraid that I can’t do that for you. I struggled to do it for myself, to be honest.


4/10


Kira Comerford


Twitter @FilmAndTV101


By midlandsmovies, Nov 19 2018 07:37AM

Movie themed events at Leicester Comedy Fest 2019


I swear it comes round quicker every year but it certainly gets bigger and better every year, so here we are once again providing you with some of the highlights of Leicester’s infamous Comedy Festival.


Running from Wednesday 6th February to Sunday 24th February 2019 the festival hosts a whole cavalcade of excellent events across the city in a now amazing 70 (!) venues.


And whilst there are comedy and hilarious shows of all types and genres – with something for everyone – as always we have checked out the festival programme to bring you a list of the best of the festival shows with a movie or cinematic theme for our film buff readers out there.


Without further ado please check out these fantastic looking events and for more shows and to purchase tickets please head to http://www.comedy-festival.co.uk/




The Big Lewbowski: Presented by Edy Hurst and Cinema Para-Discount

Attenborough Arts Centre

9th February

Cinema Para-Discount is a film night like no other, comedians are given the chance to create an interactive screening that enhances a film of their choice. Edy Hurst is an award-winning musical comedian. Armed with a guitar, loop pedal and assortment of DIY props, he'll be providing comic commentary on his favourite film, The Big Lebowski. Watch and help Edy bring the film to life with an alternate sound track and interactive games.




Robin Hood and the Revolting Peasants

The Y Theatre

10th February

With no less than 2 films related to the infamous Midlands legend heading our way in 2018, come join Robin, Little John, Maid Marion and Friar Tuck as they take on some of their hardest challenges to date: A conniving king, a sinister sheriff and a downtrodden village of peasants who's 'get up and go' has got up and gone. Can the merry band teach the baddies a lesson? The villagers to revolt? The world to sing? Find out when Oddsocks rumble in with the adventures of this legendary folk hero in a show for all the family. Suitable for ages 7+




The Just Us League: Improvengers Assemble

Grays @LCB Depot

10th February

IMPROVENGERS ASSEMBLE: The UK's premiere nerd-comedy duo, The Just Us League, bring their brand new show to Leicester Comedy Festival. Improvengers Assemble is the fully improvised Marvel-based comedy show. All the heroes. All the villains. Your story.




Nathan Cassidy: My Shawshank Redemption

The Cookie

14th February

On the film's 25th anniversary, award-winning comedian Cassidy with a stand-up show to the soundtrack of a masterpiece. Love can hold you prisoner. Crawling through sh*t can set you free. Happy Valentine's Day! 'Relentlessly laugh out loud, hilarious.' Edinburgh Eve News 2018 'Stormingly good' Kate Copstick 2018 'Piercingly sarcastic jibes have a touch of Stewart Lee' Chortle 2017




Rik Carranza: Star Trek vs Star Wars

O’Neills

14th February

The hit film-related show of Edfringe 2016, 2017 and 2018 comes to Leicester! Rik Carranza guides two comedians through the ultimate comedy panel show that boldly goes to a galaxy far, far away. Kirk vs Solo, Klingon vs Wookie, Neelix vs Jar Jar Binks? There can only be one winner and you, the audience, decide. 'Exceptionally nerdy and hysterically funny' FringeBiscuit.co.uk 'Fun for geeks and all' **** Voice Mag.




Action Figure Archive with Steve McLean

Grays @LCB Depot

17th February

Steve opens his old toy box and rediscovers your faves from He-Man, Transformers, Star Wars and many more (about three more). Remember when toys were better? Your memory might be playing tricks on you. Action Figure Archive is a hit with audiences and the critics alike - ''A hilarious walk down memory lane'' The Scotland Herald, ''A fun examination of nostalgia and nerdiness'' Wired Magazine. "Geeks and nerds unite in this fun show" Geek-List.




The Extraordinary Time-Travelling Adventures of Baron Munchausen

Attenborough Arts Centre

21st/22nd/23rd February

Amazing tales elegantly told. Made into an 80s cult classic by ex-Python Terry Gilliam, this version of the tale has top award-winning comedians and improvisors telling extravagant stories all based on the Adventures of Baron Munchausen. There will be swords, and duels, and elephants and castles built of cheese, and all of it is completely and irrefutably true. Leicester Comedy Festival "Best Children's Show 2018" Nominee.




Hats off to Laurel & Hardy

The Guildhall

22nd February

With the new Midlands-made and Steve Coogan-starring film from John Baird soon to be released, the award-winning Lucky Dog bring their internationally renowned biopic about the best-loved comedy duo of all-time back to Leicester Guildhall. Widely regarded as being the most accurate show ever written about The Boys, it is the closest thing you can get to seeing the original pair in action. Be prepared to laugh your socks off before having your heart broken.




Comedy Film Show – Some Like it Hot

Harborough Theatre

22nd February

Some Like It Hot (12) (1959) Director: Billy Wilder. Starring: Marilyn Monroe, Tony Curtis, Jack Lemmon. After witnessing a Mafia murder, slick saxophone player Joe (Tony Curtis) and his long-suffering buddy, Jerry (Jack Lemmon), improvise a quick plan to escape from Chicago with their lives in the comedic cinema classic. Disguising themselves as women, they join an all-female jazz band and hop a train bound for sunny Florida. 116 mins.




Comedy Film Show – Blues Brothers

Harborough Theatre

22nd February

The Blues Brothers (15). After the release of Jake Blues (John Belushi) from prison, he and brother Elwood (Dan Aykroyd) learn the Archdiocese will stop supporting their former school and will sell the place to the Education Authority. The only way to keep the place open is if the $5000 tax on the property is paid. The Blues Brothers want to help and decide to put their blues band back together and raise the money by staging a big gig. 142mins




David Benson Q & A: My Life with Kenneth Williams

The Angel Hotel

24th February

Join actor/comedian David Benson and Festival Director Geoff Rowe, as they chat about David's admiration of comedy Carry On legend Kenneth Williams. David's semi-autobiographical, award-winning show "Think No Evil Of Us" has become a regular fixture on the UK theatre circuit, and London's West End, and this talk will help reveal how David's unusual childhood led to an extraordinary connection with the Carry On star. Price includes afternoon tea.




The Laurel & Hardy Cabaret

The Guidhall

23rd/24th February

This spin-off cabaret is a bumper package of routines, sketches, songs and dances from The Boys' lengthy career which you won't find in the biopic. Including all their Music Hall scripts from their UK Tours between 1947-1954 and a lot of other rare material, it's the closest you will get to seeing the original pair in action.


Mike Sales



By midlandsmovies, Nov 14 2018 02:49PM



Young filmmakers across the West Midlands team up and create their own opportunities


Young filmmakers in the West Midlands are creating their own opportunities as they work together under the name Gen.2 Creatives.


The group was founded in August 2017 by Luke Furmage, a young creative who graduated from BOA and the BFI Academy in Birmingham, after realising a want and need to create content among the young filmmakers and creatives in the West Midlands.


From workshops and masterclasses to festivals and competitions, Gen.2 Creatives main reason of existing is to be a safe environment for budding filmmakers from diverse backgrounds to practice and create film projects, while learning off each other and support one another by listing work opportunities.


With around 40 members of young creatives, they have worked on several projects, which have been uploaded online and played at the Flat Pack Festival 2018.


The group was also used as a part of the pitch for the Channel 4 bid, although it was not successful, they are working with other creatives in Birmingham, including established professionals, to create opportunities for young people. Three of the members were invited to a secret meeting, which took place on the 8th November, with names such as the Mayor of Birmingham Andy Street, Peaky Blinder screenwriter Steve Knight and many well-known media companies based in Birmingham.



Luke Furmage Founder and Director of Gen 2 adds, “Development and funding is only available for creatives that are already established in the industry, and Media courses, although teach students the tools of the trade, can often stifle creativity under the need to fulfil the criteria and complete exams".


"We want to develop a culture of creativity for a new generation of young creatives in the creative industry here in Birmingham. This new Online Generation has the unlimited potential for exciting new content that will shape the years to come", he goes on to say.


During one of their projects known as ‘12 Hours Till Wrap’ in which they create and edit a film in 12 hours, a few of the members explained why they joined Gen.2 Creatives.


William Terry-Wright, 18-years-old who was the Director of the most recent project, said, “It’s sounded like a great opportunity to network with young filmmakers and people with similar ambitions to mine, and it also sounded like a good opportunity to develop skills and knowledge in terms of filmmaking.”


Jordon Wolf, an 18-years-old aspiring actress who starred as the lead in the short films, said, “It’s very helpful to me because it’s something I want to go into in the future and it’s a great opportunity to get more experience.”


The self-sustaining group is starting to expand with talk of a partnership with The Producers’ Forum and possible connections with the BFI but are always looking to expand their network.


They have their first public 12 Hours Till Wrap event taking place 1st of December.


To find out more about the team, how to join, you can find them online on their website and Facebook page.


Fahima Khatun


By midlandsmovies, Nov 13 2018 10:39AM



Midlands Spotlight - Sutton Coldfield Movie Makers


Sutton Coldfield Movie Makers are a lively group of filmmakers and enthusiasts who meet twice a month in the West Midlands to create projects and inspire new and experienced filmmakers alike. Midlands Movies Mike Sales catches up with Jill Lampert to find out more.


Jill Lampert is the Membership Secretary of Sutton Coldfield Movie Makers, a grass-roots organisation that meets at 7.45pm every second and fourth Thursday of the month.


Their get-togethers take place between September and June at Wylde Green Community Hall, Emscote Drivein Sutton Coldfield and they are a community of like-minded cinephiles who enjoy developing film-making skills and supporting their members with their projects.


Although members of Sutton Coldfield Movie Makers include people with many years of experience working in mainstream television, Jill says that the club is an ideal place for beginner filmmakers to take their first steps into filmmaking.


"There is always a warm welcome given to visitors and new members and the first visit is free!"


Many members are currently working on different projects - from a murder story, an excerpt from Shakespeare and a short comedy with special effects. There are also a number of work in progress documentaries underway too and the range of subjects vary from beauty spots in Derbyshire to a boy with a passion for cricket as well as a film on hedgehogs and also another about homes for elderly, disabled and vulnerable people in France.


With such a wide range of experience and diversity of projects, SCMM has already created and completed a number of award-winning short films and their most recent work has included:


The Race to Death’s Door

Julian Austwick wrote and directed this ambitious short comedy film with many locations and a large cast.





Short Cut

Jack Reid wrote a short script which interested experienced filmmakers Ann and Arthur Fletcher. They developed the script and helped Jack to make this film featuring a shy birdwatcher.




A Helping Hand

Filmmaker Debbie Daniels’ first short film is about an elderly man who couldn’t sleep at night. He turned night into day but found this was isolating and lonely, so he turned to Dr Spellman for help. The doctor’s remedy was surprising.




The Attic

Members of Sutton Coldfield Movie Makers rented holiday cottages in Wales which doubled up as locations for this spooky short film by Andy Wills.




Behind the Signs

Three groups of members each put together a very short film explaining (in imaginative ways) the story behind a different pub sign. These three films were bound together by another story put together by a fourth group. Altogether some 27 club members were involved in making this film.


One special feature of this film was that members who had no experience in some aspect of filmmaking were invited to have a go. So the crew largely consisted of members who were trying out a new role e.g. directing for the first time, or doing the lighting for the first time.


For more information and to become a member check out the group's official page at


www.suttoncoldfieldmoviemakers.org.uk



By midlandsmovies, Nov 12 2018 07:12PM

MIdlands Feature - Cinematic Crusade - The Best Robin Hood movies


With Robin Hood, not since Sherlock Holmes has an iconic British legend been turned into so many movie adaptations over the years.


A report from the NME earlier this year says there are 7 Robin Hood films in the works. However, having just reviewed Robin Hood: The Rebellion I think they’ve missed at least one. Well, 7 or 8 is still a huge number for the same brand recognition but one thing is for sure – it’s a legend ripe for the reimagining!


With so many iterations over the years – from 1908’s "Robin Hood and his Merry Men" which marks the first appearance of the outlaw on screen to porn parody “Virgins of Sherwood Forest” – there hasn’t been a genre that the Robin mythos hasn’t been adapted into. But which of the many versions are the best? Well, with ours and Robin’s Midlands origins we attempt to look at 10 of the best Robin Hood films from cinematic folklore. Please read on...





10. Robin Hood (1991) Directed by John Irvin

The first of two 1991 Robin Hood films on our list – take a wild guess at the other – sees Patrick Bergin embody the outlaw whilst an up-and-coming actress by the name of Uma Thurman stars as Maid Marian. Directed by John “Raw Deal” Irvin and produced by John “Die Hard” McTiernan, sadly don’t expect too much in the way of solid action but owing to Kevin Costner’s huge film later in the year, this film has been regularly overlooked and certainly underappreciated. Fighting nobility, the plot uses the same set up as the 1938 film where a war between Normans and Saxons gets things moving but the movie sadly, and unwisely, jettisons the Sheriff of Nottingham (why?) for some new villains. Filmed on location at Peckforton Castle in Cheshire – a non-Nottingham theme we’ll be seeing more of later – the 19-year age gap between Begin and Thurman is a bit icky but it’s well worth checking out as a bit of a curio in the history of Hood on film.


Hood Fact: The use of "Your Majesty" wasn’t used until almost 200 years later, the word “thugs” derives from the Thuggee which Brits wouldn’t encounter for another five centuries, the bloodhound was not a favoured dog breed until the 1500s and when Friar Tuck says he can afford swan's breast in Madeira, the country wasn't actually discovered until 1419 so he would have had difficulty! To be fair, many of the other films on this list commit worse crimes than these nit-picks.



9. Sword of Sherwood Forest (1960) Directed by Terence Fisher

Tagline: “The NEW and Greatest Adventures of Robin Hood... The World's Most Renowned Swordsman!" Sword? Surely bow and arrow? Anyways, a little-seen version, Sword of Sherwood Forest is a Hammer Film Production (them of ‘horror’ fame) and stars Richard Greene – who reprises the role he played in The Adventures of Robin Hood TV series from 1955 to 1959. Hammer stalwart Peter Cushing takes on the part of the Sheriff of Nottingham who has nefarious plans to confiscate a rich estate and, as always, is thwarted by Hood acting on the side of good. Several clumsy sword fights can be forgiven owing to a genuine love for the material and acting heavyweight Oliver Reed appears, but is re-dubbed, as Lord Melton. Unlike a few hammy Hammer sets, the film looks glorious filmed as it was on location in County Wicklow, Ireland – but again not in Nottingham sadly.


Hood Fact: From 1954 to 1967 Hammer Film Productions released three different movies starring the famous outlaw – as well as this there was The Men of Sherwood Forest (1954) and A Challenge for Robin Hood (1967).



8. Robin Hood (2010) Directed by Ridley Scott

Well, it’s not perfect. And then some. Seminal director Ridley Scott – a man known for his visual prowess and epic scale – takes the legend and sadly removes any fun despite a film filled with great actors and impressive locations. Here, Australian Russell Crowe is cast as Robin and is not the first, and no doubt won’t be the last, person to struggle with an English accent. His infamous BBC radio interview had him hopping mad – then walking out – when its authenticity was questioned (click here). Alongside Crowe is one of the best casts in the business, which includes Cate Blanchett, William Hurt, Mark Strong, Mark Addy, Oscar Isaac, Danny Huston, Eileen Atkins, and Max von Sydow. Yet it was the stodgy story and dour delivery that had people turning their noses up. Where’s Robin’s sense of mischief? Where is the adventure? Where is the film’s joy? For all its flaws though, you can still appreciate the fantastic Scott set pieces. Although, when seeing this film for the first time at the cinema I can still remember laughing out loud at the slow-motion sequence of Crowe popping out the sea (sea? In the legendary land-locked Nottingham?) in a shot of such ludicrous “epic-ness” there’s a perverse enjoyment of a film that takes a jaunty tale so seriously. You have been warned.


Hood Fact: The film's budget ballooned from $155 million to $200 million. Scott robbing from the rich film companies to deliver a poor film.



7. Robin and the 7 Hoods (1964) Directed by Gordon Douglas

A 60s musical set in Chicago during the Prohibition where two rival gangs compete for control of the city's rackets seems an unlikely interpretation but with so many films of Robin Hood appearing over the years, it’s these new takes that can standout amongst such a busy marketplace. Written by David R. Schwartz and produced by (and starring) Frank Sinatra, the film sees new mob boss Guy Gisborne (Peter Falk) ordering other gangsters in town to pay him protection whilst “Robbo” (Sinatra) gets together a band of merry men including pool hustler Little John (Dean Martin) and Will (Sammy Davis Jr.). Before long, the gangster ends up robbing from the rich and giving to a poor city orphanage. In a twist however, Barbara Rush as Marian Stevens (Maid Marian) is as duplicitous as they come, playing off both sides and looking out only for herself and stealing tainted money. Mostly a spoof, the film features the rat-pack stars belting out a variety of slick speakeasy hits including "My Kind of Town" which is the centrepiece number and was nominated for the 1964 Academy Award for Best Original Song. A quirky oddity, there’s enough swinging style to give Robin an updated unravelling by jumping into the seedy gangster genre.


Hood Fact: For a legend often containing imprisonments, ransoms and money exchanges, a scene depicting a kidnapping was filmed for Robin and the 7 Hoods but was quickly cut when star Frank Sinatra's son was kidnapped in real life. The 19-year old was released soon after after Sinatra paid the $240,000 demanded.



6. Robin and Marian (1976) Directed by Richard Lester

Before tackling his own American icon in Superman II, director Richard Lester went back to the past heroes of the UK with this period romantic adventure starring Sean Connery and Audrey Hepburn. Strangely including comedian Ronnie Barker as Friar Tuck, the film was mostly shot in sunny old Eng—actually in Zamora, Artajona and Orgi in Spain – standing in for France rather than the Midlands at times too. With this suspect geographical anomaly (a Robin Hood film tradition you will see as we continue to go through the list), the movie had big names, a score composed by John “007” Barry and came off the back of Lester’s take on another classic swashbuckler The Three Musketeers (1973). It moves away from the traditional narrative where we get an aging Robin Hood fighting abroad before his return to Nottingham but [SHOCK HORROR SPOILER WARNING] he actually dies at the end. An interesting look at age, legends, love and wisdom, Robin and Marian may be one of the most complex, and interesting, versions of the nostalgic tale to date.


Hood Fact: Connery seems inexplicably linked to the Hood fable from his appearance here to his cameo as King Richard the Lionheart in Prince of Thieves (1991). He also appeared in Time Bandits (1981) which featured John Cleese’s comical Robin Hood. And it doesn’t stop there as his own son Jason Connery would later play Robin Hood in Robin of Sherwood (1984)!



5. Robin Hood: Men in Tights (1993) Directed by Mel Brooks

Parodying the Robin Hood myth – but more specifically the 1938 and 1991 film versions – Mel Brooks undoes some of the legend’s classicism and replaces it with the pratfalls, visual jokes and verbal gags seen in Brook’s previous comedies. Cary Ewes plays a solid Robin holding together the chaotic narrative stemming from the eclectic support cast and bit-players which includes Dave Chappelle (in his first film role and clearly inspired by Morgan Freeman’s Moor), Isaac Hayes, Tracey Ullman, Patrick Stewart and even Dom DeLuise. A point-of-view shot following an arrow’s impossible journey around a forest (in the trailer only no less) is another direct reference to Prince of Thieves and whilst it pokes fun, it respects the story’s heart and never feels like a direct dig at the tale. Favourite line? “Unlike other Robin Hoods, I can speak with an English accent”. With this and some actors interacting with the crew on screen, Men in Tights takes a swipe at a number of past performances whilst warmly acknowledging the history of Hood on film into the bargain.


Hood Fact: As mentioned several times already, the geography of Great Britain is again suspect here – maybe intentionally so given the film’s parodic nature – but at the end of the movie when the camera is zooming out the castle is shown to be around Milton Keynes. Tut Tut.



4. Robin Hood (1973) Directed by Wolfgang Reitherman

Can humanoid cartoon animals portray historical characters better than Russell Crowe? You bet your ass they can! Disney’s box office success found fans owing to its excellent voice cast, fun animation and catchy tunes and although it may have aged a little worse than its initial box office suggested, the movie’s biggest draw is its entertaining and light-hearted take on the hero. Languishing in development hell since the mouse house’s Snow White (1937) the tale is inspired by Reynard the Fox – a medieval fable featuring a trickster red fox character. This version’s Little John shares eerie similarities with Baloo from The Jungle Book (1967) who was also a bear that had been voiced by Phil Harris and classic sequences are incorporated from the traditional Robin Hood narrative. One such take is the cordial tree-crossing in which Robin Hood and Little John wander over a fallen tree which bridges a river – this twists their usual legendary fight at the same location.


Hood Fact: The famous gap on Terry-Thomas' teeth was incorporated into the design of the character he voices, Sir Hiss (a snake) – and it makes a handy opening for his forked tongue to dart out from.



3. Robin Hood (1922) Directed by Allan Dwan

As the first film ever to have a Hollywood premiere, held at the now legendary Grauman’s Egyptian Theatre, Robin Hood was also one of the most expensive films of the 20s with a one-million-dollar budget. Douglas Fairbanks stars in this black and white silent movie as Earl of Huntingdon/Robin Hood and with sword fights, castles, horse chases and a feather in his hat, this much-lauded classic help set up many of the tropes we know from the films today. A massive film for its time, its use of over 1200 extras can be seen in spectacular battle scenes in huge Hollywood scale with some of its impressive sets being designed by architect Lloyd “Hollywood Bowl” Wright.


Hood Fact: Alan Hale, Sr. made such an impression as Little John in this film that he reprised the role sixteen years later in The Adventures of Robin Hood (1938) opposite Errol Flynn. Then he played the character again in Rogues of Sherwood Forest in 1950, 28 years after his initial performance in this original.



2. The Adventures of Robin Hood (1938) Directed by Michael Curtiz

Considered by many to be the definitive Robin Hood interpretation, the film is most known for Errol Flynn’s magnetic performance of Robin but director Curtiz (of Casablanca and Mildred Pierce fame no less) should be equally lauded for helming this legendary production. As well as Flynn, superstar Olivia de Havilland stars as Lady Marian Fitzwalter (Maid Marian) whilst Basil Rathbone takes the role of Guy of Gisbourne. Melville Cooper’s take on the High Sheriff of Nottingham is underrated and once again a film company (this time Warner Bros.) made their most expensive film ever with its budget being a richly $2 million. With its adventure spirit, a host of dramatic yet charismatic performances and fantastic fights, this film is rightly held as the pinnacle of chivalric swashbuckling on film and won Academy Awards for Art Direction, Editing and Original Score from celebrated composer Erich Wolfgang Korngold.


Hood Fact: James Cagney (of Curtiz’s earlier film Angels with Dirty Faces) was originally cast as Robin but walked out on his Warner Bros. contract and the filming was postponed three years, as a result – but paved the way for the role to go to Flynn.



1. Prince of Thieves (1991) Directed by Kevin Reynolds

As I have mentioned before on this site 1991 was a brilliant year for film which saw Terminator 2, Silence of the Lambs and JFK having huge critical and commercial success but it was Bryan Adams’ soundtrack song to Robin Hood: Prince of Thieves that takes me back to that infamous year. Spending what felt like 16 years atop the charts at number one (it was in fact a record-breaking 16 long WEEKS) the song’s cheesy love lyrics also earnt it an Academy Award but was the perfect accompaniment to a film that was (and still is to me) one of the guiltiest pleasures of the nineties. Costner’s intense and dodgy-accented New Orleans attorney in JFK from the same year was left behind for the dodgy-accented outlaw in a film which balanced both folk tale fun alongside serious issues of history, honour and guilt. Stealing the show of course is Alan Rickman’s BAFTA winning turn as the Sheriff which cemented his career playing legendary villains. It was also Rickman who brought in friend Ruby Wax to improve the Sheriff’s scripted dialogue. Also in on the act is a superb support cast including Morgan Freeman, Christian Slater and Mary Elizabeth Mastrantonio who all give a bit of a depth to the characters we’ve seen dozens of times before. The brilliant rousing music score was composed by Michael Kamen and was subsequently used on Walt Disney trailers and gives me chills each and every time I hear it. The movie contains a split arrow sequence that nods to Flynn’s 1938 archery contest scene, a Sean Connery cameo as King John (who else, huh?) and lots of laughs and action that entertains to this day. Having kept the VHS of this film – I think it was the first one I ever bought – I’ve always had a soft spot for it and although it’s so cheesy it should be served with crackers, the film’s tone is the perfect adventure mix of silly and serious.


Hood Fact: Everyone always dismisses the film’s geography – land in Dover, get to Hadrian’s Wall then enter Nottingham by nightfall on foot but…..if the cliff is just a cliff and the wall just a wall then you can land in Grimsby at 5am in Summer and get to Loxley near Sheffield in 62 miles which is just kinda possible. And that’s what I’m sticking to.


Michael Sales

By midlandsmovies, Nov 11 2018 09:54AM



Robin Hood The Rebellion (2018) Dir. Nicholas Winter


Back in 1991 two Robin Hood films were released with Kevin Costner’s infamous Robin Hood: Prince of Thieves going head-to-head in an archery competition with the lower budget Robin Hood starring Patrick Bergin. Now in 2018 we have a similar experience with the Hollywood blockbuster Robin Hood and this low budget UK film.


Here, the background of the merry men coming together is jettisoned, as a coda at the start gives us a few lines to set up the story – which to be fair, would be well-known by the majority an audience familiar with the often-told legend. We are then thrust into a fight scene showing the current brutality of the Sheriff of Nottingham’s men against the band of outlaws hiding in the forest. Some good drone shots and authentic location work set up the period well, alongside solid costume design. At least here we don’t get the blockbuster “reinvention” which (at the time of writing and only the trailer out) looks on initial viewing like a CGI mess.


In summary, the story has Maid Marian (Marie Everett) being kidnapped by the Sheriff (James Oliver Wheatley) forcing Robin (Ben Freeman) to rescue her. Sadly the solid beginning and competent shadowy and fire-lit cinematography is undone by some rather bland story-telling. The stirring music is almost constant throughout, which gives the film no light or shade. About 25 minutes in we get our first shot of a stone castle but this is the first major location change. It comes far too late and a forest is only so interesting to look at and the woods give the movie the unfortunate tone of a fan-film. Again, same music. Same locations. Same action.


The film reminded me of the worst excesses of Zak Snyder – it looks the business but slow-motion is used when not needed and every line of “lofty”, but too expository, dialogue is delivered with so much emphasis it comes across as pantomime-like. When these “trailer” lines (“we MUST fight”) are so commonplace, development is difficult as no-one has regular conversations that enlighten their character.


It could do with a huge dollop of light-heartedness too (the best Hood tales for me have an abundance of camp fun) and the film reminds me of the rather dour Ridley Scott version from a few years back. And a much-needed OTT cameo from Prince of Thieves-starring Brian Blessed is too little too late.


Sadly then, although the filmmaker has done well with a low-budget, the story just isn’t there to maintain the required interest and the dialogue instils little empathy with the characters. Especially with Robin himself seemingly quite murderous in this version. So despite some great location work and cinematography, those two fantastic elements alone cannot overcome the film’s flaws so it’s difficult to recommend despite its honourably good intentions.


5/10


Michael Sales

By midlandsmovies, Nov 4 2018 07:46PM

Review - Movie Catch Up Blog 2018 - Part 4




Jurassic World: Fallen Kingdom (2018) J. A. Bayona

The fifth film in the dino-giant Jurassic franchise, and boy does it feel like it. In the world of the soft reboot, what we get here is a re-tread of Spielberg’s disappointing sequel where a group of military personnel return to the infested island. As they try to retrieve precious DNA remnants, the animal's eco-system is disrupted by the impending eruption of a volcano which puts the remaining dinosaurs at risk of a second extinction. Why this is a problem remains a mystery as they can surely clone them all again? That was the first film’s point. Chris Pratt moves further from his great Guardians performance and slides into “Blando Hero-man” alongside Bryce Dallas Howard’s retconned footwear-obsessed power female. The film also takes a sharp 180 degree turn at the halfway point and we are soon in a Scooby-Doo esque haunted mansion where – and this is actually the story – a group of rich billionaires are buying and selling dinos in an underground laboratory. WTF? Reminding me of the human trafficking auction in Taken, the film flies off the rails with only a few hints of the skill Bayona showed in his earlier films The Orphanage and A Monster Calls. Boring and dull, Fallen Kingdom is somewhat unbelievably the 12th highest grossing film of all time which means there will most certainly be another - but count me out of this dead-as-a-dodo theme park attraction. 5.5/10




The Meg (2018) Dir. Jon Turteltaub

More monstrous-sized nonsense in this actioner starring everyone’s favourite knees-up-muvva-brown geezer Jason Statham. Back in 2015 for my review of Wild Card I said, and I quote, Statham “often plays the same ex-cop/gangster/trained assassin/cage fighter/thief with violent skills who attempts to go straight, but is pulled in by circumstances beyond his control”. And unsurprisingly here, he is a retired and disgraced diver whose skills are needed when he returns to investigate an ocean anomaly, despite his suspect past and *cough* his attempts to leave his aquatic life behind. As quick as you like he’s back in the saddle, or should that be scuba, and thus begins a sub-Deep Blue Sea monster movie with awful CGI and atrocious acting. Films that hope to be ironic b-movies tend not to work unless you go “full pastiche”. So, The Meg’s hammy performances and plastic special effects are not ironically bad, they’re just bad. Director Turteltaub helmed the fun guilty pleasure National Treasure movies yet this is neither family fun nor satisfying grindhouse splatter-fest. The Meg sadly handles its efforts in both genres terribly badly. Some may find a bit of Saturday night excitement in its glossy shark sequences but for me the film was simply mega disappointing. 4/10




Tag (2018) Dir. Jeff Tomsic

During the end credits of Tag there is real-life camcorder footage of the men who inspired this new American comedy from Jeff Tomsic and it’s indicative of the film’s quality that those few minutes are far more interesting than the preceding 2 hours. Based on the real-life story of a group of grown adults who play a game of “tag” (“it” in the UK) for one month of the year, Ed Helms plays Hoagie who stalks his friends Jon Hamm, Jake Johnson, Hannibal Buress and Isla Fisher. He then convinces the old gang to play one final game before ‘retirement’ by tagging their elusive friend Jeremy Renner who has never been tagged despite years of attempts. With Renner on the verge of marriage, the group try to tag him during his wedding planning but his 'Bourne' skills sees Renner using Hawkeye-style reflexes to avoid their juvenile attacks. A few fine jokes and some rip-roaring editing still cannot overcome the fact that, for me, a documentary on the actual participants – who still play to this very day – is where the true entertainment would lie. With Blockers and Game Night both tackling the “adults playing at kids games” theme as well, Tag sadly doesn’t have anything close to the fun found in those. And with its TV-style filming, a strangely maudlin ending and its one-trick-pony idea Tag is definitely not “it”. 4.5/10




The First Purge (2018) Dir. Gerard McMurray

How did The Purge start? Well, this is the film to answer the question that no one was really asking but as with the other films in the series, this 4th franchise instalment tackles some deeper issues than your regular b-movie thriller. In the mid-21st Century, we are told via news footage that the fascist New Founding Fathers of America (NFFA) are launching an experiment on Staten Island where citizens can commit crime consequence-free for 12 hours. The film follows local drug gangs, a criminal called Skeletor and young anti-purge activists throughout the night as they fight off the expected (and unexpected) participants of The Purge. With a mainly black cast, the film also discusses issues of community, poverty, substance abuse and even has Ku Klux Klan members and black-faced mercenaries. Not just a throwaway action-flick for sure.


In my review of The Purge: Election Year I explained how the “anthology” nature of The Purge series has allowed it to explore more interesting themes than similar low-budget fare, whilst also allowing young up and coming talent to take centre stage amongst its cast. And good turns from Y'lan Noel as Dmitri, Lex Scott Davis as Nya, Joivan Wade as Isaiah, Mugga as Dolores and Christian Robinson as Capital A mean everyone delivers more than fine performances throughout. With “weighty” films like Black Panther, The Post and Black Klansman all tackling lofty themes, it’s great that The Purge gives them all a run for their money with its social commentary alongside b-movie bloodshed. With the authorities trying to stir up hatred with militias, The First Purge (and the others in the series) has used its silly premise to turn a mirror on to the problems currently facing America. And through inventive costume design, handheld camera and a pumping soundtrack, uses its non-mainstream genre to explore the far darker, but no less important, aspects of politics and policymakers. 6.5/10


Michael Sales


By midlandsmovies, Nov 4 2018 08:44AM



Midlands Spotlight - Nottingham International Film Festival


The Nottingham International Film Festival is taking place at the Cineworld and Nottingham Arts Theatre from the 11th-15th November and is showing a great selection of independent film from around the world.


After two successful years the festival is expanding in length and will be spread across two venues with Nottingham’s city centre cinema Cineworld and stalwart of Nottingham’s arts scene The Nottingham Arts Theatre hosting a mix of feature and documentary films, short films, experimental, music videos and animations.


The opening night documentary, The Ballad of a Righteous Merchant, is about Werner Herzog and the making of his film My Son, My Son, What Have Ye Done.


The film is playing at Cineworld on 11th November at 4PM and the director will be doing a Q&A after the screening. Check out http://www.nottiff.com/ballad-of-righteous-merchant for all the information and to buy tickets.



Screenings at the Arts Theatre are great value for money as they include both a Short Film Showcase and a feature presentation for the price of one ticket. Viewers can also grab a selection of passes for the Cineworld screenings, including all six films for £24 (£20 for students).


A 60-Minute Short Film Showcase and feature film double bill at The Nottingham Arts Theatre can be purchased for just £7.50


For all ticket options and offer click here: http://www.nottiff.com/tickets-and-passes/

For more details please visit http://www.nottiff.com


Full Line-Up below:


Ballad of a Righteous Merchant

HERBERT GOLDER / UNITED STATES / 63 MINUTES / ENGLISH LANGUAGE

Starring: Werner Herzog, Michael Shannon, Chloë Sevigny, Willem Dafoe

Playing at 4pm on Sunday 11th November at Cineworld Nottingham


Opening Night Shorts

A selection of short films from around the world with stars Billy Bob Thornton, Stephen Graham and Alfred Molina in the linuep.

Playing at 6:30PM on 11TH November, Cineworld


Octav

SERGE IOAN CELEBIDACHI / ROMANIA / 100 MINUTES / ROMANIAN WITH ENGLISH SUBTITLES

Starring: Marcel Iures, Victor Rebengiuc, Lia Bugnar

Playing at 6pm on Monday 12th November at Cineworld Nottingham


My Year with Helen

GAYLENE PRESTON / NEW ZEALAND / 93 MINUTES / ENGLISH LANGUAGE

Starring: Helen Clark

Playing at 8:30pm on Monday 12th November at Cineworld Nottingham


Behind the Mirror

DIETMAR GAMPER, LINDA ROEHL / ITALY / 73 MINUTES / GERMAN WITH ENGLISH SUBTITLES

Starring: Hanna Weithaler, Veronika Pircher, Walter Tribus

Includes Tuesday Night Short Film Showcase

Playing at 7PM on Tuesday 13th November at the Nottingham Arts Theatre


Phantompain

ANDREAS OLENBERG / GERMANY / 98 MINUTES / GERMAN WITH ENGLISH SUBTITLES

Starring: Daniel Littau, Sven Martinek, Jessica Boehrs

Includes Wednesday Night Short Film Showcase

Playing at 7PM on Wednesday 14th November 7PM at the Nottingham Arts Theatre


You Can’t Say No

PAUL KRAMER / UNITED STATES / 91 MINUTES / ENGLISH LANGUAGE

Starring: Marguerite Moreau, Annie Monroe, Peter Fonda

Playing at 6pm on Thursday 15th November at Cineworld Nottingham


When The Storm Fades

SEAN DEVLIN / CANADA / 81 MINUTES / ENGLISH LANGUAGE

Starring: Kayla Lorette, Ryan Beil

Includes Thursday Night Short Film Showcase

Playing at 7PM on Thursday 15th November at the Nottingham Arts Theatre


Laddie: The Man Behind the Movies

AMANDA LADD-JONES / UNITED STATES / 84 MINUTES / ENGLISH LANGUAGE

Starring: Alan Ladd Jnr, Morgan Freeman, Ridley Scott, Mel Gibson, Sigourney Weaver

Playing at 8:30pm on Thursday 15th November at Cineworld Nottingham

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